形而上的

Ery few architects today are brae enough to speak of metaphysical norms of architecture, and there are ery few who hae the ability to analyze and explain the relationship between such statements and their work.

在今天的时代，敢于谈关于形而上建筑规范的建筑师为数极少。能够将自己的言论与自己的建筑的关连加以分析和说明的建筑师也为数极少。

Sananda's presence as a source of violence on Earth may shock many a metaphysician who may have come to appreciate Sananda's guidance.

Sananda的存在作为地球上暴力的源头，这可能打击了许多欣赏Sananda的指导的形而上学家。

They operate then as the ethical shadow within ontological language, as an aesthetic of the face-to-face relation otherwise threatened with suppression in the work of the metaphysician.

他们在这个形而上学家的作品中是被当作本体论语言中伦理的阴影和受抑制所威胁的别样的"面对面"的审美关系去运用的。

The Monadology is a work in metaphysics, that is, a work that tries to uncover the nature of reality, and although it was written in 1714 as a kind of summation and popularization of Leibniz's philosophical views, the work neither makes those views readily accessible, nor does it go very far in convincing readers of Leibniz's account of the nature of reality, as Russell's remark shows.

单子论是形而上理论，也就是试图解释现实的本质的理论，这本1714年写成的书虽然是莱布尼茨各种哲学观点的总和，这本书既不让他的观点变得容易理解，也不像罗素说的为了使人信服而非常深入。

Post-modern literature s vulgarity and insignificance are not only the product of social transformation,but also the result of metaphysical status vacillation of form.

后现代场景中文学的低俗化和无意义性不仅仅是社会转型的产物，也是形式的形而上地位动摇带来的结果。

In the face of the "scenery" pictures presented by Yin Chaoyu, maybe some people will not like the spacious, cold and condensed ambience, but it is indeed that we can not be apathetic to this kind of pictures with certain mysticlsm incline and a superorganic character, no matter it is visional or real. They give the spectator a super-experience sense, which may touch something of us on certain point, but we can not express that clear and exactly.

面对尹朝宇给我们呈现的那些"风景"画面，也许有人会不喜欢那样一种广阔而又冷凝的气氛，然而，这样一种具有某种神秘主义倾向和形而上特征的图像，无论它是虚幻的还是真实的，我们的确不能够无动于衷，它给予了一个观者超验的感受，这种感受在某一个点上可能触动了我们一些东西，但是我们却无法准确说得清楚。

F senior career choice rather than the abstract, unfathomable and almost embar

和衡量的大四学生职业选择的问题，而不是那抽象的，晦涩的，甚至会令人难堪的形而上

The formation of western classical metaphysical aesthetics is a dialectical movement of constituting aesthetic subject transcendently on the basis of soul conception, passing through "the theory of natural soul" in ancient Greece, Descartes's "doctrine of rational soul" and in Germany classical aesthetic the second comprehension on aesthetic subject with separate soul and flesh, opposite emotion and ration.

西方古典形而上美学的形成是在灵魂观念基础上对审美主体超验性建构的辩证运动过程。历经古希腊的&天赋灵魂&，笛卡尔的&理性灵魂&，德国古典美学灵肉分离、情理对立的审美主体的二次综合。

With essence, totality and self-identity deconstructed by difference, the deconstructive world must be one in resistance to positive actions of all kinds.

它的&差异&观对形而上概念的实质、整体性和自我同一性的消解，决定了它对实证活动的抵制立场。

Giorgio de Chirico was a famous Italian artist in the 20th century. Learning from the Germany Symbolism, adding his thinking and understanding about philosophy and science, as well as the glorious tradition of Italy, Chirico created a unique art style, Metaphysical Painting.

20世纪意大利籍艺术家乔吉奥·德·基里柯早年吸收德国象征主义艺术传统的营养，融入自己对哲学理论的思考、对科学研究的兴趣，以及对意大利伟大传统的理解和运用，创作出形而上绘画这一独特的艺术风格。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。