形态论

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Main subjects include: Point 1: construct truth, give meaning, and typical phenomenon of mass culture: fashion, symbolization, authority and idolization; Point 2: communication and chain reaction, the transformation of social relationship in mass culture pattern.

主要议题包括：意义之一：构建真实，赋予意义，兼论大众文化的典型现象：流行，符号化，权威与偶像；意义之二：沟通与互动，兼论大众文化形态中人类社会关系的变化。

From examining three aspects,which are knowledge-modality,exploring activity and societal organizational system,results indicate that science and technology are hypotaxis,in which there is not an upsides parallel circumscribing criterion.

从知识形态、探索活动和社会建制三个方面考察的结果表明：科学和技术是从属关系；不存在科学与技术平行、对等的划界标准。科学和技术并列论或技术独立论误导教育和科研，危害科学发展和技术进步。

The history of Probabilism is given under this title, suffice it to say here that from the middle of the seventeenth century when the violent discussion of this question begins, the development of moral theology coincides with that of Probabilism and of other Probabilistic systems; although these systems touch only a small portion of morals and of moral truths and nothing is farther from the truth than the opinion, so wide-spread among the adversaries of Catholic morals, that Probabilism gave a new shape and a new spirit to the whole of moral theology.

历史的或然论是根据本书名，只需在这里说，从中间17世纪的暴力时讨论这一问题开始，发展相吻合的道德神学与然论和其他概率系统；尽管这些系统只涉及一小部分的道德和道义上的真理，什麼是大吉比认为，这样广泛的对手之间的天主教道德，即然论提供了新的形态和新的精神对整个道德神学。

From a didactical view, this paper classified knowledge into two forms: academic form and educational form. Through the definitude of the meaning and connotation of educational form, the paper pointed out that the form transformation theory can be guidance for the knowledge analysis.

本文从教学论的角度将知识分为学术形态的与教育形态的，通过探讨它们的内涵与意义，指出知识形态转换就是将学术形态的知识转换为教育形态的知识，它为教材知识点的确定提供了良好的指导理论。

Beisner faults Lee on a number of points, including two forms of modalism condemned by the early church's ecumenical councils, and said no critics who have changed their mind—including his sister, Passantino Coburn—have yet documented how former concerns about Lee were actually misrepresentations.

Beisner认定李在几个点上犯了错误，包括两种被早期教会大公会议所定罪的形态论，并声称没有任何的批判者在这点上改变了他们的看法—包括他的姐姐--Passantino Coburn—已经以书面解释这个过去关于李的疑虑实际上是错误的理解。

To control the ground-water table on irrigated lands is vitally important in arid and semi-arid regions. In order to determine the standard of water table control, considerable attentions were paid to the "critical depth"(or "safe depth") of ground-water table. The salts accumulate in the top soil if the water table is not deeper than this depth. The conditions that the salts accumulate in any layer of the soil owing to the movement of soil moisture are:(1) the supplement of soil moisture from neighboring...

本文分析了地下水补給情况下土壤水分的形态和不同形态的水分在土壤中运行和蒸发的一些特点，论証了毛管水联系破裂含水率等土壤水分形态指标与土壤水分运动和土壤积盐状况的关系，探討了次生盐碱化发生的地下水临界条件，提出了地下水临界深度的确定方法，并且对現有的临界深度的确定方法进行了討论与比較。

The Shaper faction uses genetic and bio-engineering to a : dapt their bodies to space while the Mechanists believe in creating su : perior humans using cybernetic enhancements.

形态论 ：者利用基因和生物工程技术改造了他们的身体去适应空间，而机械论者把信心放：在制造高级人类使用的控制论增强器上。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，&超验&与&妙悟&的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了