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Be in our country, formalism, bureaucratism is having deep historical parent.

在我国 ,形式主义、官僚主义有着深厚的历史根源。

Just for that, Bakhtin, in his study of carnivalization, takes in the workable elements in the Marxist and Formalist methodology to practise his dialogism while making best use of the exteriority of time, space and culture.

例如,巴赫金研究狂欢化所采用的方法,就是既吸纳了马克思主义的科学方法、形式主义的洞见、维谢洛夫斯基的"历史诗学"等的合理内核,又加以改造,运用对话主义,利用时间、空间、文化上的"外在性"进行综合的审美观照。

Last , I analyzed the feasibility of the property formalism mode in china"s legislation on the transference of property and considered this mode is scientific theoretically and religions logically. There is no obstacle in legislation and indicial practice. So compared with the credit formalism, it should be adopted by China"s property legislation.

最后,笔者对物权形式主义模式在国内物权变动立法适用上的可行性进行了分析论证,认为该模式具有的理论上的科学性和逻辑上的严谨性,在立法和司法实践中不存在严重障碍,与债权形式主义相比更应为我国物权立法所采纳。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说,一方面,早期极少主义的发展是符合格林伯格主张的&形式简化&原则的;但另一方面,当斯特拉提出&你看见的是什么就是什么&,贾德主张&特殊客体&,以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后,极少主义开始脱离现代主义的发展轨迹,最终走向了反现代主义的道路。1967年,格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭,此后,形式主义批评走向衰落。

Chinese Pop Art in the early 90s, described as Living Pop art, has a clear signification and concept. The Gandy Art (from 1995 and later) however turned into a more formalist art. It lacks an avant-garde approach and has no references to daily life anymore. Also it has a Benthamistic and pragmatistic character: being more business oriented to the Western art market.

中国90年代的波普艺术统属于生活波普。90年代初的生活波普与后来的艳俗艺术有些差异性,前者的意指和观念都很明确,后者却是一种形式主义的东西,缺乏现实生活的参照系,有功利主义和实用主义的倾向。

The lyrics are based on her unfashionably romantic view of the world (see her likes/dislikes below), set against a backdrop of pop, jazz, swing, blues – even salsa!Victoria's unique musical style.

歌词则是基于她的那些不慎流行又夸张的浪漫世界观写出来(写的都是她之前喜欢或者不喜欢的东西),她不喜欢那些pop, jazz, swing, blues甚至是salsa的平时普遍使用的刻板的形式主义的歌词。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发,关注作品的形式和技巧,利用文学的&陌生化&,通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式,打破文学语言的正常节奏、韵律和构成,摆脱语言的&自动化&,使其与人们熟悉的语言形式相疏理相错位,并且进一步将&陌生化&运用到文学作品的形式,产生耳目一新的感觉;英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&;到了结构主义那里,他们主要强调在整体结构系统中来把握文学文本,突破了形式主义和新批评专注于具体作品分析的局限,通过具体作品去发现背后普遍的结构模式,同时也正是在对具有普遍意义的抽象结构的关注,使其进一步了认识&文学性&。

Under circumstances of late development of modernization, the mobilization of policy process in China may lead to widening gaps between special cases and the general circumstances. Therefore, the author points out, very often pharisaism will result in the process of institutionalization because of existing differences in location as well as in potential interest in various regions.

在后发现代化背景下,中国的动员型政策过程拉大了&典型&与&一般&之间的距离,不同空间区位的差异以及潜在的利益格局使得制度化过程常常伴随着形式主义的现象。

Under circumstances of latedevelopment of modernization,the mobilization of policyprocess in China may lead to widening gaps between specialcases and the general circumstances.Therefore,the authorpoints out,very often pharisaism will result in the processof institutionalization because of existing differences inlocation as well as in potential interest in various regions.

在后发现代化背景下,中国的动员型政策过程拉大了&典型&与&一般&之间的距离,不同空间区位的差异以及潜在的利益格局使得制度化过程常常伴随着形式主义的现象。

He is better known however, for his radical and brightly coloured steel sculptures of the following decade, which were inspired by the writings of the formalist critics such as Clement Greenberg and the Abstract Expressionists .

他是更好地了解然而,对于他的激进和色彩缤纷的钢雕塑的下列十年,受到启发的著作中的形式主义的批评,如克莱门特格林伯格和抽象

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在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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