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形式主义

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However, after 1994 Chen's works tend to possess characteristics of Abstract Expressionism and Formalism.

而1994年以后之作品则具有抽象表现主义与形式主义之特徵。

But ethics without practical application only lead to the sterile formalism and abstractionism of scholastic thought.

但是,拟订道德标准而不付诸实施,只会导致毫无结果的形式主义和学究气十足的抽象思想。

Equipartition and virial theorems within general thermostatistical formalisms The energy equipartition and virial theorems are discussed within general thermostatistical formalisms.

均分和维里定理,在一般热的统计形式主义的能量均分定理和维里讨论了在一般热的统计形式主义

Last , I analyzed the feasibility of the property formalism mode in china"s legislation on the transference of property and considered this mode is scientific theoretically and religions logically. There is no obstacle in legislation and indicial practice. So compared with the credit formalism, it should be adopted by China"s property legislation.

最后,笔者对物权形式主义模式在国内物权变动立法适用上的可行性进行了分析论证,认为该模式具有的理论上的科学性和逻辑上的严谨性,在立法和司法实践中不存在严重障碍,与债权形式主义相比更应为我国物权立法所采纳。

Briefly,on the one hand,the development of the early Minimalism is in line with Greenberg\'s principle of "simplified form";on the other hand,after Stella\'s"What you see is what you see",Judd\'s "Special Object" and the creative idea of "theater" advocated by Tony Smith and Robert Morris, the Minimalism begins to depart from the mainstream of Modernism to the anti-Modernism ultimately.In 1967,Greenberg\'s "Recentness of Sculpture"and Michael Fried\'s "Art and Objecthood" mark the watershed of the Formalist criticism which came to decline then.

简要地说,一方面,早期极少主义的发展是符合格林伯格主张的&形式简化&原则的;但另一方面,当斯特拉提出&你看见的是什么就是什么&,贾德主张&特殊客体&,以及托尼·史密斯、罗伯特·莫里斯宣扬&剧场&化的创作主张后,极少主义开始脱离现代主义的发展轨迹,最终走向了反现代主义的道路。1967年,格林伯格的《雕塑的近况》与迈克·弗雷德的《艺术与客体性》成为了形式主义批评的分水岭,此后,形式主义批评走向衰落。

Judging from the angle of art criticize, the nature of "culture" means the fundamental modes of thinking, the behavior sets and their external presentation cohering to the format.

论文的第二章重点探讨了弗莱形式主义艺术批评的主要理论建树以及他对形式主义的理论局限的超越。

Though compared with the unpredictable and capricious battle of ethics, formalism appears to be much more real and self-disciplined. Nevertheless, the frame of formalism is insufficient to support the present discussion about the vision, for in the end the vision simmers down to the perceived behavior related to our bodies, always drifting among different subjects, thus inevitably tainted with the habits or prejudices of individuals, groups and the society, a point which sensitive artists never fail to catch, along with the relation between the vision and the formalism..

虽然,相较于云谲波诡的道德论战,形式主义自身要显得真实与自律的多,但即使这样,形式主义的框架却依旧难以支撑现在对于视觉的讨论,因为视觉归根结底是与我们身体相关的知觉行为,它始终要在不同的主体间漂移,也不可避免的会沾染上个人、群体与社会的习惯抑或是偏见,而敏感的艺术家从不会放过这一点,其中自然也包括视觉与形式主义存在的&亲缘&关系。

Nevertheless, the frame of formalism is insufficient to support the present discussion about the vision, for in the end the vision simmers down to the perceived behavior related to our bodies, always drifting among different subjects, thus inevitably tainted with the habits or prejudices of individuals, groups and the society, a point which sensitive artists never fail to catch, along with the relation between the vision and the formalism..

虽然,相较于云谲波诡的道德论战,形式主义自身要显得真实与自律的多,但即使这样,形式主义的框架却依旧难以支撑现在对于视觉的讨论,因为视觉归根结底是与我们身体相关的知觉行为,它始终要在不同的主体间漂移,也不可避免的会沾染上个人、群体与社会的习惯抑或是偏见,而敏感的艺术家从不会放过这一点,其中自然也包括视觉与形式主义存在的&亲缘&关系。

Singer's book Reality Transformed addresses this by looking at the concepts of formalism and realism together. Formalists can be characterized by their use of the camera, techniques of cinematography, structural issues (i.e., Hitchcock, who was a master of technique).

Singer 的著作《转换的现实》藉由形式主义与现实主要,说明了这点,形式主义的特色是相机的使用,电影艺术的技巧,与结构性的主题(例如,Hitchcock,是一个技巧大师)。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发,关注作品的形式和技巧,利用文学的&陌生化&,通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式,打破文学语言的正常节奏、韵律和构成,摆脱语言的&自动化&,使其与人们熟悉的语言形式相疏理相错位,并且进一步将&陌生化&运用到文学作品的形式,产生耳目一新的感觉;英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&;到了结构主义那里,他们主要强调在整体结构系统中来把握文学文本,突破了形式主义和新批评专注于具体作品分析的局限,通过具体作品去发现背后普遍的结构模式,同时也正是在对具有普遍意义的抽象结构的关注,使其进一步了认识&文学性&。

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