形式

The is applied by different formal means: sonata form, with already contrasting elements, whether you want to call it masculine and feminine, active and contemplative. You're already dealing with elements that are put in juxtaposition and in conflict with each other.

这是透过不同的形式而达到的；奏鸣曲形式，同时用的已经是对比的要素，不管你要称它为阴性或阳性、活跃或沉思都行，你处理的已经是将彼此冲突的要素并置在一起。

Thus two of the cornerstones which support the idea of the"private language"-there must be private data which can be only given to me, and it must be possible to find a specially-designed vocabulary to designate them-are both destroyed.

从维氏的这一论断中我们不难引申出：像"我"、"现在"、"这"这样的索引词并非是对于予料自身特征的提示，同时，去谈论现象的时—空形式与人格所有形式亦是误人子弟的。

Furthermore,the stability behavior and accuracy characteristics of the algorithmare proven by a spectral decomposition method.

在前人工作的基础上，提出了一种新的用于解决结构动力分析问题的时间积分方法——Taylor级数方法；建立了求解线性问题和非线性项可以表示为多元多项式形式的非线性问题的Taylor级数方法的理论，并给出递归求解通式；阐述了该方法的程序实施过程，给出了计算流程图，并在非线性有限元分析平台NFAP中嵌入了Taylor级数方法的计算模块；利用谱分解的方法分析了该方法的稳定性和精度特性，以封闭的解析形式给出了描述积分法特性的周期延长率和振幅衰减率的表达式；通过对该方法的理论分析和特性研究，阐述了该方法的可行性和高效性。

The following are the major work in this thesis which has been studied and still needs to be studied further in the future: 1 An improved adjoint variational method is developed, thus it can be applied to the LAGFD-WAM Wave Numerical Model for data assimilation; 2 A linear evolution equation of spectral perturbation is derived in order to analyze its increasing or decreasing mechanism.

本论文主要完成了以下几个方面的研究： 1）建立了推广形式的共轭变分同化方法，使之能够应用于LAGFD-WAM海浪数值模式； 2）导出了扰动谱线性演化方程，分析了扰动谱增长、衰减机制，考察了涌浪情况下扰动谱的持续时效问题及风浪情况下扰动的演变过程； 3）利用波谱共轭方程初步分析了同化模型中距离泛函的敏感性及敏感区域空间分布； 4）将推广的共轭变分方法应用于海浪谱能量平衡方程，建立了连续形式的海浪同化模型，特别是严格导出了风输入、破碎、底摩擦、波波非线性相互作用和波流相互作用各源函数的共轭源函数表示式； 5）分别进行了波谱层次上和有效波高层次上的同化试验，并对数值结果进行了分析。

In using DGF method, the first thing is to obtain the proper form of certain area. But the DGFs obtained now are all in achiral medium. So people are eager to know DGFs in spectral domain and space domain of chiral medium.

用解析的方法求解电磁场的边值问题主要依靠建立在经典电磁场理论基础上的并矢格林函数方法，应用DGF方法首先要找出适用于相应区域中的DGF形式，而现有的DGF形式都是基于非旋波媒质情形。

Although speech is the most obvious form of communication,we do use other forms to

尽管演讲是交流中最明显的形式，但是我们也使用其他的形式进行交流。

By form we mean both its pronunciation and spelling. Meaning is what the form stands for.

这里的形式是指词的发音和拼写，意义则是形式所代表的东西。

The works exhibited this time is the production under this thinking. I will not limit myself in such an abstract or traditional label. The direct or indirect calligraphy, Taiji, sculpture, poem and philosophy, aesthetic thoughts absorbed from paintings allow me to realize that the form of paintings is not just a key problem, no one shall find the freedom exit as when Duchamp's works were completely destroyed. And there is no one who is as frank and smart as Picasso to change the form game into the local snack. In some history phases, a kind of thinking ways and a kind of language styles may gain the upper hand. But comparing to stable accumulation of the history of culture and aesthetic, the pure quality of painting spirant will forever be an important premise of painting criticism.

这次展览的作品，便是这样的思考前提下的产物，我不会把自己定身在抽象或者传统这样的标签之下，我在绘画过程中所吸收的书法、太极、雕塑、诗歌和哲学、美学思想的直接和间接的营养，让我体会到，绘画作品的形式远不是一个最关键问题，没有人可以在杜桑完全彻底的破坏面前找到自由的出口，也没有人可以像毕加索那样把形式游戏变成地方小吃一般的率性和机灵，在某一个历史阶段，一种思想方式，一种语言风格或许会占上风，但相对于文化史、美学史坚实的积淀，绘画精神性的纯粹质量将永远是绘画批判的一个重要前提。

Both envisaged that spontaneous generation produced simple forms of life that progressively developed greater complexity, adapting to the environment by inheriting changes in adults caused by use or disuse.

两个人都设想，自然发生产生简单的生命形式，这种生命形式逐步发展更多的复杂性，通过继承成年期因使用或废弃造成的改变，以适应环境的变化。

Purposes and demands differ between an informal essay and a formal one, and between the sports page in a newspaper and a chemistry textbook.

读一篇不拘形式的随笔或读一篇形式严谨的论文，读报纸上的体育消息或读化学教科书的目的和要求迥然不同。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。