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It separated 3-D space, 2-D space, temporal space and abstract space (focused on the first 3). 3-D space/2-D space belong to the same category in syntactic model; but 2-D space/ temporal space /abstract space share the same category when we talked about how to confirm the spatial direction. 2. It investigated a spatial system proposed by Mr. Qi Huyang, and argued that there is necessity to modify this system. 3. It enumerated a series of grammatical forms which are involved in the "Spatial System", and pointed out that there exits a relation among these forms: words representing "Spatial and Locative"→ phrases representing "Spatial and Locative"→ sentences representing "Spatial and Locative".

第三章研究"空间系统"的子系统。1、分出立体空间、线性空间、时间和抽象空间几大领域,在句法上,立体空间/线性空间是一类;但在如何确定方向场的问题上,线性空间/时间/抽象空间是一类。2、省视了齐沪扬先生已提出的一个空间系统体系,指出很有改进的必要。3、归纳了"空间系统"所涉及的各种语法形式,并指出它们构成"表示空间方位意义的词→表示空间方位意义的短语→表示空间方位意义的句子"的层次关系。4、辨析各种语法形式的语义域及其语义结构,并考察语法意义与语法形式的对应情况。

The chapter describes the state owned commercial bank current situation, the key issues faced, pointing out the shortage of property right system, management system, organization system, badness assets and capital abundance ratio, etc., drawing the conclusion that the stock systematic reform is the outlet of state owned commercial bank reform.

在股份制具体形式的选择上,通过对两类股份制公司形式的比较,论证股份有限公司制是国有商业银行股份制改革的最佳模式,并认为在组织形式上应由总分行制改为集团公司制;在产权结构上,探讨了只有建立现代商业银行制度,才能真正实现国有商业银行的产权清晰、权责明确、政企分开、管理科学;在公司治理模式上,强调建立真正的法人治理结构,较为详细地介绍了国有商业银行的股东大会、董事会、监事会等组织结构框架及作用;最后探讨了国有商业银行股份制改革需要注意的几个问题及风险防范。

B Their poetical form: this does not refer to the elegiac verse (which Budde called the "inah-verse") of the first four songs-a verse-form which since the time of Amos is found in all the prophetic literature-but to the so-called acrostic form: that is, in ch.

他们的诗歌形式:这并非指的挽歌诗(其中布德称为" inah -诗")的前四个歌曲一诗,形式之时起阿莫斯纳曼发现所有先知文学但所谓的acrostic形式,即:在

That branch of science and technology concerned with methods and techniques for converting any form of information to or from microform.

研究将任何形式的信息替换成为缩微形式或将缩微形式转换成某种形式的信息的方法与工艺的科学与技术分支。

Finally, according to the characteristics of the cast asphalt concrete, modified asphalt SMA, epoxy asphalt concrete and steel fiber reinforced concrete, different pavement forms are made up and analyzed. Pavement form which consists of the cast asphalt concrete at bonding layer and epoxy asphalt at wearing course performs well. Then the rational height of the layers is analyzed and it is compared with the pavement form which use steel fiber reinforced concrete at bonding layer.

最后,根据浇注式沥青混凝土、改性沥青SMA、环氧沥青混凝土以及钢纤维混凝土的特性进行铺装结构形式组合,分析不同铺装结构形式的受力性能,得到下层浇注式沥青混凝土上层环氧沥青混凝土的铺装结构形式是一种良好的铺装方案,同时着重分析其上下层厚度的合理取值,并将其与钢纤维混凝土下面层的铺装结构形式进行比较。

Learning of all the three linguistic forms in terms of both short-term and long-term effects. The differential results have a close relationship with the MT and CV features of them. A form with lower CV might be more attention-demanding in terms of its inherent semantic value.The thesis consists of 5 chapters: Chapter 1 is an introduction of the research topic, purpose and significance; Chapter 2 is a selective literature review of the enhancement techniques and mixed results of FonF in the previous studies, Chapter 3 presents the theoretical framework the present study wasbased on; Chapter 4 reports on the present study, including the hypotheses, operational definitions, subjects, target language forms, research design, procedures, instrument, data collection and analysis, analysis, discussion; and Chapter 5 is the conclusions of the present study.

本文由五部分构成:第一章为引言,介绍选题、研究目的及其意义;第二章对前期'有意注意形式教学'研究中注意强化技巧及取得的不同研究成果进行了回顾,并指出了尚存问题;第三章为理论框架,根据注假设意理论及输入加工理论,建立了本研究假设;第四章报告了现行研究,包括研究假设,目标语选用,实验及其数据收集、整理、分析、讨论;第五章报告了研究结论:'有意注意形式教学法'只对学习部分语言形式有效;学习某些语言形式时传统教学法更有效;语言结构复杂性对教学方法的有效性具有显著影响。

Fourteen parts of grammar were described, including the measure words, the location component, pronouns, helping words, adverb, verb auxiliaries, comparative sentence, giving sentence, dispositional sentence, passive sentence, negative sentence and question sentence.

在清末粤方言语法材料的基础上考察历时演变,共出现29个变化点,主要包括:(1)量词&样&、&回&和&个&使用减少;(2)&度&由量词发展为处所词后附成分;(3)清末疑问代词&边&和&乜&竞争,今天&乜&的用法被削弱;(4)&V得&的用法扩大,改变&可以&和&能&的地位,助动词&识&的用法增加;(5)副词&啱&意义扩大,一些双音节副词出现语素更替;(6)动词后补成分&高&被&上&取代,&起嚟&和&去归&消失;(7)表示完成的动态后助成分&哓&完全消失,由&唨&取代,&V下&之外出现动词重叠表短时、随意的用法;(8)句末助词&呢&的读音、&咋&表达的事态或者语气的意义稍有变化;(9)给予句&俾+N〓+过+N〓&是清末的主流形式,今天以双宾语形式&俾/V+N〓+N〓&为主,&过&消失;(10)出现像普通话的&比&字句;(11)清末文献里可以引出处置对象的&戒&不再使用;(12)&俾&发展为一个比较成熟的被动句标记,&被&的使用消失;(13)单音节形式的否定词增加;(14)正反疑问句发生根本性的变化,宾语和补语等补足成分转而出现在否定形式之后,选择疑问句连接选择项的&嚊&或&口被&消失。

Based on the horizontal and vertical combination in formal contexts, this paper defines the independent or consistent contexts and lattices in attribute field; and also defines the horizontal addition operation between contexts or concepts and the horizontal union operation between concept lattices. In addition, we prove that the concept lattice of subcontexts horizontally combined is isomorphic to the horizontal union of sublattices of these subcontexts.

本文首先从形式背景的纵向、横向合并出发,定义了内涵独立和内涵一致的形式背景和概念格;还定义了内涵一致的形式背景、概念的横向加运算和概念格的横向并运算,并证明了横向合并的子形式背景的概念格和子背景所对应的子概念格的横向并是同构的。

Thomas Aquinas summarized the form ideas of ancient Greek and Middle Ages, and made a systematic exposition on the three elements of aesthetics ( integrity , proportion and splendor).

托马斯·阿奎那总结了古代和中世纪的形式观念,以亚里士多德的形式观念为基础,阐述了美的三要素说;现代新托马斯主义者马利坦、吉尔松复活了亚里士多德的形式观念,并且从存在论(最高的存在即上帝、纯形式)上论证了包括美和艺术在内的整个世界。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心;对西方和古代的纯诗理论之引入,引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论;纯诗理论的基本内涵与差异;诸多现代派诗人掀起了晚唐南宋纯诗热,对姜夔、严羽作了新的理解;对纯诗理论的发展和变异,含梁宗岱的现象学形式论,何其芳的唯美论与形式论,现代派诸人的诗本体论;梁宗岱对纯诗理论的中国化研究,含梁宗岱的超越性与形式性,&超验&与&妙悟&的比较研究与形态超脱性的比较研究;中西纯诗形态的超脱性等;现代派纯诗论是对初期白话诗理论的清算,对新月派、象征派探索的总结和发展,音乐论是对纯诗论的延伸和对格律论的发展;现代派引入研究了西方诗学音乐论理论,含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点;引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论;进行了两次关于新诗音乐论的大讨论;在节奏、音顿、音韵三方面借鉴了西方的理论,同时改造了古代的格律理论,扬弃了平仄说,何其芳、卞之琳把新诗音乐论命题延续到当代,提出了汉诗音乐论的理论框架。

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Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时,他斥责什叶派民兵领导人对中央集权的挑衅行为。

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