形式

The relationship between stress and strain of concrete in prestressed concrete bridge s is written as algebraic form within load duration and the equilibrium equations of internal force and compatibility conditions are introduced.

首先将预应力混凝土桥梁中考虑收缩、徐变影响的任意时刻混凝土应力、应变关系在持荷时段内写成代数形式，引入内力平衡方程及变形协调条件后，提出了计入截面上钢筋位置、配筋率、预应力钢筋松弛、混凝土弹性模量随时间变化等影响的徐变效应分析的全量形式自动递进法，并建立了计算式，适用于任何形式的收缩、徐变特性表达式；基于建立的全量形式公式，可方便地求解任意时刻混凝土、钢筋的应力与应变和梁体竖向变形。

The relationship between the two kinds of structure is the important pledge of healthy, comfortable and sustainable humanistic objective for urban enviroment. In allusion to the problem urgent to solve in recent creation, the article summarizes the humanistic design concept and strategy for serried region of high-rise building, from the analysis of the building noumenon, space, interior and exterior enviroment in urban"serried-core". The strategies are form creation strategies which cultivate formal individuality in the relationship with urban enviroment, and conform urban context in the relationship with restrictive factors; space creation strategies which creat humanistic space and site by attempering architectural space and urban space, and call for humanistic scalc and inspirit by the combination of architectural space and urban function; enviroment creation stategies which create sustainable physical enviroment based on steady urban zoology, and construct poetic humanistic enviroment during the course of compound urbar enviroment.

针对目前创作中亟待解决的问题，着重从城市"簇群核"的形式、空间、环境及其主要载体——高层建筑等方面深刻解析，鲜明提出了在城市大背景中高层建筑密集区的人性化创作观念和策略，论证了在与形式制约因素的关联中系统整合城市文脉、在与城市人文环境的互动中努力培育形式个性的形式创作策略；在建筑空间与城市空间的互参调度中创作人性空间和场所、在建筑空间与城市功能的有效结合中弘扬人性尺度和精神的空间创作策略；在稳定城市生态的前提下创造持续可居的物理环境、在复合城市环境的过程中营建诗意栖居的人文环境的环境创作策略。

The fourth chapter "Petersburg's reformation of forms", studies its inheritance and reformation of the 19th century Russian traditional literature forms, and explains that Bely found a unique form of his art, ways of expression and literature language in the way of the arrangement of plots, the narrator and features of language.

第四章"《彼得堡》的形式创新"，从小说的布局、叙述人、语言特色三个方面探讨这部作品在形式方面对19世纪俄国传统文学形式的继承和革新，说明别雷为自己独特的内容找到了独树一帜的艺术形式、表现手法和文学语言。

The form discussion studies Liang Zongdai and Ye Gongchao respectively introduced and spreaded the French imagism and British and American formalism. The Poem special issue in the literature and art supplement of Ta kung Pao Newspaper and New Poetry organized twice discussions in poetic forms. The pure poetry school introduced that the modernists introduced the western and ancient pure poetry theories: from Baudelaire, Mallarme, Vale'ry, H. Read, A. Bremond to J.M. Murray, and the basic idea and difference of pure poetry. Besides, a lot of modem poets became greatly interested in pursuit heat of the pure poetry in late Tang and Nan Song dynasties, studying the development and variation of pure poetry. Music theory argues that modernists make introduction and reform on the western and Chinese music theory. He Qifang and Bian Zhilin continue the topic to the contemporary time, and put forward the theoretical frames in Chinese poetry. Rhyme and rhythm theory make researches on the introduction and reform of French symbolism and British and American modernists' rhyme and rhythm theory, making studies on the Chinese new form poetry and its thyme and rhythm theory.

纯诗论是形式论的重心；对西方和古代的纯诗理论之引入，引进了从坡到波德莱尔、马拉美、瓦莱里、默里、里达、白瑞蒙的纯诗理论；纯诗理论的基本内涵与差异；诸多现代派诗人掀起了晚唐南宋纯诗热，对姜夔、严羽作了新的理解；对纯诗理论的发展和变异，含梁宗岱的现象学形式论，何其芳的唯美论与形式论，现代派诸人的诗本体论；梁宗岱对纯诗理论的中国化研究，含梁宗岱的超越性与形式性，"超验"与"妙悟"的比较研究与形态超脱性的比较研究；中西纯诗形态的超脱性等；现代派纯诗论是对初期白话诗理论的清算，对新月派、象征派探索的总结和发展，音乐论是对纯诗论的延伸和对格律论的发展；现代派引入研究了西方诗学音乐论理论，含坡、瓦莱里、里德的纯诗音乐论、抽象音乐论、各种具体的音乐论技术论点；引入了中国古代诗学中关于诗与音乐、音韵、音顿、音义、平仄双声叠韵等音乐的理论；进行了两次关于新诗音乐论的大讨论；在节奏、音顿、音韵三方面借鉴了西方的理论，同时改造了古代的格律理论，扬弃了平仄说，何其芳、卞之琳把新诗音乐论命题延续到当代，提出了汉诗音乐论的理论框架。

By discussing the position hypothesis of fractional-dimension derivative about general function and the formula form the hypothesis of fractional-dimension derivative about power function, the concrete equation formulas of fractional-dimension derivative, differential and integral are described distinctly further, and the difference between the fractional-dimension derivative and the fractional-order derivative are given too. Subsequently, the concrete forms of measure calculation equations of self-similar fractal obtaining by based on the definition of form in fractional-dimension calculus about general fractal measure are discussed again, and the differences with Hausdorff measure method or the covering method at present are given. By applying the measure calculation equations, the measure of self-similar fractals which include middle-third Cantor set, Koch curve, Sierpinski gasket and orthogonal cross star are calculated and analyzed.

通过讨论一般函数的分维导数的位置假设及幂函数的分维导数的形式假设，进一步明晰了幂函数的分维导数、分维微分及分维积分的具体方程形式，给出分维导数与分数阶导数的区别，随后讨论了基于一般分形测度的分维微积分形式定义导出的自相似分形的测度计算方程具体形式，给出了其与目前 Hausdorff 测度方法的区别，并对包括三分 Cantor 集合、 Koch 曲线、 Sierpinski 垫片及正交十字星形等自相似分形在内的测度进行了计算分析。

In the fourth chapter, I analyze and contrast many architectural cases in history and modern times which ellipse were applied to, and explore the ellipse"s development in historic sense. The fifth chapter investigates the dynamic relationship between geometry and architecture based on ellipse"s geometric character, and analyzes ellipse architecture"s characters in symbolism, dualism, diversity and unity these four facets. In the sixthchapter, taking ellipse architecture as examples, I try to explore the relationship between the more general geometry"s purity and architecture"s complexity, and build the foundation for future exploration of geometry"s purity.

第四章从历史和现代两个方面展开了大量对椭圆形式在建筑中应用的个案和实例的研究与对比，探讨了椭圆形式在历史上意义的变迁；第五章以椭圆的几何特性为立足点，研究了椭圆几何--建筑之间的动态关系，从标志性，二元对立，多样和统一四个方面分析了椭圆建筑的特点；第六章以椭圆建筑为例，尝试探讨了更一般的几何的纯粹性与建筑的复杂性的关系，对几何纯粹性意义的挖掘为进一步的研究提供基础；第七章采用了类型对比的研究方法，分析了安藤忠雄和库哈斯两位设计哲学截然不同的建筑师对椭圆形式的使用；另外，以位置关系为线索，将椭圆和其他的几何形式结合起来，总结了一般情况下几何的纯粹性对建筑复杂性的作用。

Design knowledge is expressed in the form of computational form ula, experience tables and the combination of them.

设计知识的表达形式有计算表达式形式、经验表格形式以及上述两种形式的融合——复合设计知识形式三种。

Regarding the second issue, I will compare the semantic meanings of various autonyms used by all major subgroups who are generally referred under the Chinese transliteration "苗族" in China and the English transliteration "Hmong" outside China. Neither the Chinese "苗族" nor the English "Hmong" has been a perfect transliteration of any subgroup autonym of the Hmong People proper, in spite of the fact that both of them partially reflect some semantic meanings of these autonyms.

关于第二个问题，我将对中国&苗族&这个汉文通称转写形式下和境外&Hmong&这个英文通称转写形式下所包涵的各个不同方言支系自称及其语义作一个比较分析：尽管这两种外来语言对苗族的统称转写形式，多多少少也可能与一些苗族支系自称的语义有着某种联系，但是，其实无论是用&苗族&还是用&Hmong&作为统称转写形式，对任一苗族自称形式而言，都不是理想的表达。

He thought that "literariness" also enabled a work to be a literary work Russian formalists understood "literariness" from the form linguistics and pay attention to the form and skill of a work.

俄国形式主义对&文学性&的认识是从形式语言学出发，关注作品的形式和技巧，利用文学的&陌生化&，通过语言形式的强化、重叠、颠倒、浓缩、扭曲、延缓等方式，打破文学语言的正常节奏、韵律和构成，摆脱语言的&自动化&，使其与人们熟悉的语言形式相疏理相错位，并且进一步将&陌生化&运用到文学作品的形式，产生耳目一新的感觉；英美新批评派则从文本语义结构上所体现出来的多层次、多意义的朦胧性特征来探讨&文学性&；到了结构主义那里，他们主要强调在整体结构系统中来把握文学文本，突破了形式主义和新批评专注于具体作品分析的局限，通过具体作品去发现背后普遍的结构模式，同时也正是在对具有普遍意义的抽象结构的关注，使其进一步了认识&文学性&。

Canonicalizations might include plural/singular forms, gender forms, stem word forms, suffix forms, prefix forms, typographical error forms, word order, pattern ignoring, acronyms, stop word elimination, etc. Conditions might include aspects of the search query state, such as the user's demographics, the page from which the search query was initiated, etc.

Canonicalizations是力量包含复数单数形式性形式茎干词形式后缀形式前缀形成排字上的错误形式词序模式忽视首字母缩拼词停止词消除等等状况可以包含搜索问题的方面表明例如用户的人口统计数据从其搜索问题是的页是起始的等等

And if officials on the take are not parroting the opinions of these companies, what can we suppose the money they receive is for?

如果受贿的官员不鹦鹉学舌般地复述这些公司的看法，那他们所接受的钱又能用于什么目的呢？

Love them, and love you too, Pitcher.

爱他们，也爱你，投手。