形式

Concerning the management of the government, Locke's ruled by law and Rawls's ruled by law exist a logical development. 4, Concerning the justice, Locke believes the justice of personal right, Mill believes the utilitarianist justice, Rawls believes the pure procedural justice.

4，在正义问题上，到底是坚持形式正义还是实质正义的问题，从洛克的坚持个人权利、法律正义的形式正义，到密尔对功利主义的结果、功利强调而坚持实质正义，再到罗尔斯的形式正义和实质正义的统一，这一发展过程。

And if you say that the form actuates this potency, this is true, but it does so as a formal cause. Before this actual formation takes place, then, matter and form must be regarded as separate, and that which unites them has the character of an efficient cause.

如果你说形式实现了这一潜能，这是对的，但它是以形式因的方式实现的，在这一赋形实际发生之前，质料和形式必须被看成是隔离的，把它们合成一个整体的是动力因。

Thus there are new understanding of self and the world under the conception of formalism, Form and Content collocated one another, so did Form and Self.

因此在先锋小说的&形式&背后，其实是有一整套新的认识自我和认识世界的观念内容在起作用的，形式与内容相互配置、形式和&自我&又彼此同构。

paintings, unlike any other form of paintings, have that unique quality of denuding shapes and forms into their original "non-shape" form.

抽象画，与其他形式的绘画不同，具有将形状和形式蚀入他们原始的&无状&形式的特质。

In recent years, it seems that the superficial Chinese transliteration "苗"(pronounced as "miao" in modern Mandarin Chinese, but as "mao" or "hmao" in medieval Chinese) and the English transliteration "Hmong" have been misleadingly essentialized by some anthropologists, and the differences associated with these externally referred ethnonyms were magnified to such an extent as if there had been two entirely different or unrelated ethnicities – one with the autonym "Hmong" and the other with "Miao"– in the world.

近年来，&苗&（现代汉语读音为'miao'，但汉语古音读'mao'或带前鼻音的'hmao'）这个表面上的汉文转写形式，与&Hmong&这个英文转写形式一道，被一些西方人类学家误导性地当成了实质；与这两种表面转写形式相关联的一些差异被放大到了如此无以复加的地步，以至于让人们也都误觉得，这世界上并存着两个不甚相干的民族，其中一个的族称是&Miao&，而另一个的族称是&Hmong&。

The transcendental concept of appearances in space, on the other hand, is a critical reminder that nothing intuited in space is a thing in itself, that space is not a form inhering in things in themselves [74] as their intrinsic property, that objects in themselves are quite unknown to us, and that what we call outer objects are nothing but mere representations of our sensibility, the form of which is space.

表象在空间中的超验的表述，则表明在空间中本能得到的确知识并不是事物内在的。空间并不是属于物体本身的一种形式。这些物体本身则不可知，那么所有外在的物体都仅仅是我们感觉的表达形式罢了，这些表达的形式就是空间。

From the realism of Chinese architecture, this article tries to make my own analyses, explanations and estimations on the influence which the consumption culture of the mass have brought to architecture basing on the inhering knowledge and sensibility: a This article will collected the architecture form from the beginning of the economy system reformation, and analyze the change with the method of discourse analyzing.

本文即是从中国建筑的现实出发，依据原有的知识背景与感性认识，对当代大众消费文化给建筑学带来的影响与提出的问题做出自己的分析、阐释与判断，并在以下几方面实现创新与突破： a通过对当代中国建筑形式三个层次的分析阐释，明确指出建筑形式在消费社会中实践的新特征，即形式符号意义的大规模生产、复制与消费。

The new launch schedule will enable us to complete the expansion of our internet-based testing operations worldwide.until the revised general test is launched, ets will continue to deliver the gre general test using the current network of secure, proctored test centers. pearlman notes that the graduate community has relied on the general test for 57 years and that ets is committed to continuing to deliver valid and reliable scores with both the current and revised general test.

首先，从去年关于新版gre内容方面的变革以及明年gre考试将采用网考形式的情况来看，gre改革的科学性进一步提高，同时此次新gre改革推迟并采用网考形式还得到了美国各大教育机构的认可；第二，gre考试的推迟为中国考生争取了更多的时间；第三，采用网考的形式也意味着新gre考试将有可能增加考点范围或是增加考试次数。

The second chapter probes into the way and feature of spreading on Gesar" s music, and the development and the changes of the music spreading since the involving of modern intermedium, by introducing the psalmodies in different categories. The third chapter analyses the types of Gesar" s lyrics and the patterns they could change. The forth chapter illustrates the principles of Gesar" s creating and several majority tone patterns are showed here. In the fifth chapter, the tones of Gesar are classified based on three aspects, that is, the tone" s name, utilization and the localstyles. In the sixth chapter, the feature of Gesar s tones is analyzed from the aspect of the characteristics of melody, the rhythm and time, the tone patterns and the music structure and so on. The last chapter discusses the forms of music performance and the methods that the psalmodies take to sing.

本文第一章从史诗《格萨尔》说唱结合艺术形式的产生与发展开始，对它的这种艺术形式中的说与唱分别做了介绍；第二章通过对《格萨尔》音乐创作主体——艺人的分类介绍，探讨了史诗音乐的传播方式、传播特点以及在现代传播媒介的介入下它的传播方式的发展与变化；第三章是对唱词体裁的分析和它的变化类型；第四章论述了音乐唱腔的创作原则以及几种最主要的唱腔类型；第五章从曲调的名称、曲调的运用以及地域风格特点三方面对《格萨尔》唱腔进行了分类；第六章结合谱例从旋律特征、节奏节拍、调式以及音乐结构等方面分析了《格萨尔》音乐唱腔的特点；第七章是对《格萨尔》音乐表演形式及艺人演唱方法的探讨。

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And if officials on the take are not parroting the opinions of these companies, what can we suppose the money they receive is for?

如果受贿的官员不鹦鹉学舌般地复述这些公司的看法，那他们所接受的钱又能用于什么目的呢？

Love them, and love you too, Pitcher.

爱他们，也爱你，投手。