当众出丑

You might get dumped, divorced, or fired, make a fool ofyourselfinpublic, be afflicted with ademeaning nickname

你或许被人抛弃、离了婚，或是被开除，当众出丑，被刻薄的绰号弄得心乱如麻

Ired, make a fool of yourself in public, be afflicted with a demeaning nickname

你或许被人抛弃、离了婚，或是被开除，当众出丑，被刻薄的绰号弄得心乱如麻

You might get dumped, divorced, or fired, make a fool of yourself inpublic, be afflicted with a demeaning nickname

你或许被人抛弃、离了婚，或是被开除，当众出丑，被刻薄的绰号弄得心乱如麻

You might get dumped, divorced, or fired, make afool of yourself in public, be afflicted with a demeaning nickname

你或许被人抛弃、离了婚，或是被开除，当众出丑，被刻薄的绰号弄得心乱如麻

The form was more accountable, not less, because there is nothing more conducive to professionalism than being publicly humiliated for sloppiness.

这种形式更为可信，因为没有什么比因为粗心而当众出丑更能促进专业精神的了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。