当代风格的

It is based on female's experiences and their responses to life, affirming self value, rebuilding self consciousness of females, getting back their social status and praising their contributions to society and culture. This thesis is going to analyze 3 major novels of Margaret Drabble which are created at different times during the second feminist movement: A Summer Bird-Cage, The Radiant Way and The Middle Ground.

本文主要围绕英国当代小说家玛格丽特·德拉布尔的三部核心作品——《夏日鸟笼》、《人生中旅》、《光辉灿烂的道路》，以伍尔夫、波伏瓦的女权主义思想和女性主义批评的理论与方法为工具，以女权主义运动第二次高潮为社会背景，分析其中的女性主人公的生命历程，从婚姻、事业等方面入手，著重探讨知识女性在20世纪六、七十年代的生存环境、生活境遇，总结概括玛格丽特·德拉布尔的写作风格和特点。

Working in a small, creative team and efficient way, we see the design as an unique process, more than personal stylize opus, we hope the works we did can provide solutions based on critical thinking, and can responds contemporary social conditions honestly and pragmatically in contemporary art and knowledge realm, maintain an interaction between the design and the operation of the construction capital and a profitable and trusting collaboration with our clients.

工作室以小规模，充满创造性的团队方式进行工作，我们将设计视作一种独特的过程，与风格化的作品不同，我们希望这些作品能够提出具有独立思考精神的解决方案，在当代艺术与知识领域以诚实和实用主义的态度对社会状况作出响应，在设计与建设资本的运作上维持一种积极的互动，并与我们的客户建立互信的合作关系。

Beginning with two perspectives on regionalism-now and here, the author analyses two kind of phenomenon in the practice of critical regionalism theory in China: contemporary local culture neglected and local culture outmatched by architects' personal style. In addition to this, the author attempts to find a solution from outstanding works of local architects, and to deepen understanding of critical regionalism.

本文从&此时&的地域主义和&此地&的地域主义两个角度出发，分析了批判的地域主义理论在中国的实践过程中出现的&忽视当代地方文化&和&建筑师个人风格凌驾于地方文化之上&两种现象和问题，并试图通过对本土建筑师优秀作品的分析寻求解决方法，同时加深对批判的地域主义理论的认识。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

They have reconfigured traditional boat interiors to create a fresh style that is contemporary, technologically advanced and timeless.

他们重新传统的船，内部建立一个新的风格，是当代的，技术先进的和永恒的。利用落地窗户和广泛的意见。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。