当代风格的

You will be impressed with the contemporary styles and the affordable prices.

你会感受到与当代风格和负担得起的价格。

The Family of the Red Broomcorn is an important work which help him to obtain the success and establish his writing style.

莫言是当代先锋主义文学的代表性作家之一，他以其"天马行空"的创作风格征服了读者与文坛，而《红高粱家族》是使其获得成功并奠定其创作风格的重要作品。

This article is for the purpose of through studying in the process which the human history of civilization some typical artistic styles forms, the construction environment regarding the clothing style influence, summarizes the construction some to hide also the inevitable relation with the between the two fields, the professional quality which through this kind of relations, promulgates the modern fashion designer which should have learnedly mixed receives.

本文旨在通过研究人类文明史一些典型艺术风格在形成的过程中，建筑环境对于服饰风格的影响，总结出建筑之与服饰之间一些隐藏着也必然的联系，通过这种关系，揭示出当代的服装设计师应具备的博学杂收的职业素质。

Composed of long takes of indirect gazes and oppressively alienated temps morts (where an eclectic assembly of anonymous residents alternately stare out the window, smoke a cigarette, handle their rifle, voyeuristically peep, awkwardly flirt, become inebriated, and even mischievously set on fire laundry that has been hanging on a clothesline), the fragmented, collage-like portraits of the tenants are interstitially connected through the recurring image of the building's dimly lit hallways, a visual metaphor for a culture adrift and in transition - a conduit to an undefined destination.

塔尔齐名的东欧诗电影导演，他的大部分电影都没有对白，只用近乎静默的长镜头去探索人物内心的孤独和绝望，展现后共产主义的东欧社会巨变下人们精神世界的空虚，94年的《走廊》无疑是这种风格的代表作，其中的长镜头堪称能与同年那部赫赫有名的《撒旦探戈》相媲美。巴塔斯与俄罗斯的安德烈。索科洛夫，匈牙利的贝拉。塔尔共同被称为继承塔尔科夫斯基诗电影风格的当代重要导演，他们的作品或多或少都受到了塔尔科夫斯基的影响，无论是在电影艺术语言还是在作品的主题上，但三人之间又有所不同。

Lives, striving to improve to support oneself thriftily is the contemporary university student's style.

生命、自强自立节俭是当代大学生的风格。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

China's modern ceramic art has experienced about 20 years of artistic language experiment since 1980s. It has experienced a process from focusing on art form to media language; from weakening ideology to pick it up again, then to stylizing ideology. The process has made modern ceramic art be an important part of Chinese contemporary art, contain instant feelings and broaden cultural horizon. It promoted ceramic art through comparing with pure western art style in the modern art system.

中国现代陶艺自20世纪80年代至今约20年的语言实验过程，经历了由形式问题到媒介语言实验至文化关注，由淡化意识形态到重回意识形态到将意识形态风格化的演变，使现代陶艺成为中国当代艺术的重要组成部分，容纳当下的体验和拓展文化视野的功能，在当代艺术体系中通过与纯粹西化艺术形式的对应，使陶艺文化精神得以弘扬。

This paper chose the Taiwanese local artist Lee Ming-Tse for the discussion of the relation between Taiwanese art and Taiwanese ideology. From Lee Ming-Tse's series of three pieces, namely "Gentleman Plays around" in 1993,"Emerging Desire and Ideas" in 1995, and "Hei, hei, hei" in 2005, the author analyzed the literators' breath, fantastic worlds, and ceremonial analogy presented in these works. On the one hand, the author meant to demonstrate the different stages of Lee Ming-Tse's compositional styles. On the other hand, the author tried to decipher all kinds of fascinating signs and symbolic systems, which wait for further interpretation, beyond his form style.

而本论文选取当代台湾本土艺术家之一例──李明则，作为台湾艺术与台湾意识关联性论述之探讨，就其三个系列作品：1993年《公子出游》、1995年《起心动念》、2005年《嘿嘿嘿》中所蕴意的文人气息、奇想世界及作品中彰显出的仪式性加以剖析，一则希望指出李明则本人不同时期创作风格的转变，另则是希望解读其形式风格背后，引人入胜并等待诠释的种种符号与象徵系统。

China contemporary art eventually returns to a real "Individual Era", during those flourishing years, some independent artist who keeps individual style was corned to the other side of market. No one really cares the inners feelings and personal experiences from the bottom of artist's heart; and everyone was pursuing and chasing the "china contemporary art" which can be obviously recognized at sight; while finally, there is little real collection to be kept in euro-American state galleries during those 30 years.

中国当代艺术终于开始真正回归到&个人时代&了，在最火的那些年里，一些长期独立保持个人风格的艺术家们常常被市场推到了一边，没有人关心那些真正来源于艺术家内心的感受和自身的经验，大家都去追捧那些一眼就能辨识出来的&中国当代艺术&，而三十年的风光却并没有在欧美国家级的美术馆中留存几件像样的终极收藏也就说明了那种虚假繁荣的水份和浮夸。

The Art Deco District Welcome Center is located there, along with an eclectic mix of chic restaurants, boutiques, delicatessens, produce markets, outdoor cafes and nightclubs.

这间酒店处于迈阿密海滩装饰艺术区中心，位于海滩的对面，提供多种餐饮选择、当代风格的客房和24小时礼宾服务。

For a big chunk of credit-card losses; the number of filings (and thus charge-off rates) would be rising again, whether

年美国个人破产法的一个改动使得破产登记急速下降，而后引起了信用卡大规模的亏损。

Eph. 4:23 And that you be renewed in the spirit of your mind

弗四23 而在你们心思的灵里得以更新