当代的

Su Wong-Shen's artworks reflect contemporary social phenomenon indirectly. He uses dog's figures to mock human's desire and violence in contemporary society. Dog's characteristic of attack and tear demonstrate human's rude and aggressive behavior. Dogs and animals represent greed, contemptibility, no benevolence and righteousness, which can be used to mock desire hidden behind human.

苏旺伸作品内容是以一种曲折间接的方式去反映当代社会现象，他以犬形图像讽刺当代社会中人们的诸多欲望、暴力等，以犬具有攻击、撕咬的特质来意味人们的粗暴、攻击的行为举止，并以犬、兽於文化中贪婪、卑劣、无仁义的意涵，讽刺人表面下所潜藏的欲望。

So long as we utilize the viewpoint of Marxism to give criticalness the inheritance and the development,Qu Yuan's personality value can be beneficial in our present culture,spirit construction and the contemporary personality value orientation establishment,which can be beneficial in our socialism harmonious society's construction and the socialism core value system construction.

只要我们运用马克思主义的观点予以批判性地继承和发展，屈原人格美的价值就会有益于我们当代文化精神的建设和当代人格美的价值取向的确立，就会有益于我们社会主义和谐社会的构建和社会主义核心价值体系的建设。

With the development of time and progress of science, modern flat designing is replaced by computer technology and mechanized operating ways, losing the vitality that designs give to us and deftness that designers show in their works, while hand-drawn designing is undoubtedly the most urgent demand for present designers' recovering the simple and coming to the nature.

随着时代的发展，科技的进步，当代平面设计被电脑技术、机械化的操作方式所替代，失去了设计给我们带来的活力以及作品中体现出的设计师的灵性，而手绘设计无疑是当代设计师们返璞归真的最迫切要求。

In the ancient part, this article starts to illustrate the reason, social background and historical foundation of the Chinese distaff literature, then discussing the main characters, social essence and relevant literature criticism from the works concerning Chinese distaff, also pointing out the effect on the Chinese literature history and spirits; In modern part, we put emphasis on two pieces of works of Su Tong and Li Bihua , and tries to discover the development of Chinese distaff literature in their movies.

古代方面，文章首先阐明了中国女性文学的发生原因、社会背景、历史根据等相关问题，细致入微地分析了重要的女性文学作品中具有典型性的人物、社会本质，及相关文学批评等问题，并指出了其在中国文学史、精神心灵史上的影响；当代部分，文章选定苏童与香港作家李碧华的两部作品与它们各自的电影文本进行比较分析，探究当代女性文学的发展脉络。

By discussing some social issues appear in the movie,namely the living conditions of the old,human instinct of violence,the dualization between Chinese mainland and Hongkong as well as the lack of individual morality,the paper points out present situation,namely the existence of the commercial films everywhere.

通过探讨电影中出现的老年人生活境况、人的暴力本能、大陆香港的二元化、个人道德荒漠化等社会问题，指出在当代商业电影充斥的今天，面对"叙事的失语"与精神的缺失，这两部电影对社会问题的思考，在反映社会问题方面对当代电影有着重要的借鉴作用。

Also studies in this field in China would be a new exploration of research with Chinese characteristics, and would be a new research area for educational psychology. In this study, from the perspective of educational psychology, using integrated research orientation, and adopting the methods used in cultural psychology, ethnopsychology, utilizing open questionnaire investigation, closed questionnaire investigation, expert consultation, case interview, random suffer method, analytical hierarchy process, exploratory factor analysis and confirmatory factor analysis etc., the researcher analyzed the structures of civilized mentality, and the psychological features of civilized mentality among teenagers in modern Chinese cities.

因此，植根于中国文化和中华民族文明心理思想的土壤之中，从当代中国青少年文明心理的现状、现代人的素质要求、和谐社会构建需要等实际出发来研究我国当代青少年的文明心理的结构及其特征，是心理科学密切联系社会现实需要，进行中国化研究的一种新的探索和任务，是教育心理学需要研究的现实而迫切的新领域。

Judging by the kind of discrepancy and the feature onpeasants'consumptionability and content ,the contemporary Chinese peasants are dividede in to 5stratumgroups,for instance:flaunty consumption stratum ,comparision consumption stratum,practical consumption stratum consumption stratum ,poor consumption etc

从社会学的视角出发，对当代中国农民生活消费的现状与特点进行研究，探讨当今中国农村社会中的消费分层现象，既便于我们更好地了解农村社会内部中各社会群体之间的关系，也更有利于我们对当代中国社会阶层结构的基本建构和特征进行充分的了解和把握，从而为采取一定的措施促进农村社会的变迁与发展提供积极的指导。

The consciousness of space in the contemporary era is an energy field created by pure vision and perceptivity. It is also a key element in the making of abstract works of art. As viewed from the traditional art approach it is quite hard to apprehend the consciousness of space of the time. With the individuality and having various emotional attachments, consequentially artists' consciousness of space are not the same.

当代艺术的空间意识，是以其纯粹的视知觉创作出的能量场，也是抽象艺术创作的主要元素，以传统艺术表现来理解当代艺术空间意识是很困难的一件事，在艺术家不同的艺术个性和不同的情感世界里，在无意识的生命状态中必然有着不同的空间意识感受。

This self-formed art group tries to build China contemporary art image in the world by using their unique language to express and explain their understanding of the reality and life. They wish to drive China contemporary art forward by their art experiments and to live on art.

这个自发的艺术群体试图通过依靠一种集体的力量来打造中国当代艺术的世界形象，他们试图用独特的艺术语言表达来诠释他们对社会现实及生活的理解，并且希望通过各自的艺术实验来推进中国的当代艺术，同时能够以此养家糊口。

Looking back on the history of Chinese literature in the 20th century, it can be found that folk literature has always played a particular role in it, some times a major one and sometimes a minor one, but it has always been in a state of anonymity or being ungratefully taken advantage of.

毫无疑问，民间文化形态是构成当代文学的重要的价值资源，它对于当代人精神的生成，对于真正意义上的具有现代性品格的文学作品的诞生，对于重构中国当代文学都具有不可替代的价值和意义。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。