当代的

While Tang Contemporary Art will still be continuing to initiate and push contemporary Chinese artist, to help further knowledge and appreciation of the new dynamism in Chinese art, we are also heading towards a broader ambitions to pursue an expansive interest in the rapidly developing world of Asian contemporary art, with an envision that the potential and vibrancy of artistic boundaries know no bounds and borders.

作为当代中国的文化艺术中心，北京一直吸引着全世界的目光，这也为当代唐人艺术中心提供了一个非常好的艺术经营环境和舞台，"唐人当代艺术中心"将继续发现并推动中国当代新锐艺术家的艺术创作，同时也继续保持和发展与张晓刚，方力均，岳敏君，王广义，刘小东等成名艺术家的合作。

This book is an in-depth study of contemporary Chinese art, touching upon modern ink painting, architecture, performance art, etc, The book is separated into five chapters: Modern consciousness and the establishment of a Chinese contemporary art methodology; The significance of the utopia of modern materials in contemporary Chinese architectural theory; the crisis in contemporary ink painting; maximalism, and artist case study with Xu Bing.

《另类方法另类现代——艺术大视野丛书》"Art Horizon Series： Special Method in Kind， Special Modernism in Kind"本书针对中国当代艺术进行深入的研究，内容涉及现代水墨、建筑、行为艺术等，分为五章：现代意识与中国当代艺术方法论的建立；现代物质乌托邦在中国当代建筑方法论中的意义；中国当代水墨的危机是缺乏方法论；极多主义：一种现代主义的幻觉；一个艺术家个案的研究：徐冰的艺术和方法论。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Image Existence" the 5th Shanghai Biennial 2004,"In the Deep of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

He has participate in many large exhibitions of academic standing, including the research project "The Migration of Asian Contemporary Art and Geo-politics" 2002-2004,"Techniques of the Visible" the 5th Shanghai Biennial 2004,"In the Depth of Reality: Contemporary Chinese Art" and "Asian Time: New Media Art" in 2005,"Micrology: Micro-politics in Chinese Contemporary Art" and "The Yellow Box: Contemporary Art and Architecture in a Chinese Space".

自2002年起，他参与策划了许多大型学术性展览，包括2002年至2004年的"亚洲当代艺术的迁徙与地缘政治"系列研究计划、2004年的"影像生存：第五届上海双年展"、2005年的"现实深处：中国当代艺术邀请展"和"亚洲时间：新媒体艺术展"、2006年的"显微学：中国当代艺术展"以及"黄盒子：中国空间里的当代艺术与建筑"学术邀请展等。

It is against purism, and stresses the artistic expression of significance and the artistic attention paid to contemporary social and living problems of human beings.

第二步则对应于当代意识，当代意识反纯粹性，强调艺术对意义的表达，强调艺术对当代人类社会问题和生存问题的关注。

As collector of formerly Western contemporary art he now has formed the most substantial collection of contemporary Chinese art in the world. He also established 1997 the Chinese Contemporary Art Award, an art award for Chinese contemporary artists living in China. He is a member of the International Council of New York MOMA and International Advisory Councils of Tate Gallery, London, and documenta, Kassel.

作为收藏家和西方当代艺术的先驱，他是世界上到目前为止收藏中国当代艺术最丰富的收藏家。1997年他建立了中国当代艺术奖，专为生活在中国的当代艺术家设立的，同时他也是纽约现代艺术博物馆国际协会、伦敦Tate画廊国际咨询协会和卡塞尔文献展的一员。

Much as Gao's analysis is used to critique the problems arising from the West's selection of contemporary Chinese art, the application of this realist reflectionist approach on contemporary art is also remarkably popular among critics in China today.

高名潞的这段论述虽然是用来批评西方在选择中国艺术时出现的问题，但用这种现实主义反映论来论证当代艺术的方法在中国当下的评论界也随处可见，他们把前卫艺术的介入社会，理解成反映社会，然后把反映社会现实的作品当作当代艺术，所谓的现在是数码时代，艺术要反映数码，现在是卡通时代，艺术要反映卡通，还有就是高名潞所批评的，只要在艺术中反映了一点中国的变化就是当代艺术，而其实它只是现实主义反映论的一种表现，鲁虹等人的文章都属于这一类，我称为&改革开放现实主义艺术&模式，我们看到今天的中国艺术和评论都是在这种模式中制造当代艺术的假象。

Four aspects are studied in this paper: the study of non-linear syllable theory of the analysis ofdengyunxue of the syllabic structure of Chinese character, the study of the distinctive feature theory of the four types of the articulation of initials, the study of the markedness theory of the devoicing of the fully voiced initials and the study of the feature geometry theory of the correlates between the devoicing of the fully voiced initials and tonal change. Through our studies, conclusions can be drawn as follows:(1) Contemporary phonological theories can be used to elucidate the principle of Chinese dengyunxue;(2) Contemporary phonological theories can be used to explain the historical phonetic change of Chinese;(3) Different theories and methods of contemporary phonology should be applied to deal with different problems of Chinese phonology;(4) The application of contemporary phonological theories to the study of the historical phonetic change of Chinese is helpful to test and verify the universalizability of these theoretical hypotheses

通过对等韵字音结构分析的非线性音节理论研究、声纽四等的区别特征理论研究、全浊声母清化的标记理论研究和浊音清化与声调演变相互关系的特征架构理论研究等四项初探，揭示了：（1）当代音系理论可以阐明汉语等韵学学理；（2）当代音系理论可以解释汉语历史音变现象；（3）不同的汉语音韵问题，应该用不同的当代音系理论方法来研究；（4）当代音系理论在汉语历史音变研究中的运用，有助于验证其理论假设的普适性

In addition, he is a research fellow of Shenzhen Museum and Xi'an Fine Art Institute , advisor for www.artron.net , guest writer of Taiwan magazine Diancang , and columnist for the art column of Readers' Digest .

碰撞——中国当代艺术实验的案例》策展人、《当代美术家》杂志执行主编、坦克库·重庆当代艺术中心总策划、雅昌艺术网艺术顾问、大众杂志《读者》的艺术栏目主持。

Against the background of art history development and international contemporary art, we discuss Chinese Contemporary Printmaking academically and experimentally from two dimensions of time and space.

在综述中国当代版画的现状，并将中国当代版画置于艺术发展史和国际当代艺术的大背景下，从时间和空间两个向度对中国当代版画进行了学术性和实验性的探讨。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。