当代的

To insouciant; From the elegance of the 18th century contemporary glass coffee Table furniture contemporary glass coffee Table furniture - modern contemporary coffee table contemporary glass coffee Table furniture.

以漫不经心；从优雅的18世纪当代玻璃茶几当代家具玻璃茶几家具现当代咖啡桌|当代玻璃咖啡桌家具。

Selected Exhibitions : 2008 /"The Third Guangzhou Triennial : Farewell to Post-Colonialism", Guangdong Museum of Art, Guangzhou,China / 2007 /"Alchemy of Shadow : 3rd Lianzhou International Photo Festival", Lianzhou, China / 2006 /"A Yellow Box In Qingpu: Contemporary Art and Architecture in a Chinese Space", Shanghai /"Micrology, the Politics of Realism Chinese Contemporary Art Exhibition, Macao / 2005 /"In the Depth of Reality : China Contemporary Art Exhibition", Hangzhou /"Gift, Contemporary Art Invited Exhibition", Hangzhou / 2004 /"Formatting: New Media Art Project", Hangzhou /"Labyrinth : the Second Chinese New Media Art Festival", Hangzhou / 2003 /"Experimental Art Project in White Pagoda Mountain", Hangzhou /"Links: Contemporary Art Exhibition", Hangzhou /"Exhibition of Chinese Young Artists, Hangzhou

郑端祥，1977年生於中国福建，现任教於中国美术学院造型基础学部。作品《时间的横截面III》於2006年展出於澳门艺术馆"显微境。观：中国当代艺术展"，同年影像装置《时间的横截面之夜游记》展出於"黄盒子在青浦"，2007年於连州国际摄影展展出《失忆系列》和《工厂系列》。重要展览有： 2008年/雕塑中国，香港汉雅轩/广州三年展：与后殖民说再见，中国广东美术馆、中国第三届媒体艺术节：四季，中国杭州，2007年/中国当代艺术展：在瓦伦西雅55天，西班牙瓦伦西雅、首届今日文献展：能量－精神。身体。物质，今日美术馆，中国北京、夜间摄影，香港汉雅轩，2006年/。盒子，中国上海、显微境。观：中国当代艺术展，中国澳门当代美术馆

The building process should stick to linking the commonness and uniqueness, tradition and modernness, scientific spirits and humanitarian spirit, revolutionary politics and constructive politics. The core conception of contemporary Chinese political philosophy is featured by justice, capability, public and Thoughts about"People Foremost".

从当代中国政治哲学的学术背景、现实问题域以及当代中国政治哲学的基本论域等三个方面，探讨当代中国政治哲学的主题；建构当代中国政治哲学应当坚持共性与个性相联系、传统与现代相结合、科学精神与人文精神相统一、革命政治与建设政治相区别的方法论；从获权方式、获权根据、如何用权、为谁用权等四个方面，把公正、能力、公共、民本确立为当代中国政治哲学的核心理念。

And Soka Contemporary Space (will be launched on May 2007) will play as a gateway of China classical and contemporary art works with influence to crucial Art institutions in Asia.

2007年成立台北索卡当代空间，经营亚洲当代艺术，成为中国首家跨度中国经典和当代艺术作品，影响力涵盖亚洲的国际性艺术机构。

Solo Show: 2004 Hong Hao Base Gallery, Tokyo Japan. Hong Hao's Reading Room Chambers Fine Art, New York U.S.A 2003 Hong Hao at Rencontres d 'Arles 2003 Arles, France. 2000 Scenes from the Metropolis The CourtYard Gallery, Beijing China. Suspended Disbelief Art Beatus Gallery, Vancouver Canada. Selected Group Show: 2006 One Work: the Taikang Project of Hong Hao+Yan Lei Taikang Top Space, Beijing China. 2005-2006 Noly One Wall Beijing Commune, Beijing China Art Space Sydney, Australia. 2005 FAIRY TALES FOREVER, AROS Arhus Kunstmuseum, Arhus, Danmark. Mahjong Kunstmuseum Bern, Bern, Switzerland. CHINA: CONTEMPORARY, ART PERSPECTIVES Art Museum, Milan, Italy.

参加2000年以来的版画艺术美国，纽约现代美术馆；参加拾贰 2006中国当代艺术奖中国，上海证大现代艺术馆；参加今日中国——中国当代艺术的转世魅影奥地利，维也纳， ESSL博物馆；参加H+Y 一件作品之泰康计划泰康顶层空间中国，北京；参加第五届亚太当代艺术三年展澳大利亚，昆士兰昆士兰美术馆2005-2006年；参加麻将-希克中国当代艺术收藏展瑞士，伯尔尼美术馆德国，汉堡当代美术馆

In 2000 Gate of the Century: 1979——1999 the Exhibition of Chinese Art, Chengdu Modern Art Museum, Chengdu, China; Man+SPACE, Kwangju Biennial 2000, Kwangju, Korea; Messagers of the Hearth, Center of Contemporary Art of the LycEe Xavier Bernard in RouillE; Transcending Boundaries, Montclair State University, USA; Portrait de Chine Contemporaine, Espace Culturel Francois Mitterand, Perigueux; Les Passe —— Murailles, Contemporary Art of China, Picardie Museum Amiens, France; The First Collection Exhibition of China Contemporary Art, Shanghai Art Museum, China; China, Art in the Twentieth Century, Touring Show in Beijing and Shanghai, China; Asia Contemporary Art Exhibition, Japan.

参加在法国班里哥弗郎索瓦·密特郎国际文化中心举办的&当代中国肖像&；参加在法国阿密庇加底国家美术馆举办的&中国当代艺术邀请展&；参加在中国上海上海美术馆举办的&首届中国当代艺术收藏展&；参加在中国美术馆，上海美术馆举办的&20世纪中国油画展&参加在日本宇都宫美术馆，新汤县民会馆举办的&亚洲当代艺术邀请展&。2001年作品分别在上海美术馆，四川省美术馆，广东美术馆展出；参加在法国巴黎法兰西画廊举办的&是我，是我们&展；参加在中国上海艺博画廊举办的&学院与非学院&展；参加在中国上海艺博画廊举办的&最初的形象——当代纸上作品展&

Contemporary engineering values play an important role in engineering education. This paper has analyzed the essential contents of contemporary engineering values in comparison with the traditional values. Then the problems of overemphasizing scientific and technological rationality in traditional engineering education are studied. At last, the corresponding strategies of engineering education are dealt with based on integrated rationality and contemporary engineering values.

分析了在当代学科交叉渗透的趋势下当代工程观的基本内容，指出当代工程观反映了当代工程科学与工程技术和社会、经济、文化、生态交叉融合、协调构建的新趋势；探讨了传统工程教育中存在过分强调科学理性和技术理性的问题；提出应以综合理性为指导，融合当代工程观的当代工程理念，这些将对开展工程教育和培养中国现代化建设的工程人才具有重要意义。

This paper mainly includes two parts The first part falls into three main sections. First, it analyses the formative causes of the Chinese traditional house interior display art through five aspects, including the structure and forms of Chinese traditional architecture, the productive mode of Chinese traditional society, Chinese traditional philosophy, the idea of ethics and grading and custom of Chinese traditional society. Second, it briefly introduces the history of Chinese traditional house interior display art's development. Finally, it focuses on the analysis of Chinese traditional house interior display art's design ideas and concludes that its design ideas embodies the five sides as follows: respect for nature and imitate artfully nature, practical-oriented and function incorporated into form, images of space of what the theory and practice forms, balanced natural pattern of the display, artifacts with the thoughts and respect for poetic imagery. Another part of the article further researches on the application of Chinese traditional house interior display ideas to the contemporary home display, and leads to the author's view, that is that each era should has its own character when it inherits the traditional culture. What's more, the contemporary Chinese-style home display design not only have to take over the spirit of the tradition but also have to give full consideration of the contemporary aesthetic concepts, principles and methods. In the 21st century, humanistic care is greatly proponed in the interior design. The interior display art should develop towards the ecological, personalized and comfortable direction and the cultural dimensions. It should absorb the traditional cultural elements to decorate contemporary living space. In order to upgrade the simple and primary "appearance likeness" to a higher level of "spirit likeness", it must effectively grasp the poetic imagery of space, which can reach the artistic effect of "both appearance and spirits".

本文的重点内容有两部分：一部分是从中国传统建筑的结构形式、中国传统社会的生产方式、中国传统的哲学观念、中国传统的伦理等级观念、中国传统社会的风俗习惯等五个方面简单分析了中国传统民居室内陈设艺术形成的原因；简要介绍了中国传统民居室内陈设艺术的发展过程；着重对中国传统民居室内陈设艺术设计理念的具体内涵进行了深入的分析，总结出其设计理念集中体现在五个方面，即崇尚自然与巧法造化、实用为本与文质彬彬、虚实相生的空间意象、均衡自然的陈设格局、器以载道与以境为尚；另一部分是对中国传统民居室内陈设设计理念在当代居室陈设设计中的应用作了较深层次的探讨，并提出了自己的见解，即每个时代对传统文化的继承都应该呈现出自己的特色，当代中式风格的居室陈设设计既要秉承传统民居室内陈设艺术的设计精髓，又要充分考虑当代审美观念、原则和方法的融入。21世纪，室内设计大力提倡人文关怀，具体到室内陈设艺术设计上，应该向生态化、个性化、舒适化和文化层面发展；吸收传统文化元素装饰当代居室空间，要有效地把握空间意境，使当代中式风格的居室陈设设计从简单、初级的&形似&上升到较高层次的&神似&，进而追求&形神兼备&的艺术效果。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

11 Guest Professorship in ENSBA, Paris; 11 Shanghai Spirit — Shanghai Biennale, Shanghai Art Museum, Shanghai, China; 7 Sui Jianguo and Zhan Wang, Galerie Loft, Paris, France; 6 Sharing Exoticisms — Contemporary Art Lyon Biennale, Lyon, France; 5 Chinese Contemporary Sculpture Invitational Exhibition, Qingdao Sculpture Museum, Qingdao, China

2000年&中国雕塑邀请展&；&中国当代雕塑展&；&东方广场中国雕塑精品展&；&共享异国情调——里昂当代艺术双年展&；&隋建国、展望作品展&；&第三届上海双年展&； 11月在法国巴黎高等美术院作为期三个月的客座教授； 11月举办《上海·上海——第三届上海双年展》； 9月举办（人文山水----景观艺术展）桂林中国上海美术馆上海·中国； 7月举办《隋建国、展望作品展》 LOFT 画廊巴黎·法国； 6月举办《共享异国情调——里昂当代艺术双年展》里昂·法国； 6月举办《东方广场——中国雕塑精品展》北京·中国； 5月举办《中国当代雕塑邀请展》青岛雕塑艺术馆青岛·中国； 3月举办《中国雕塑邀请展》上海美术馆上海·中国。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。