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I wish on this subject to adduce a modern example.

关于这个问题,我想引述当代的一个例子。

The artists tried to find their new orientation in the modern "nature" which was in a surging wave of machines, industries and advertisement. The neorealism was a cultural product of the highly developed modern industrial civilization.

艺术家在当代的"自然"中寻找新的方向,这个当代的自然,就是机械的、工业的和广告的洪流,它是现代工业文明高度发展的文化产物。

With the ever-increasing change of production relations in capitalist countries and the improvement of China\'s socialist market economy system, our research on the issue of the contemporariness of Marxist theory of capital is not limited in the mere judgment of values any more. More research efforts have been made in the contemporary changes and in the reliance on the economy and society as carries in the reality to analyze and solve the actual problems.

随着资本主义国家生产关系的不断变化和我国社会主义市场经济体制的不断完善,我们对马克思资本理论当代性问题的研究已超越了单纯的价值判断的方式,较多地着眼于当代的变化,依托现实的经济载体、社会载体去分析问题和解决问题。

But unlike most of them, his realism has nothing more to do with daily life, and it does not show the immediate contemporariness, which is very distinctive with the 'Newly Emerging Generation Artists' in 1990s; and neither does it have a humorously critical attitude towards reality, wherein 'cynicism' reappeared as seriousness.

而和中国当代大多数艺术家不同的是:他的写实主义和日常生活的具体性没有太大的关系,他的写实主义不具有当代的时间具体性,这是和90年代&新生代&画家最显著的区别;同时他的写实主义也不具有对现实的幽默批判态度,&玩世&在他这里重新又变成了严肃。

By the end of World War II eugenics had been largely abandoned, though current trends in genetics have raised questions amongst critical academics concerning parallels between pre-war attitudes about eugenics and current "utilitarian" and social darwinistic theories.

在第二次世界大战结束时,优生学已经基本上被抛弃了;但是在遗传学的当代动向中,爱评论的学者关注战前的优生学观点与当代的&功利主义&和社会达尔文理论的相似之处,提出了各种疑问。

As numberous massive constructions are carried out at incrediable speed in China, lots of buildings and city spaces which are devoid of consciousness or even against the modern age have been created. Although a great many Chinese and foreign architects are now practising in China, very few of them have concerned themselves with the social, cultural and the future issues of China. MAD architectural office, who is going to hold the exhibition in Tokyo Gallery, is one of the few who share these concerns.

在当代中国快速和疯狂的建设情境下,大量无意识甚至反当代的建筑和城市空间正在越来越多的出现,在那些正在中国执业的大量中国和外国建筑师中,只有极少数对相应的社会和文化,以及未来中国的问题提出了思考,此次在东京画廊展出的北京MAD建筑师事务所的工作就是其中的代表。

We of course can't deny the significance of transcendent asthetics and consumption asthetics. Because transcendent asthetics can give some critical proposal to the negative and had phenomenons in asthetic and art under market economic condition. Consumption asthetics possibly make some contribution to the research about connection between asthetic and consumption. But we should resolve a series of asthetic problem in the development of China socialism market economic realistically, historically and scientifically (expansively speaking, it's problem confronted by world contempory asthetics, including the connection between consumption and asthetic). We can't drop in some unrealistical and unhistorical fantasy, nor confused by temporary froth and illusion.We still need rely on the development of asthetics of Marxism practicing outlook nowadays.

我们当然不可否认&超越&美学及消费美学存在与发展的意义,因为&超越&美学可能对市场经济发展中,在审美与艺术方面出现的某些消极的、坏的现象提出某种批判的见解,消费美学也可能在研究消费与美的关系上作出某种贡献,但要现实地、历史地、科学地解决中国社会主义市场经济发展中出现的一系列美学问题(扩大开来说,也是当代世界美学面临的问题,包含消费与美的关系问题),既不堕入到各种非现实、非历史的玄想中去,也不为一时的泡沫、幻象所迷惑,仍然要依靠马克思主义实践观美学在当代的发展。

In t his paper , t he loss of et hics and morality in sport consumption is analyzed and the idea t hat advantages of Conf ucian consumptive et hics should be utilized to const ruct modern sport consumptive et hics is proposed. It is hoped that a new per spective of stopping sport consumption alienation and the sublimating of t he human morality can be advocated.

以儒家消费伦理思想作为切入点,用现代的视野对其进行诠释,并分析当代体育消费中存在的伦理失落与道德困境,选择性地借鉴儒家有益的消费伦理思想来构建当代的体育消费伦理,对遏制体育消费异化现象和升华人的精神道德有着积极的价值,也为体育消费研究提供一个新的视角。

This paper gives the development and changing of some main parts of speech in modem Chinese in the present age and indicates two problems that teachers who teach Chinese as foreign language must meet facing the changing,and the four points of solving interrelating problems.

这里列举了现代汉语几个主要的词类用法在当代的发展变化,提出了面对汉语的这一当代变迁,对外汉语教师肯定会遇到的两个问题,以及解决相关问题的四个入手点。

It's said that all architectural design issues have been debated over hundreds years. What we do is just to reinterpret old issues in the new age. The theories on contemporary architecture are diverse and dispersive, old and new issues are continuously proposed and rediscussed. It's unavoidable reality that architecture is the product of contemporary current of thought.

人言道,建筑设计所有的议题早在几百年前就被全部谈论过了,我们只是不断在新的时代中重新再诠释旧的议题;当代的建筑思潮是多元而发散的,新、旧议题不断地被提出与再讨论,建筑本是随著当代思潮变迁的产物,这也是建筑人不可逃避的现实。

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