当下

Since the middle of 80s,urban novel varies frompaying close attention to a lot of centers to direct writing of orectic realism. Thetheme of it has a tendency from heterogeneous to singleness and the spirit ofhumanism of it also has a tendency from caring fOr ultimate to caring for presellt.

八十年代中期以来，都市小说由对于多种中心的关注逐渐演变为对于欲望化现实的直接书写，其主题存在着由驳杂逐渐趋于单一的趋势，并呈现出由终极关怀向当下关怀转变的人文精神走向。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expressions to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

In recent works I have been committing myself in developing an individualistic discourse in and from the fountainhead of the painting and in attempting to establish a new set of language for ink and wash painting expression_r, bringing the ornamentality, allegoricity, and narrativity of the painting into new play, making the ink and wash painting a genuinely open language that can truly be adapted with pluralistic expression_rs to meet the challenges of the current culture.

在近来的工作中，我致力于从绘画的本原出发，从那里展开并演绎个性的话语，并试图建立一套新的水墨表述语言，使绘画的装饰性、寓意性、叙事性得到新的意义上发挥；使水墨成为一种真正开放性的语言，真正适合观念多样性的表达而适应当下文化的挑战。

Will discuss the writer with the writer who adopts to contrast elaborates separately differently, will discuss the part in the image the Chinese modern history of literature "the city outcomer" the image to make the whole inspection -- from the 20th century 30's "the auspicious child" to immediately the novel in "the peasant laborer".

与作家论所采取的对作家对比分别论述不同，在形象论部分当中将中国现代文学当中的&城市外来者&形象作整体考察——从二十世纪二三十年代的阿贵、骆驼祥子到当下小说中的&农民工&。

The book –"In This Very Life" by Sayadaw U. Pandita, in chapter 5 – Vipassana Jhanas.

书名-「当下今生」，作者：「班迪达尊者」，在第5章-「观禅」。

Q. When the yogi is in the present moment, he automatically has sila, samadhi and panna.

问：修行者保持在当下自然是具足戒、定、慧。

At all times and to know it through yogavacara: that is, to stay in the cinta panna present moment as continuously as possible.

修行者主要的任务是随时要知道是坐的色身、站的色身等等，也就是尽量保持存思慧当下。

The change of the family members' experiences to vision impairment can be presented by three themes: 1 The process of mood reaction: from hopelessness, guiltiness, indifference to cope with the visual impairment, respect and expectation; 2 The expectation in the future: from passivism, regret to expectation, focus on here and now; 3 The meaning of the visual impairment: from tribulation to treat the visual impairment in the meaning.

一、本研究从三方面检视家庭成员对视力受损事件主观诠释的改变：1。情绪反应的历程：从茫然、自责与漠然到适应现况、找回尊严与期待；2。对未来的期待：从消极、遗憾到期待、掌握现在；3。视力受损事件的意义：从磨难到看待其正向意义、把握当下。在时间的演进中，观察家庭成员对视力受损事件的主观诠释经验。

Now, I think they are permitted to think like that, both men and women.

在当下的社会，有这样想法的人，我不觉得有什么不对的地方。

While many people are fascinated with traditional photographical technique in playing the indispensable role of contemporary photography, there must be a focus shifted to the concept delivered by photography itself. For the young artists of post 70's, they experience totally different life from their previous generation, who fail to possess the strong historical mission and anti-ideology spirit. Under such abundant material condition, they are the generation who grew up in the honey pot.

李悦的摄影作品却是在尝试对于展现年轻人当下状态，这看似在展现一种个人体验，但却是一代人共同体验，在互联网和即时通讯高速发达的今天，在被强大信息源包围同时形成了看似强大的幸福感，但这些虚拟幸福感在面对艰难的就业问题、解决居住和提高生活质量等现实生活时很容易就被击碎了。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷