归结为

Its improperness lies in its parochial categorization of science as "positivism" and "utilitarianism" on the one hand, and its ex parte emphasis of human beings as the root as well as its oversimplified identification of humanistic spirit with artistic spirit on the other, which inevitably result in a more drastic separation an...

其偏颇之处在于：一方面，把科学狭隘地归结为"实证主义"和"功利主义"；另一方面，片面地强调以"人"为本，并将人文精神简单地等同于艺术精神。其结果是人为地大大加剧了科学与人文精神的分离和对立。

Then, the equation was changed into the standard form of the Mathieu equation using Galerkin method.

首先在载流薄板的磁弹性非线性运动方程、物理方程、几何方程、洛仑兹力表达式及电动力学方程的基础上，导出了载流薄板在电磁场与机械荷载共同作用下的磁弹性动力稳定方程，然后应用Galerkin方法将稳定方程整理为Mathieu方程的标准形式，并将薄板的动力稳定性问题归结为对Mathieu方程的求解。

Based on the magnetic-elasticity nonlinear kinetic equations, physical equations, electrical kinetic equations and the expression of Lorentz forces, the magnetic-elasticity kinetic buckling equation of a current-carrying plate applied mechanical load in a magnet field were derived. The equation was transformed into the standard Mathieu equation by using Galerkin method. Thus, the magnetic-elasticity kinetic problem was changed into a problem of solving the Mathieu equation.

在载流薄板的磁弹性非线性运动方程、物理方程、洛仑兹力表达式及电动力学方程的基础上，导出了载流薄板磁弹性动力屈曲方程，并应用Galerkin原理把屈曲方程整理为Mathieu方程的标准形式，将载流矩形薄板在电磁场与机械荷载共同作用下的磁弹性屈曲问题归结为对Mathieu方程的求解问题。

Based on the magneticelasticity nonlinear kinetic equations, physical equations, electrical kinetic equations and the expression of Lorentz forces, the magneticelasticity kinetic buckling equation of a currentcarrying plate applied mechanical load in a magnet field were derived. The equation was transformed into the standard Mathieu equation by using Galerkin method. Thus, the magneticelasticity kinetic problem was changed into a problem of solving the Mathieu equation.

在载流薄板的磁弹性非线性运动方程、物理方程、洛仑兹力表达式及电动力学方程的基础上，导出了载流薄板磁弹性动力屈曲方程，并应用Galerkin原理把屈曲方程整理为Mathieu方程的标准形式，将载流矩形薄板在电磁场与机械荷载共同作用下的磁弹性屈曲问题归结为对Mathieu方程的求解问题。

Among these problems,a CVRP problem is identified and formulated as the key optimization in designing this milk run system,and it is solved through an optimization process.

最后将问题归结为CVRP优化问题，建立了问题的模型，讨论了它的解法，并给出了问题的求解结果。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

This is partly attributed to the birth of a generation of "only children", who are quite pampered

部分原因可以归结为"独生子女"一代的出生，这些孩子都被他们的父母惯坏了。

This inverse acoustic scattering problem can be reduced to the boundary integral equation.

这一反散射问题归结为外Neumann边界值问题，进而转化为一个边界积分方程。

If there were a formula for the content space, it could be 5R: Reuse, Repurpose, Remix, Reassemble, Redux.

内容世界的规则可以归结为5R ：再使用、再转用、再组合、再排列，再返回。

It's also not fair to characterize all of the Ret changes as for PvP only.

把所有的惩戒修改变动归结为PVP是不公平的。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。