归纳为

Depending on this, we concluded the difference of Zeitgeist between mid ages and pre-modern literature on merchant spirit: either the dominant idea of the mid ages poetry is "powerful commerce leads to underdeveloped farming", or the idea that focuses on "mutual benefits" based on court and local policy; but the beginning of pre-modern literature----- the agreement between scholar-bureaucrats and merchants comes from lightheartedness, joy, sentimental expression and lyrical description expressed by middle period of Ming merchant poetry that deeply reflected the citizenly cultural spirits. Contrast to the poetry on merchant of middle literature, this is the ultimate transformation, showed the mostly characteristic of pre-modern literature priorly .

以此为界说，可以归纳出中世、近世涉及商贾诗歌的不同的时代精神：中世时期的诗歌或以"贾雄则农伤"为其主导思想，或主要着眼于朝廷与地方政策的层面张扬"农商兼利"的思想；而近世文学的起点———明中叶涉及商贾的诗歌往往在自由自在、安享快乐及张扬情欲、舒展性灵等方面有士商心灵的契合，在深层次上反映了市民文化精神，相对于中世涉及商贾的诗歌有根本性的转变，较早地显示出近世文学的主要特征。

This article starts with a review of the history of the "Expression" conception in the Occident literature tradition,from which to conclude the base connotation of modern "Expression" conception in occident.Relying on this springboard,we analyses the history of the occidental modern plastic arts gradually ,then the naissance and development of the occidental modern plastic arts may boil down to a going-deep course driven by the "Expression" conception:the impressionism which had been pursuing sensual reality brought out a turning point from Representation to expression;Faurism accomplished the consciousness of Expression based on inheriting and criticizing Post-Impressionisme, and resisted the suppressant on Expression by Physical Image; the German Expressionism and Surrealism uplifted Expression at the same time they resisted Physical Image by "Nugatory Physical image"; From the apocalypse of Cubism,Suprematism and De Stijl tended towards Pure Plastic which excluded Physical Image completely,meaning that it had realized absolute Expression in the range of plastic;After WW II,artsists in western detected that Pure Plastic had actually suppressed Expression newly,as a result of Abstract-Expressionism and Mirnirnaliam Art,Expression broke away from Pure Plastic gradually to seek some new possibilities other than plastic.

本文从对西方文艺传统中的"表现"观念的历史考察着手，归纳出西方现代"表现"观念的核心内涵，以此为基点来逐步分析西方现代造型艺术史，进而将西方现代造型艺术的产生与发展归结为在"表现"观念驱动下不断递进的历史进程：印象主义对感觉真实的追求为造型艺术由再现走向表现打开了缺口；野兽派在继承和批判后印象主义的基础上首次实现了表现的自觉，并在艺术中反抗物象对表现的压迫；德国表现主义与超现实主义以不彻底的"否定性物象"来张扬表现反抗物象；至上主义、风格派等则在立体主义的启示下走向完全排斥物象的纯粹造型，在造型的范围内实现彻底的表现；二战后的西方艺术家们察觉到纯粹造型已经掉转头来形成新的对表现的压制；经由抽象表现主义、最低限艺术，表现逐步摆脱了纯粹造型，寻求造型之外的新的表现可能。

Base on above studies, some conclusions were obtained as follows:(1) ore-forming background of the studied ferromanganese crusts are mainly controlled by intensity of Antarctic Bottom Waters and variations of material source;(2) it is confirmed that the ferromanganese crusts are mainly hydrogenetic and their composition are affected by volcanic and continental material simultaneously; there are no obvious phosphatization reconstruction and element reaction occurred in them, so they have important paleoceanological significance;(3) from researches on element occurrence modes in the new-type ferromanganese crusts and the lying sediments, it is proposed that there is no great biological affection on the crusts formation and their composition mainly came from the adsorptive action of the ferromanganese oxides in them;(4) two major types of ore-controlling factors are identified through compilation of ore-controlling factors, which are geological and oceanic factors;(5) considering the long-term variation trends of the crusts composition, combing the U-series and 10Be isotope dating results, it is proposed that the ore-forming processes of ferromanganese crusts in the studied areas can be divided into three major stages (5.6~2.8 Ma, 2.8~2.7 Ma and since 2.7 Ma), and then the activities of AABW since the Late Miocene, changes of input flux coming from volcanic and continental material are confirmed.

通过研究，得出如下结论：(1)研究区铁锰结壳的成矿背景主要受控于南极底流强弱及物源供给的变化；(2)证实铁锰结壳主要为水成成因，同时其物质组成也受一定程度的火山和陆源物质的影响；结壳自形成以来没有遭受到明显的磷酸盐化等成岩后期改造和元素再迁移，具有重要的古海洋学意义；(3)通过新型铁锰结壳及下伏沉积物元素赋存状态的研究，认为生物作用对研究区结壳的形成并没有很大的直接影响，其物质成分主要来自于结壳中铁锰氧化物的吸附作用；(4)在控矿要素的研究中，归纳出了地质与海洋两大类结壳控矿要素；(5)根据结壳成分长周期变化趋势，结合铀系和10Be测年结果，将研究区结壳的形成过程划分为三个主要阶段(5.6~2.8 Ma，2.8~2.7 Ma和2.7 Ma以来)，并确定了晚中新世以来研究区南极底流的活动情况、火山和大陆来源物质输入量的变化。

Furthermore, applying the deductive and comparative approach by the classification and organization of chord structure, harmonic progress and the tonality management in six chamber music. Stravinsky use pitches material on the basis of diatonic tone and pitch organizing principle on the basis of polytonality to form his unique harmonic language. Accordingly, we get the further understanding about Stravinskys precise and rational music creation style as well as his extraordinary arractive music language.

文章采用总结归纳和比较研究的方法，通过对六部室内乐作品在和弦结构、和声进行、调性处理等方面和声应用技术的梳理和分类，探讨斯特拉文斯基以自然音为音高基本材料，以多调性为音高组织原则而形成的独特和声语言，从而进一步理解斯特拉文斯基严谨、理性的创作风格以及个性化和极富魅力的音乐语言表达。

Morishima's beautiful generalization of this Marx-Sraffa theorem,which can be stated as giving sufficient conditions for a subset of the goods to keep invariant relative prices as the profit rate changes, belongs to my Class A rather to Class B or Class C.

森岛通夫关于马克思－斯拉法定理很好的归纳，即可以被描述为在利润率改变的情况下为以一系列的商品保持不变的相对价格给出充分的条件，这属于我等级A的范畴而不是等级B或等级C。

Point the important of distributors in producer channel construction, improve the satisfactoriness and loyalty of customers based on CRM to actualize persistent development of enterprises through supplying a type of new ideas of distributors selection and management strategy.

第六章对整篇论文进行总结归纳，指出经销商在厂商渠道建设中占有很重要的地位，以客户为中心，提高经销商的满意度和忠诚度，为实现企业可持续发展提供了一种全新的经销商选择和管理的战略思想和方法。

To carry out the intensity preliminary analysis of educational space resources sharing with regard to these three types, getting the result that the intensity of educational space resources sharing if from concentration's type、scatteration's type to quadrangle's type.

由於北高两市相邻之国民中小学现况均有学者研究调查，独缺代表中部之都会区台中市现况，本研究将补足此一领域之缺角，将台中市相邻国民中小之现况作一完整调查；将针对台湾都会区现有之相邻国民中小学之校园规划配置，归纳统整出现有相邻国民中小学校园规划型态，大致上可分为集中型、散落型及合院型等三种型态，对於这三种型态进行教育空间资源共享强度初步分析，结果为教育空间资源共享强度由强至弱顺序为集中型、合院型、散落型；另本研究透过台北、台中、高雄所有相邻学校校园规划平面图统整分析出重复得教育空间资源大多集中於运动场、操场、活动中心、多用途体育场、教材园区等户外教育空间。

The thesis consists of six chapters. In the first, the technologies of atomic force microscopy and of the measurement elasticity of biomolecules were introduced. In the second, the validity of VSPFM was confirmed by lift mode atomic force microscopy. In this chapter, the height of DNA was measured by lift mode atomic force microscopy, which demonstrated that the method of height measurement of biomolecules by VSPFM was correct and established the foundation of the method of measurement elasticity of biomolecules by vibrating mode scanning polarization force microscopy. In the third chapter, detailed work has been illustrated on the foundation of the method of measurement elasticity of biomolecules by VSPFM. And the compressive elasticity of DNA was measured. In fourth and fifth chapters, the method was applied in the measurement elasticity of proteins. Two proteins elasticity, fibre-like protein α-synuclein and global protein IgG, were measured by VSPFM, through which the method wound its way to the application of biomolecules. In last chapter, the final part of the thesis was a summary. A conclusion of the thesis and a self-comment on my work as a PhD candidate have been made, and expectation about the further works has been addressed.

本论文共分为六章，第一章，引言部分主要介绍了原子力显微镜技术及生物大分子弹性测量技术；第二章主要是VSPFM方法的正确性论证，介绍抬高模式原理，利用抬高模式原子力显微镜对DNA的高度进行测量，论证振动模式扫描极化力显微镜测量生物大分子的高度的正确性以及准确性，从而为振动模式扫描极化力显微镜测量生物大分子的弹性方法的建立奠定基础；第三章以脱氧核糖核酸为例详细介绍了振动模式极化力显微镜测量生物大分子弹性的方法的建立，对DNA的压弹性进行了初步的测量和分析；第四章和第五章介绍了振动模式扫描极化力显微镜在蛋白质弹性测量中的应用：α-synuclein和IgG分别是纤维状蛋白和球状颗粒蛋白，通过振动模式扫描极化力显微镜测量这两种蛋白质的弹性，摸索振动模式扫描极化力显微镜在蛋白质弹性测量中的应用；第六章对全文进行了总结，在对论文的工作进行归纳和自我评价之后，还对进一步的工作进行了展望。

The third chapter deduces the universal rules in the process of derivation. The substitution rule shows the nature of representations in two levels, the structure and the semantic levels with the features of combinatory and paradigmatic relations. The major parameter variations are interpreted with a weight on dislocation of word and the multi-functions of Wh-word in the frame work of the syntactical asymmetry. The fourth chapter further discusses the innate reasons of the English Wh-move and Korean Wh-in-situ in the syntactical system after summarizing the main findings of the comparison.

而后，在第三章采用演绎方法对英朝Wh-问句转换生成的共性规则，即指代规则在结构和语义两个层级上的指代特征及其聚合组合关系特征进行了分析；以句法不对称性为理论依据，以错位语序和wh-词的一词多功能为着眼点，对主要参数差异进行了生成解析；在第四章，对英朝Wh-问句对应关系和上述对比研究进行归纳总结的基础上，在句法系统中进一步讨论了英语WH-移位与朝鲜语WH-原位的言内原因。

The results of the dissertation were concluded as follows:(1) It is essential to deposit a basic additive on the Mo-based catalysts for the synthesis of CH_3SH. The potassium-doped Mo-based catalysts exhibit the highest activity than that of the catalysts doped with the otherⅠA andⅡA group basic promoters. H_2-TPR and LRS characterizations suggest that the addition of a base leads to the transformation of octahedrally coordinated Mo to tetrahedrally coordinated Mo, thus leads to the split of low temperature reduction peaks. The interaction between the basic components and Mo lead to the formation of B-Mo interface phase, which are closely correlated with the formation of CH_3SH.(2) It has been found that Fe, Co, Ni and Te have evident promoting effects for the K-Mo/SiO_2 catalysts.

主要结果归纳如下：(1)在Mo基催化剂中，必须添加碱才具有可观的合成甲硫醇活性，在IA和IIA族元素中，K是最佳的碱促进剂，当K/Mo摩尔比为2，前驱体为K_2CO_3，采用共浸法制备的K-Mo催化剂活性最高。H_2-TPR和LRS表征显示，碱的加入导致表面八面体钼氧物种向四面体转化，催化剂的低温还原峰发生分裂，碱助剂与钼之间存在强相互作用形成了B-Mo"界面相"，该物种与合成甲硫醇密切相关。

This paper discusses design and realizable methods of remote test output interface from logical design angle.

本文从逻辑设计的角度讨论遥测输出接口的设计及实现方法。

This also 星体投射plies to buildings, structures and geological features.

这也适用于建筑物和地质特征。