归

And also, in English-Chinese translating, there is a debate on Domestication and Foreignization.

在英汉翻译实践中，也面临归化与异化的选择问题。

So in the course of analysis, the issue of foreignization and domestication is commented on.

因此，本文在对《金锁记》英译本进行分析时，也对归化和异化问题进行了探讨。

It should be admitted that no translation is the product of absolute domestication or foreignization.

我们需承认，没用任何一部译作采用的是完全的归化或异化。

Domestication and foreignization are both indispensable and supplementary to each other in the process of translation.

归化或异化不应也不可能是唯一的策略。

This has provided us with a wider stage to study domestication and foreignization.

这为我们研究归化和异化翻译策略提供了更加广阔的空间。

Chapter Three is Foreignization and Domestication—Two Approaches to Cultural Translation.

第三章，异化和归化—跨文化翻译的两种基本策略。

In recent years, there has been a heated debate centering on the use of domestication and foreignization in the translation.

近年来，归化与异化在翻译界引起了很大的争论。

Yours is the dominion this day: Ye have the upper hand in the land: but who will help us from the Punishment of Allah, should it befall us?

今日国权只归你们，你们在国中称雄。如果真主的刑罚来临，那末，谁助我们抵抗它呢？

Ideal puts in ideal 's charge, borrowing the first pail of gold that must come from SamSung, 3 companies such as company of estate of movie of recreation of company of American double eagle, Hollywood founded during Tang Jun reads rich. 1994, a when Tang Jun designs for company of a Japan at that time " fast match machine " the attention that let him obtain Microsoft.

理想归理想，借着从三星得来的第一桶金，唐骏读博期间创立了美国双鹰公司、好莱坞娱乐影业公司等三家公司。1994年，唐骏当时为一家日本公司设计的一个"速配机"让他获得了微软的注重。

The so - called Greater Doxology is the Gloria in Excelsis, Glory be to God on high.

"所谓-所谓大三一颂是在E xcelsis凯莱，"荣耀归於上帝高。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。