强调色彩的

In order to make a painting with good conception,the painter is supposed to good at achieving the agreement of the composition with the conception and the harmony of colours and conception and disposing of the relationship between realism and unrealism,The painter should also have outstanding cultural an.

要构成一幅意境好的画面，要求画者掌握好构图与意境的统一，色彩与意境的协调，虚实关系的处理；更强调画者要有很高的文化艺术修养、情景交融的能力以及洞悉生活、领悟造化的素养。

His utilitarianist ethics have been infuenced by the west utilitarianism represented by Bentham to a large degree, namely emphasis on "egoistic", and emphasis on "egoistic" beyond "profitable group". But at the same time, he does not accept Bentham's thought totally.

作为在历史上颇具影响力的一位思想家，梁启超许多观念都带上了西方观念的色彩，他的功利主义伦理观在很大程度上就受到了西方功利主义思想的代表－边沁的影响，即重视&利己&，并强调在&利群&之上的&利己&。

In addition, the unique design for details is worth drawing your attention for Z Zegna collection of each season. 2007 spring/summer collection will emphasize beltless, high-waisted design , practical inner-pocket design and varied color spray painting.

此外，别致的细节设计也是每一季的 Z Zegna 时装的看点，明年的春夏系列特别强调无皮带的高腰设计、非常实用的内袋设计和富于变化的色彩喷绘。

Based on functional harmony of majorand minor, the work maintains the organizational role of major and minor triad;emphasize the leading position of keynote and central chord, and using a lot of coloredchromatic harmony and modern harmony with the special language of " Prokofiev"sharmony", which forms the peculiar harmony style in "song of composer"s swan".

作品以大小调功能和声为基础，保持大小三和弦的组织作用，强调主调性和中心和弦的主导地位；同时大量使用色彩性半音化和声与近现代和声手法；伴以&普氏和声&的独特语言，在作曲家的&天鹅之歌&中形成别具一格的和声风格。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。