强调色彩的

It is excellent, however, for colourless stones and when it is desirable to emphasize the colour of fancy colours.

这是好的，但是，当它无色石头和理想色彩奔放强调颜色。

Personality is perhaps essential to many artists; however to ADO, it is less important in a team work practice. They prefer collaboration to individualism. A response to surroundings is more crucial than a domination of the entire environment. Having a complementary view to space, ADO considers art as transformations without damaging existing elements or characteristics of a particular place.

个人色彩对许多艺术家来说非常重要，然而，对於ADO他们，创作并非单求强调个人，他们重视群体合作和配合，不喜欢以纯粹感性作为创作手段；个人色彩固然是每件艺术品的灵魂，以公共艺术而言，更重要是创作人对环境的回应，如何以不破坏原有结构的原则下，对空间再创造，因此，他们对整体性的追求，不祗限於群体合作，亦显示於其艺术个体与整体环境的互补融合，这点表明了他们从「补足」的意念来看公共艺术。

In You Jin's work, Chaotic Code include the following meanings: first, color, light and lines are the main language characteristics, and the precise, ordered and mechanical depicting techniques stand out the random order and weaken traditional pictorial expression; second, in objective representation of images, garbled symbols emphasize a certain unreal sense of subjective construction with the representation of transient images; third, the atmosphere of the picture represents sublimation and ballyhack, bustling, calm and gloomy, which emphasizes the stimulation of visual sense; fourth, the subject of chaotic code indicates floweriness, change, and grotesque idea, implying that the hidden trouble of danger, horror, unsteadiness and peril potentially exists in the rapid developments of current society and the advancement of technical information.

看由金的作品，"乱码"包含了以下意义：一，在语言特征上，以色彩、光、线为主，以严谨、有序、机械的刻画手法，呈现乱中有序的特点，削弱了传统绘画性表现；二，在表现物象上，以虚幻的影像呈现，强调一种主观营造的非现实感觉；三，画面氛围，呈现着绚丽繁华、冷静沉郁、升华毁灭的氛围，强调视觉感官的刺激；四，表达主题，营造一种绚丽繁华、瞬息万变、光怪陆离的表象，暗示当代社会的快速发展及科技资讯的发达，潜在地存在着危险、恐怖、不稳定、不安全等的隐患。

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成"戏剧之光"、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

In You Jin's work, Chaotic Code include the following meanings: first, color, light and lines are the main language characteristics, and the precise, ordered and mechanical depicting techniques stand out the random order and weaken traditional pictorial expression; second, in objective representation of images, garbled symbols emphasize a certain unreal sense of subjective construction with the representation of transient images; third, the atmosphere of the picture represents sublimation and ballyhack, bustling, calm and gloomy, which emphasizes the stimulation of visual sense; fourth, the subject of chaotic code indicates floweriness, change, and grotesque idea, implying that the hidden trouble of danger, horror, unsteadiness and peril potentially exists in the rapid developments of current society and the advancement of technical information.

看由金的作品，&乱码&包含了以下意义：一，在语言特征上，以色彩、光、线为主，以严谨、有序、机械的刻画手法，呈现乱中有序的特点，削弱了传统绘画性表现；二，在表现物象上，以虚幻的影像呈现，强调一种主观营造的非现实感觉；三，画面氛围，呈现着绚丽繁华、冷静沉郁、升华毁灭的氛围，强调视觉感官的刺激；四，表达主题，营造一种绚丽繁华、瞬息万变、光怪陆离的表象，暗示当代社会的快速发展及科技资讯的发达，潜在地存在着危险、恐怖、不稳定、不安全等的隐患。

Composed of , or emphasizing drawn lines rather than painterly effects .

线条的表现条效果而非色彩效果的，由之组成的或强调之的来源：词友

Characterized by, composed of, or emphasizing drawn lines rather than painterly effects.

线条的：表现出线条效果而非色彩效果的、由之组成的或强调之的

Second, in this paper we recite and analyse how the painting masters of the different history stage used light and colors from "Prehistorical art" to "Rome art" imitating light and colors,"Middle ages art" creating "Sanctitude light","Revival of learning" representing nature light and colors and then light was used to create the drama light, Impressionistic using the light of science and impairing light instead emphasizing sensibility colors in modern times. Painting lives by the light and colors all along in the painting history.

从史前艺术、希腊罗马艺术的模仿光与色，到中世纪艺术创造神圣之光，再到文艺复兴的再现自然光线与色彩，然后到17世纪的主观处理光线形成&戏剧之光&、印象派的科学用光、现代绘画淡化光线并强调情感色彩，光线和色彩一直贯穿在历史的绘画长河里。

Another new external attraction of the New Ypsilon is a colour range made up of no fewer than 15 body shades that emphasise the model's smooth lines still further (7 brand new) and 9 new 'b-colore' liveries: this is the most extensive range in the segment, and one of the most extensive overall: more evidence of Lancia's attention to colour as a representation of style and Italian flair.

另一项新新地老虎对外的吸引力是一个色彩范围由不下15项，组织色彩强调了该模型的进一步流畅的线条（7全新）和9个新的B - colore'水桶：这是最广泛的范围在段，和最广泛的整体：更多的蓝旗亚注意颜色的证据之一，作为意大利的风格和天赋的代表性。

His emphasis on the dialogic nature and literariness of autobiography tinges his autobiographical theory with idealism, but his ideas on Dialogue and Self-consciousness are enlightening to today's autobiographical study.

强调自传的对话性和文学性，使其自传观带有了理想色彩，但巴赫金的对话和自我意识观念对当前的自传研究有着重要的启迪。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。