强调的

In You Jin's work, Chaotic Code include the following meanings: first, color, light and lines are the main language characteristics, and the precise, ordered and mechanical depicting techniques stand out the random order and weaken traditional pictorial expression; second, in objective representation of images, garbled symbols emphasize a certain unreal sense of subjective construction with the representation of transient images; third, the atmosphere of the picture represents sublimation and ballyhack, bustling, calm and gloomy, which emphasizes the stimulation of visual sense; fourth, the subject of chaotic code indicates floweriness, change, and grotesque idea, implying that the hidden trouble of danger, horror, unsteadiness and peril potentially exists in the rapid developments of current society and the advancement of technical information.

看由金的作品，"乱码"包含了以下意义：一，在语言特征上，以色彩、光、线为主，以严谨、有序、机械的刻画手法，呈现乱中有序的特点，削弱了传统绘画性表现；二，在表现物象上，以虚幻的影像呈现，强调一种主观营造的非现实感觉；三，画面氛围，呈现着绚丽繁华、冷静沉郁、升华毁灭的氛围，强调视觉感官的刺激；四，表达主题，营造一种绚丽繁华、瞬息万变、光怪陆离的表象，暗示当代社会的快速发展及科技资讯的发达，潜在地存在着危险、恐怖、不稳定、不安全等的隐患。

The main body of a book set off from the clothing design angle , be tied in wedlock each other by starting to pertinent theoretical analysis , linking the clothing design basal principle with, marketplace , put into practice by cooperating with project of the local TV station, thereby, sum up out a set of the new law that TV variety show anchorperson clothes and ornaments designs , form a set of new method that clothes and ornaments designs to this type thereby:(1) establishes anchorperson clothes and ornaments style , establishes anchorperson clothes and ornaments expressing priority;(2) union anchorperson oneself qualities characteristic , image characteristic , entirety design;(3) sets off from to accepting numerous angles , studies mentality, is had the design being aimed at by numerous appreciation of the beauty;(4) is in anchorperson clothes and ornaments colour being going , seek in the unification change to come to consider style and hue from entire stage indeed at the regular time;(5) heddle skill entertainment anchor-man clothes and ornaments detail designs that priority chooses high-quality material on clothing collar headquarter , shoulder , bosom, emphasize that the meticulous handicraft is right away especially important;(6) when has being anchorperson more in one program, clothes and ornaments designs that emphasizing that the series feels more.

本文从服装设计的角度出发，通过对相关的理论分析入手，结合服装设计的基本原理，与市场相结合，通过与地方电视台的项目合作实践，从而总结出一套电视综艺节目主持人服饰设计的新规律，从而形成对此类型服饰设计的一套新方法：(1)确立主持人服饰风格，确立主持人服饰表达重点；(2)结合主持人自身气质特点、形象特点，整体设计；(3)从受众的角度出发，研究受众的审美心理，有针对的设计；(4)在主持人服饰颜色的确定时，要从整个舞台的风格和色调来考虑，在统一中求变化；(5)综艺娱乐节目主持人服饰的细节设计重点在服装的领部、肩部、胸部上，选取高品质的素材、强调精细的工艺就尤为重要；(6)在一台节目有多个主持人时，服饰设计更强调系列感。

Operationally, it's never been flatter than printer, no mater how flat I brush, and it's never been more photographic than photography, no matter how hard I draw. As a result, I tend to emphasize the hand-drawing characteristic and the contrived distinctness. Technology brings us convenience and rapidity, but my work shows some reaction against it. So far, the Technology could make one touch to complete all the things, and maybe in the future it could have made everything unlabored by just thinking. However, Technological operation makes physical perceptions getting degenerated, and the crisis of primordially physical degeneration is the fierce dilemma for me.

在身体的操作下意识到平涂即使再平最终也不会大於电脑影像输出，而在物体描绘的写实感也不会大於照片的真实感，所以转而强调手绘的真实性和人为刻意操弄下的距离，对於科技带来的便利性和快速性，在我的创作中某一程度显现了对科技的反动，但是科技的操作渐渐的让身体的感知退化，目前科技可以做到 one touch 就能办到生活的一切事情，而在以后甚至只需要动脑感应就可以达到很多劳动所不及的事情，如此身体的原始性逐步降低所带来的危机感正是我自身所处的一个拉扯状态，强调身体所操作出来的痕迹。

In You Jin's work, Chaotic Code include the following meanings: first, color, light and lines are the main language characteristics, and the precise, ordered and mechanical depicting techniques stand out the random order and weaken traditional pictorial expression; second, in objective representation of images, garbled symbols emphasize a certain unreal sense of subjective construction with the representation of transient images; third, the atmosphere of the picture represents sublimation and ballyhack, bustling, calm and gloomy, which emphasizes the stimulation of visual sense; fourth, the subject of chaotic code indicates floweriness, change, and grotesque idea, implying that the hidden trouble of danger, horror, unsteadiness and peril potentially exists in the rapid developments of current society and the advancement of technical information.

看由金的作品，&乱码&包含了以下意义：一，在语言特征上，以色彩、光、线为主，以严谨、有序、机械的刻画手法，呈现乱中有序的特点，削弱了传统绘画性表现；二，在表现物象上，以虚幻的影像呈现，强调一种主观营造的非现实感觉；三，画面氛围，呈现着绚丽繁华、冷静沉郁、升华毁灭的氛围，强调视觉感官的刺激；四，表达主题，营造一种绚丽繁华、瞬息万变、光怪陆离的表象，暗示当代社会的快速发展及科技资讯的发达，潜在地存在着危险、恐怖、不稳定、不安全等的隐患。

Hypogene high thermal or deep source epi-mesothermal condition and it is not only stressed the mantle source simply but also the crust-mantle;②in order to guid ore exploration better the artificial classification of uranium deposits should be broken and uranium ore-forming system strengthened;③much attention should be paid to searching the diabase-hosted rich uranium ore in strongly argillized cataclastic zone;④attention should be paid to the influence of basement of volcanic basin on the uranium ore formation that should be undstood both in feeling and theoretically through the ore propect process;⑤relation of red basin with uranium ore formation can be made clear from analyzing tectonics, paleo-climate and time and it is not only theoretically important but also helpful to uranium ore prediction;⑥crypto explosive pipe is an uranium ore, rich uranium ore host structure and it is the next goal for uranium ore exploration in east China.

摘要文章论述了华东火山岩型铀矿找矿值得重视的地质问题：①铀成矿既可形成于浅源浅成低温条件，也可形成于深源深成高温或深源浅成中低温条件，在强调深源时，不是简单地认为是幔源就可以了，还必须强调壳幔作用的地质过程；②打破人为的&类型&划分，加强&铀成矿系统&的研究，更好地指导找矿；③研究基性脉体与铀成矿问题应注意构造、岩石矿物成分、成因、蚀变与成矿3大问题，注意寻找泥岩化作用强烈的破碎辉绿岩脉中的富铀矿；④火山盆地基底对铀成矿的作用主要是提供铀源，将基底对铀成矿的影响从感性认识推向理性认识，有效地指导找矿；⑤红盆与铀成矿关系可以从构造、古气候及时间分析研究中得出结论，它不仅仅是一个理论问题，而且有助于铀成矿预测；⑥隐爆角砾岩筒是铀成矿、成富矿的重要储矿构造，是华东火山岩型铀矿找矿的新领域。

From the point of education notion, the former puts more emphasis on the mastery of basic skills while the latter encourage scientific innovation spirit. As for the subjects, the former is oriented to all students, devoting to students' comprehensive development and their education for life. On the contract, the latter prepares students to be qualified university applicants. Regarding assessment, both believe that fairness and comprehensiveness are important. Additionally, assessment reacts on teaching and multi-assessment is preferred. Contrastingly, the former lays more stress on result-oriented paper exams while the latter also takes daily teaching process into consideration when it comes to assessment.

从理念上看，二者均注重学生能力的培养，前者更强调基本技能的掌握，后者更鼓励科学创新精神；从对象上看，前者面向全体学生，着眼于学生全面发展和终身发展需要的大众教育，后者的定位则是精英教育，使学生成为最有资格的大学申请者；从评价上看，二者均强调客观公正全面的评价、通过评价对教学过程做出指导，在提倡多元化评价的同时，前者更注重充分利用好传统的纸笔测验的评价方式的终结性评价，后者除终结性评价外也注重贯穿在日常课堂教学中的内部评价。

Concerning the relationship between the person and society, Locke is egoism, the personal right is not violated, private property is protected by laws. Mill empathizes the greatest happiness principle, tries to coordinate the relationship between person and society. Berlin guards the negative liberty which is the personal right and liberty is not violated, at the same time he empathizes that person belongs to definite history, culture, race and nationalities, therefore he empathizes person's social and historical factors are different from liberalism egoism.

6，在个人与社会的关系问题上，洛克强调个人的权利神圣不可侵犯、私有财产受法律的保护的个人主义，密尔强调最大多数人的最大幸福，力图协调个人与社会的关系，伯林对消极自由的维护，对个人自由和权利的不得侵犯，这是对个人主义的权利的保护问题；另一方面，他又认为人是附属于一定的历史、文化、种族和民族中的，因此更多地关注人的社会历史的因素，和单纯的个人主义的自由主义有所不同。

On one hand, he unseals the receptive types of Chinese artistic space as representation of life significance, interpreting the characteristics of the receptive types of Chinese artistic space through two concepts:"Emptiness" and " Dance", insisting that "limpid breast seeing Tao" should be the experience of spacial creation of Chinese art, understanding the whole and foundational property of Chinese art in the long run; on the other hand, he indicates that the receptive types of Western artistic space are short of flowing Yijing of life in the light of mathematical space of science, which is a kind of standardized "God's ambit" and " ideal beauty".

宗白华一方面揭示了中国艺术空间感型对于生命意义的体现，以&空白&和&舞&两个概念来诠释中国艺术的空间感型特征，强调&澄怀观道&乃是中国艺术在空间创造上的体验，从而在一个完整层面上把握了中国艺术的根本特质；另一方面，他又强调，西方艺术的空间感型由于依据了科学的数理空间，缺乏一种生命的流动境界，因而是一种规范化的&神的境界&、&理想的美&。

On the basis of analyzing the application of long-arm jurisdiction to internet cases by the U.S. courts, the authors suggest: firstly, though internet cases have their own characteristics and challenge the traditional rules of jurisdiction, the challenge itself should not be overestimated, and the traditional rules are still applicable to internet cases; Secondly, as regard to the model of jurisdiction of internet cases, the European model which emphasizes on the physical location is hard to make vo...

在分析研究了美国法院将传统长臂管辖权理论运用于网络案件的有关实践后，作者指出：尽管网络案件有其特殊之处，对传统的管辖权提出了一定的挑战，但不应夸大其对传统管辖权的冲击，传统的管辖权规则仍可适用于网络案件；就网络案件管辖权模式而言，强调物理联系因素的欧洲模式难堪重任，而强调被告是否与法院地间形成了某种程度的联系，根据企业所使用的语言、货币、法律选择、拒绝交易声明以及实施特定交易等，考察被告的活动是否针对法院地，是否与法院地形成了某种&有意利用&关系的美国模式更符合管辖权模式的未来发展趋势。

through text analysis,this paper examines the syntactic and morphological means typically employed in introducing topics into chinese and english texts and their relations to discourse anaphora.we find that in both chinese and english the most important means for introducing the most important and accessible topics into discourse are the indefinite nps used as objects in existential-presentative sentences,and that the indefinite demonstrative adjective zheme and this can be used as an additional means to emphasize the importance of the entity introduced.however,the two languages differ in that,in english texts,apart from the above-mentioned linguistic devices,definite nps functioning as indirect objects and names functioning as subjects also tend to be used to introduce relatively important topics,and the emphatic one,in contrast to the indefinite article "a",can be used as another linguistic means to give additional emphasis on the relative importance of the topic introduced.

摘 要：本文以民间故事为语料，分析和研究了英汉篇章中话题引入的句法和形态手段及其与篇章回指的关系。我们发现，两种语言的主要相似之处为：1用作存现宾语的无定名词短语是引入篇章中最为重要和最为可及话题的主要手段；2英汉无定指示形容词this和&这么&可用于进一步强调所引入话题的重要性。两种语言最主要的差别是：1在汉语中，存现结构中的无定名词短语似乎是引入重要篇章话题的唯一形态句法手段；而在英语中，除此之外，用作间接宾语的有定名词短语和用作主语的专有名词也可以用于引入一个相对重要的篇章话题。2在英语篇章中，另有一个标示重要话题的附加手段，即以one代替a，以便进一步强调所引入话题的重要性。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。