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it summarized the necessity of en and pn in the treatment and nursing of mechanically ventilated patients, reviewed its indications, detaining path of nutritional tube, opportunity, perfusion style and selection of aliment, illuminated its importance of early using in critical cases and nursing intervention on existed problems.

本文结合近年来一些国内外文献以及研究成果,较详细介绍了机械通气患者营养支持的适应证、营养管的置入途径、营养的时机、给与方式、营养品的选择;阐明早期给营养支持对危重病人的重要意义及对现存问题的护理干预;强调合理的营养支持可以提高患者的免疫力、减少并发症的发生,有利于患者平稳脱机。

In the chapter, the author discusses features of personality and ascendance reflected in the image of God; the author also notes in this part the traditional viewpoints of God is facing up to the challenges from all viewpoints from science and technology in the modern time; in the third chapter, the author focuses the relationship between God and human beings, which constitutes the theme of his thought on God.

第二部分是本论文的重点。上帝是基督教神学的核心范畴,基督教的上帝观特别强调上帝的人格性和超越性,但是位格主义的上帝观在当今技术时代遭到了否定,然而本文所要指出的是,上帝作为一个位格出现是奥特上帝观的主题和出发点,也是他的理论体系的重要支点。第三部分是本论文的进一步展开。在奥特的上帝观中,有一个贯穿始终的主题:上帝和人。具体说,只有把人作为言说的重点才能准确地理解上帝和人之间的关系。

I argue in my paper that there are two states of time running through Tsai Ming Liang's movie, What Time is it There, a fluid state symbolized by the prevalence of water in the movie and a static state, symbolized by digital time, also highlighted in the movie: the clepsydra versus digital time in Taiwan is a symptom of Taiwan's particular historical experience of being a state of exception, as Giorgio Agamben would have it.

我在文中的论点为,蔡明亮电影《你那边几点?》全片由两种不同的时间状态贯穿而成,其一为流动的时间,以电影里随处可见的流水作为象徵,另一则是静止的时间状态,作为象徵的是片中亦不断强调突显的数位时间。就台湾的脉络而言,水钟与数位时间所形成的对比,症候式地再现了台湾作为阿冈本所称的「例外状态」特殊的历史经验。

At the same time, Yin Zhaohui builds up a secret space with close-up body fragments to consolidate his position as a doomster. Those dead-like, anonymous, imperfect figures entangle in a new relationship of desire, which is enormously merciless and painful.

作为审判性观察者的尹朝辉所营造的「私室」,透过没有内容的器官逐渐从虚无中捏造新的欲望关系,自纠结的手指、略露出颜面的肖像、到最后带有残缺感的匿名身体,强调了欲望中所有负面的情绪,是艺术家将自我痛感和清晰明白意念暴露于自我身体和知觉之外的严肃冒险。

By this, I hope I shall be able to provide a more wezhaustive understanging of explanation, and, to construce the concept of explantion not as a logical one by distinguishing explanation from logical inference;(2) not as a psychological one by separating explanation from individual's psychological orientation;(3) not as an Ontic one by emphasizing the relevance of the questioner's and explainer's knowledge-states to explanation;(4) not as a relative one by holding that it is possible to get a non-pragamatic standard to differentiate batter explanations from worse ones.

通过对最新近的实用说明论的得失的详细分析,来探讨有关说明和说明论的一些基本问题,力求在这些探讨的基础上得到对说明的更全面的理解,使得说明概念(1)不是一个逻辑概念,避免将说明与逻辑推导相等同;(2)不是一个心理学概念,将说明与提问者和回答者的心理倾向相分离;(3)不是一个实体概念,强调说明与人们知识状态的密切关系以及(4)不是一个完全相对化了的概念,坚持可以在好的说明和差的说明之间找到某种标准。

Yves Saint Laurent, Marc Bohan, Gianfranco Ferre and John Galliano at Dior died after being taken over, the extraordinary ability to design Dior momentum to the top, and they uphold the spirit of the design are the same - Dior's exquisite tailoring. 2001 French designer Hedi Slimane took over the renamed after DIOR HOMME, he stressed that the design of the perfect line, the ultra-small size of clothing through the lean young male models showing a bit of a morbid sense of beauty, sweeping the world .

Yves Saint Laurent、Marc Bohan、Gianfranco Ferre以及John Galliano在Dior过世后陆续接手,非凡的设计功力将Dior的声势推向顶点,而他们秉持的设计精神都是一样的——Dior的精致剪裁。2001年法国籍设计师Hedi Slimane接手改名后的DIOR HOMME,他的设计强调完美的线条,超小尺码的服装透过精瘦的年轻男模特儿呈现出一种带点病态的美感,风靡了全球。

Kuhn\'s Incommensurability stressed that different Weltanschauungs are decided by different paradigm. The differences between different Weltanschauungs are incommensurability, at this rate there is not a transcendent standard to decide whether accept or reject the theories.

库恩的不可通约性理论强调不同的范式决定了不同的世界观,不同的世界观之间的差异是不可通约的,这样就不存在着一个超然的标准来决定理论的优劣取舍。

For instance, in each image of the handsome, long-limbed Sheila, the angles of her body and the objects around her, the strong diagonals and curves of each outline in the picture, build a structure emphasizing the key visual element of her and of the picture - her huge, expressive eyes.

例如,在每一个形象,英俊,长肢希拉,她的身体的角度和她周围的物体,强对角线的,曲线的每一个轮廓图片,建立一个结构,重点强调了她的视觉元素图片-她的巨大的,表情的眼睛。

"The recognition by neuroscientists that the brain mechanisms underlying pain, pleasure, fear, and lust are the same in humans and other mammals underscores our similarity to other species and i***tremely important," said Tecumseh Fitch, a psychology lecturer at the University of St. Andrews in Scotland.

苏格兰圣-安德鲁斯大学的心理学讲师菲奇表示:&神经科学家公认的,人类和其它哺乳动物间支撑痛苦、压力、恐惧及性的大脑机制都是相同的这一理论强调了人类与其它物种的相似之处,而这一点是非常重要的。&

"The recognition by neuroscientists that the brain mechanisms underlying pain, pleasure, fear, and lust are the same in humans and other mammals underscores our similarity to other species and is extremely important," shoulder bag said Tecumseh Fitch, a psychology lecturer at the University of St.

苏格兰圣·安德鲁斯大学的心理学讲师菲奇表示:&神经科学家公认的,人类和其它哺乳动物间支撑痛苦、压力、恐惧及性的大脑机制都是相同的这一理论强调了人类与其它物种的相似之处,而这一点是非常重要的。&

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The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应,而且减少跟风的可能性。

The new PS20 solar power tower collected sunlight through mirrors known as "heliostats" to produce steam that is converted into electricity by a turbine in Sanlucar la Mayor, Spain, Wednesday.

聚光:照片上是建在西班牙桑路卡拉马尤城的一座新型PS20塔式太阳能电站。被称为&日光反射装置&的镜子将太阳光反射到主塔,然后用聚集的热量产生蒸汽进而通过涡轮机转化为电力