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Pelagianism is that teaching, originating in the late fourth century, which stresses man's ability to take the initial steps toward salvation by his own efforts, apart from special grace. It is sharply opposed by Augustinianism, which emphasizes the absolute necessity of God's interior grace for man's salvation.

佩拉纠学派的是,教学,原产于晚四分之一世纪,强调人的能力,采取了初步措施,对拯救他自己的努力,除了特别的恩典,这是尖锐的反对奥古斯丁主义,强调绝对有必要上帝的恩典,为内部人的救赎。

The molar volume was found to play an important role on the polymer solutionas well as the Huggins interaction parameter through the dynamic analyzing.

同过去的高分子物理理论强调溶剂的Huggins作用参数所不同的是,我们在这里首次强调了溶剂摩尔体积的作用。

When I hear this oracular sentence, I am for a moment absorbed in thought, emphasizing to myself each word separately that I may come at the meaning of it, that I may find out by what degree of consanguinity They are related to me, and what authority they may have in an affair which affects me so nearly; and, finally, I am inclined to answer her with equal mystery, and without any more emphasis of the "they"

而我,一听到这神示似的文句,就有一会儿沉思,把每一个字都给我自己单个地强调了一下,好让我明白它的意思,好让我找出他们和我有怎么样的血缘关系,在一件与我如此密切有关的事上,他们有什么权威;最后,我决定用同样神秘的方式来答复她,所以也不把"他们"两字强调。

For example, the DSM diagnostic changes emphasize symptom checklist approaches to psychiatric diagnosis; neuroscience and psychopharmacology gains emphasize somatic interventions; delivery system changes, and inadequate availability of psychiatrists, diminish attention to the psychological aspects of the patient's presentation and treatment.

举例说,DSM诊断的变化强调用症状量表来作精神科诊断;神经科学和精神药理的发展强调了躯体的干预;传递系统的变化,以及不充足的精神科医生,使得对病人表现以及治疗的心理侧面的重视减少。

By discussing the theory of housing culture in community planning and housing design,the modern homebuilding construction and community planning should be focused on establishing culture atmosphere,and an elegant,comfortable,secure integral space.

通过对"居住区规划及住宅设计应体现文化气质"这一观点的探讨,强调了"住宅文化"的理念;文化是未来高品质住宅的精髓。住宅建设及居住区规划应强调文化氛围,创造出一个高层次的舒适安全的整体空

This exhibition attempts to embark in an art institution from an internal survey of art ecology. Unlike the customary emphasis on visuality of a single artwork,"Glass Factory" utilizes a way of working similar to sociology and statistics to install and complete the presentation of art pieces."Glass" reminds us of the existence of "viewing", whereas its transparency could lead us to nowhere. Despite of that, we are moving closer to a practical approach that may unveil the nature of glass.

我们需要一种新的审视方式来寻找这些现象背后的话语,所以,这个展览选择从生态的内部考察开始进入艺术机制,和以往强调单件作品的视觉性不同,"玻璃工厂"选择类似社会学和统计学的工作方式来完成和展示作品,"玻璃"强调了观看,而其透明性也许让我们一无所获,但是,起码我们在努力寻找着一种可行的方法来看到玻璃的实质。

One result of this was an unbalancing of the positive-negative force, by accentuating one or the other; to feel things demanded the negative force; to express through things, and direct and manage them, required the positive force.

这样的一个后果是正负力量的不平衡,不是强调这一种力量,就是强调了另一种力量;感觉事物要求负的力量;通过事物进行表达,并指导和处理它们,要求正的力量。

Then she described two well known Adventist theologians who were still preaching the Sabbath, but who emphasized "the day's quality rather than the sequence in the week .... and worship, rather than belaboring the fate of those who fail to observe the Sabbath as Adventists do."

然后她讲述了两个非常著名的复临教会神学家,他们仍然继续宣讲安息日,但是却强调&日子的质量,而不是其在一周中的排列顺序…强调敬拜,而不是抨击那些不像复临信徒那样守安息日之人的命运。&

Like most of the feminists arts, Shen Yang also creates her works from self-experience, imagination and intuition. By creating a manner of language which imbued with extreme feelings of the individual survival and unique female characteristic, she solaces herself with these images to vercome the female weakness and the fear to the surrondings.

和大多数女性艺术家一样,沈阳也从强调女性自身经验、想象和知觉这个角度出发,她在摄影中创造了一种极端强调个人化的生存感觉和女性的独特品质的语言方式,并以此种姿势对自己进行&影像慰籍&,以顽强地克服女性的弱点和对周遭环境的巨大恐惧。

Like most of the feminists artists, Shen Yang also creates her works from self-experience, imagination and intuition. By creating a manner of language which imbued with extreme feelings of the individual survival and unique female characteristic, she solaces herself with these images to vercome the female weakness and the fear to the surrondings.

和大多数女性艺术家一样,沈阳也从强调女性自身经验、想象和知觉这个角度出发,她在摄影中创造了一种极端强调个人化的生存感觉和女性的独特品质的语言方式,并以此种姿势对自己进行&影像慰籍&,以顽强地克服女性的弱点和对周遭环境的巨大恐惧。

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