弦乐部分

The memorable string sections were written by Mehdi and performed by the Swiss Philharmonic Orchestra. These heavenly Instrumentals include piano, acoustic guitar, violin, cello, flute, electric guitar, hammered dulcimer, rhythmic hand percussion, drum kit and Japanese Taiko drums all placed in lush orchestral arrangements.

令人陶醉的弦乐部分是由梅迪作曲，瑞士爱乐交响乐团管弦乐队演奏，器乐包括钢琴，吉他，小提琴，大提琴，长笛，电声吉他，重拍洋琴，打击乐器，敲击鼓，和日本Taiko 鼓等，全部被编排在大型管弦乐队的演奏中。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

Any man of mine this is what a woman wants...any man of mine better be proud of me even when i"m ugly he still better love me and i can be late for a date that"s fine but he better be on timeany man of mine"ll say it fits just right when last year"s dress is just a little too tight and anything i do or say better be okay when i have a bad hair dayand if i change my mind a million times i wanna hear him say yeah, yeah, yeah, yeah, yeah i like it that wayany man of mine better walk the line better show me a teasin" squeezin" pleasin" kinda time i need a man who knows, how the story goes he"s gotta be a heartbeatin" fine treatin" breathtakin" earthquakin" kind any man of minewell any man of mine better disagree when i say another woman"s lookin" better than me and when i cook him dinner and i burn it black he better say, mmmm, i like it like that yeahand if i changed my mind a million times i wanna hear him say yeah, yeah, yeah, yeah, yeah i like it that wayany man of mine better walk the line better show me a teasin" squeezin" pleasin" kinda time i need a man who knows, how the story goes he"s gotta be a heartbeatin" fine treatin"breathtakin" earthquakin" kind any man of minelet me hear you say yeah, yeah, yeah, yeah, yeah i like it that wayany man of mine better walk the line better show me a teasin" squeezin" pleasin" kinda time i need a man who knows, how the story goes he"s gotta be a heartbeatin" fine treatin"breathtakin" earthquakin" kind any man of mineyou gotta shimmy shake make the earth quake kick, turn, stomp, stomp, then you jump heel to toe, do si do "til your boots wanna break "til your feet and your back ache keep it movin""til you just cant take anymore come on everybody on the floor a-one two, a-three four hup two, hum this is what a woman wants...

shania是自八十年代的 dolly parton以来第一位出现在rolling stone杂志的乡村歌手。 shania的巡回演出共收益超过2700万美元。shania是第一位连续两张专辑都超过一千万张销售，又被nashville songwriters association命名为songwriter/artist of the year 的女歌手真情的表白，大胆，热情，直露。这首歌被仙妮娅独特的唱音演绎得既张扬而又内敛，既热情奔放而又柔情似水。第一次听此歌时就被其前部的吉它声(拨动的弦音是否亦打开了你的心菲)和高潮部分的震撼所折服，尤其是到后面交响乐团的弦乐更是把歌曲推向了高潮的高潮，宗教的崇高神圣一览无遗。

ORCHESTRA, corps of orchestral music, consists of four parts: 1string music, including violin, violoncello and so on;2brass instruments 3woodwind music and 4percussion instrument.

ORCHESTRA就是管弦乐团，它分成四部分：1弦乐，包括小提琴、大提琴等，2铜管乐3木管乐和4敲击乐四组。

Examples:The woodwind section complements the strings in this piece of music.

木管乐器的乐章弥补了这首曲子中弦乐部分的不足。

The two best songs on Seven Seven come at the end. 'Oh Ma The Sea Is Rising' is a folkish ballad made buoyant by a delicate string section. The distant notes of an opera singer and a touch of piano add further colour; this is a simple song made rich by an intelligent arrangement. 'The Long Goodbye' is more ambitious; constructed out of slow vocal loops and misty layers of guitar and bells, it sounds like a long walk to the end of a jetty on a winter's morning.

这张专辑中最好的两首歌都在结尾部分，&Oh Ma The Sea Is Rising&是一首让人心情舒畅的民谣叙事诗，有着精致的弦乐部分；歌剧唱腔加上钢琴的有质感的演奏为这首歌加了不少分，这本就是一首由于用心的编排而化平庸为神奇的歌曲；&The Long Goodbye&显得野心勃勃，缓慢而反复的演唱加上层次模糊的吉他和铃声伴奏，让人仿佛置身于某个冬天的早晨迈向码头的漫步道。

The listener is exposed to the apocalyptic blare of several horns, trombones, trumpets and tuba, which stretch the seemingly unimportant staccato opening theme to twice its length and then repeat it, seeming to quieten down a little, while piano, flutes and strings still shriek in unison up and down the higher ranges.

圆号、长号、小号和大号吹奏出预示性的号声，将看似不太重要的开场主题拉长一倍，并略安静地重复，同时，钢琴、长笛和弦乐部分仍然在更高的音程起起伏伏地齐奏着。

In fact, its 5 part structure has led some critics to view it as a symphonic poem, just as his later work The Four Quartets (1936-42) was seen as having a form analogous to a Beethoven Sonata or four- part string quartet.

事实上，第5部分结构已导致一些批评家认为这是交响诗，正如他后来工作的四个四重奏（ 1936至1942年）被视为一种形式类似的贝多芬奏鸣曲或四个部分的弦乐四重奏。

They formed the core of the string section of Sinfonia Helvetica, which performed in Italy and in Switzerland with Krystian Zimerman, and of the Menuhin Festival Orchestra, which had concert tours of Japan (Suntory Hall, Tokyo, Salamanca Hall, Gifu, and Symphony Hall, Osaka) and Germany (Beethovenhalle, Bonn and Philharmonie Gastei, Munich).

他们共同构成了海尔维希交响乐团的弦乐部分，已在意大利、瑞士进行了演出，分别与克里斯汀·齐默曼、梅纽因节日乐团合作演出，并和后者在日本（东京三得利音乐厅、岐阜县的萨拉曼卡厅、大阪的交响乐大厅）和德国（波恩的贝多芬大厅和慕尼的爱乐音乐厅）巡回演出。

In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视，还有少数俄罗斯作曲家，比如Shostakovich，（他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力，这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响，那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。）Prokofiev（他格外出色天才一般的旋律影响了我，但是Sting肯定也获益匪浅，因为他也在自己的热门单曲&Russians&俄罗斯人中借用了Prokofiev 的&Lieutenant Kijé&三驾马车[4]），和Mosolov[5]（他创作于1920年中期的作品&Iron Foundry&是纯粹的前卫摇滚à la Magma，Art Zoyd，Univers Zero）。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失