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弦乐四重奏曲

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In classical music I always admired Mussorgsky's unorthodoxy, unpredictability and disrespect of rules, and a few other Russian composers such as Shostakovich (the second tempo of his 8th String Quartet and Chamber Symphony op.110/110a electrocuted my imagination at least as much as the beginning of his 5th Symphony must have remained stuck in Morrissey's mind, when he sampled it for 11 minutes on the opening song of his "Southpaw Grammar" album), Prokofiev (whose exceptional melodic ingeniousness influenced me, but must have pleased Sting too, as he borrowed the theme of Prokofiev's "Lieutenant Kijé" for his hit "Russians") and Mosolov (whose mid-1920s piece "Iron Foundry" is pure Prog-Rock à la Magma, Art Zoyd, Univers Zero).

古典音乐家里面我一直十分欣赏Mussorgsky的叛逆、不可预测以及他对常规的无视,还有少数俄罗斯作曲家,比如Shostakovich,(他的C小调第八弦乐四重奏作品第110号/110a的第二部分 [1]强烈激发了我的想象力,这种激发不亚于他的第五交响曲[2]的开始部分对于Morrissey[3]的影响,那段旋律令他印象如此深刻以至于他将11分钟的采样放在了他的专辑《Southpaw Grammar》中。)Prokofiev(他格外出色天才一般的旋律影响了我,但是Sting肯定也获益匪浅,因为他也在自己的热门单曲"Russians"俄罗斯人中借用了Prokofiev 的"Lieutenant Kijé"三驾马车[4]),和Mosolov[5](他创作于1920年中期的作品"Iron Foundry"是纯粹的前卫摇滚à la Magma,Art Zoyd,Univers Zero)。

He was already a third of adults have a more thorough grasp of life, and then writing the music, In addition to this ancient melt Symphony No. 9 "Choral" and "Missa Solemnis", Piano Sonata String Quartet is music, this is an intrinsic and deep spiritual moods.

那时他已届壮年对人生有更透彻的领悟,此后写作的音乐,除了震古铄今的第九号交响曲「合唱」和「庄严弥撒曲」外,全是钢琴奏鸣曲和弦乐四重奏曲,这全是有内在的与深邃的精神意境。

Based on the method of the Third structure, the writer analyzed Bartok way to build up the work kernel motive from the simple relation of the third, then to establish three pitch combinations to control the whole piece: heptachord collection, octachord collection and the twelve-tone collection.

文章将立足于三度结构手法,分析巴托克如何从简单的三度关系建立起乐曲的核心动机,然后借助动机建立控制全曲的三种音高组合――七音音阶组合、八音音阶组合及十二音组合(twelve-tone collection),再依靠不同音阶组合建立了段落结构,由小至大、由表及里,创作了这首弦乐四重奏的核心乐章。

This outline has been elaborated on and reconstructed by the composer Alfred Schnittke with a twentieth century perspective in both his own piano quartet and in his fourth string quartet. This provides interesting listening for those whose keen to hear more of this beautiful music.

作曲家Alfred Schnittke站在20世纪的视角扩充了并重建了这支谐谑曲,用在他自己的钢琴四重奏和第四弦乐四重奏里,为想听到更多马勒室内乐之声的人们提供了很有意思的选择。

Later, I had my friends in the New England Conservatory of Music's Honors String Quartet record my arrangement.

过后,我请了新英格兰音乐学院荣誉弦乐四重奏的朋友替我演奏编曲的部份。

Chapter III of the Eighth String Quartet in general background, the main use of free music twelve-tone material with multi-style combination of collage techniques and the formation of a new organic unity.

第三章大致阐述第八弦乐四重奏创作背景,该曲主要运用自由十二音与多元风格材料拼贴技法相结合,并组成新的有机统一体。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景,用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路,以及主题片段音高置换与自由十二音主题形态。

A great number of his works ranging from symphonies and operatic excerpts to string quartets,ongs and piano pieces were included in the programme. In 1969 the theme of the estival was a country--Italy. One of the items on the programme was the Florence Opera, which performed four operas including, very appropriately, Donizetti's Maria Stuarta.

节目包括他的大量作品,从交响曲、歌剧选段到弦乐四重奏曲、歌曲和钢琴曲,应有尽有。1969年艺术节的主题是一个国家——意大利,其中有佛罗伦萨歌剧院,上演4部歌剧,并十分贴切地包括了多尼采蒂的《玛丽亚,斯徒亚塔》。

Before the 1780s the string quartet had been a relatively light genre, although a wide range of movement types was possible, including strict fugues.

在1780年之前,尽管包括严谨的赋格曲在内的很多曲式都有可能出现在弦乐四重奏中,它还是一种不太受重视的音乐体裁。

Writing last five string quartets first song.

写作了五首最后的弦乐四重奏曲

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