弦

What is the probability that the intersectingof two lines belongs to K? Finally, in this paper, we introduce the concept of double chord-power integrals ofa convex body in R~3, and some properties of double chord-power integrals of a convex body in R~3 are got.

最后，本文通过弦幂积分的理论体系和已经得到的平面上双弦幂积分的概念和性质，把双弦幂积分的概念推广到R~3上，得到了R~3上双弦幂积分的一些性质和结论。

Based the new definition of double chord-power intergral which the pair of lines intersect the convex body in integral geometry, this paper studies the relationship of double chord-power intergral and chord-power intergral.

本文给出了积分几何中的最新定义：随机直线偶与凸体相交的双弦幂积分概念，利用积分几何的分析方法，研究了双弦幂积分的对称性，次可加性等性质及双弦幂积分与弦幂积分的相互关系。

Bulwark 弦墙 Steel bulwark to be arranged at forecastle deck according to G.A. Plan. In addition a closed steel bulwark to be fitted on poop deck.

如总布置图所示，艏楼甲板应布置有钢质弦墙，此外在艉楼甲板上应布置有封闭式钢质弦墙。

Has a remarkably wide range, though it is difficult to achieve (the high b makes the first string very taut such that it will break easily), and may not play well on an acoustic guitar (the low C is too low to resonate properly in a standard guitar's body). Luthier Todd Keehn claims to have been the first guitarist to adopt an all-fifths tuning, his being arranged G-D-a-e-b'-f#', and he has made an all fifths tuned guitar that can be seen at his website, http://tkinstruments.com/.

这个调弦的音域相当地宽，但是也很难达到要求（高音B使第一弦崩得非常紧，容易断）这个调弦在原声吉他上的效果也不理想（低音C太低在普通的箱琴上无法产生共鸣）据说Luthier Todd Keehn是第一个用这种调弦的吉他手，他还用 G-D-a-e-b'-f#调弦，他的全五调弦的琴可以在他的网站上看到 http：//tkinstruments.com/。

The main reason why quarter-sawn board of Birch had smaller dry compressing shear strength than flat-sawn board of Birch in normal conditions was that Birch had different shear strength to the grain between quarter-sawn board and flat-sawn board. Meanwhile xylary rays in flat-sawn board were transversely cut and left a lot of pores in the flat-sawn board, so adhesive can enter these pores and turn into adhesive nail. While these pores provided a kind of tunnel for water, so cause this phenomenon that wet compressing shear strength of flat-sawn board of Birch was smaller than that of quarter-sawn board of Birch. The possible reason why quarter-sawn board of Oak had greater dry compressing shear strength than flat-sawn board of Oak in normal conditions was that ratio of springwood on quarter-sawn board and flat-sawn board was different.

造成柞木径切板的常态压缩剪切强度比弦切板的常态压缩剪切强度大的主要原因是，在径切板和弦切板上早材胶接的比例不同，径切板的胶合强度试件上早材胶接的比例相对少，而弦切板的胶合强度试件上早材胶接的比例比径切板的胶合强度试件上早材胶接的比例相对大，由于早晚材胶接过程中强度决定于早材，这部分胶接强度比较低，这就使得柞木径切板的常态压缩剪切强度比弦切板的大；同时在柞木弦径面胶接过程中由于实际胶接面积的不同也能造成弦径面上API胶粘剂与之形成的化学键的数量不同，这也是造成柞木径切板的常态压缩剪切强度比弦切板的大的原因之一。

Despite the usefulness and almost universal acceptance of standard tuning, many guitarists employ such alternative tuning arrangements in order to exploit the unique chord voicing and sonorities that result from them.

变化调弦指的除上述标准调弦外的任何一个空弦的变化组合。虽然标准调弦用处很大，而且几乎是一个通用的标准，很多吉他手仍然用变化调弦来开发独特的和弦音及其产生的明亮音色。

The results show that space finite analysis results are close to test ones, bottom chords suffer axial force and large in-plane bending, and the max stress is nearby each middle internode. The max stress of node crossbeams occurs in No.2 bottom flange, and that of internode crossbeams happens in ones lying in the middle of every internode. The concrete slab is in tension at the longitudinal direction, and also suffers bent at vertical loads. The degree of completely-composite model taking part in the combined actions is about 55%, while that of semi-composite model is 42%-43%. The combination of concrete slab and bottom chord increases the degree of floor system taking part in the combined actions, lightens the burden of bottom chord, and reduces out-of-plane bending of node crossbeams especially the ones near bridgehead. Stress and displacement of main truss can be evaluated by a equivalent plane rigid frame in preliminary design, and effective stiffness of bottom chords are composed of original ones and concrete slab, and the concentrated load from deck can be translated into uniform load.

研究结果表明：空间有限元分析结果与试验结果较吻合；下弦杆受到轴向拉力和较大的面内弯矩作用，各节间最大应力出现在节间中点附近；节点横梁最大应力发生在横梁2的下翼缘，节间横梁最大应力发生在位于端节间中部的小横梁上；混凝土板顺桥向整体受拉，并在竖向集中荷载作用下产生弯曲变形；全结合模型大部分节间内的桥面板参与主桁共同作用的程度为55%左右，半结合模型桥面板的参与程度为42%~43%；桥面板与下弦杆结合能够增加桥面板的参与程度，减轻下弦杆荷载，减少节点横梁尤其是靠近桥头横梁的面外弯曲；对桥梁进行初步设计时，主桁杆件的位移与内力可按照1个等效的平面刚架计算，下弦杆的等效刚度由原下弦杆截面和混凝土桥面板截面组合而成，桥面荷载可转化为均布荷载施加。

To tune to this tuning on a standard six string guitar the low E string is lowered to a B; the A string is lowered to a D, the D string is left the same, the G string is lowered to a D, the B string is raised to a D, and the high E string is lowered to a D.

在一般吉他上调这个调弦低音E要调低成B，A弦调低成D，D弦保留，G弦调低成D，B弦调高到D，最高弦E调低到D。

It usually has six strings, but also four-string, eight string, 10 string and 12 string.

它通常有六弦，但亦有四弦、八弦、十弦和十二弦。

Based on the violin, cello and double bass for the same position on the fingers rubbing strings rolling away from comparison and analysis of acoustic patterns; means single and double string rubbing rubbing means of acoustic string playing patterns and specific examples of analysis and comparison; refers to rub in the two-string Mixing strings with a single means to achieve the same sound, the string in the rubbing action on the comparison, so as to demonstrate the two-finger chord rubbing means smaller, the palm of your hand for a small, in the string rubbing speed, rubbing the string action is better than the single rate means the string rubbing , and can also increase the need for greater low-double bass string, the bit rate of rubbing

本文通过对小提琴、大提琴和低音提琴进行在同一把位上揉弦的手指滚动距离比较和声学图谱分析比较；进行单指揉弦和双指揉弦的声学图谱和具体演奏实例分析和比较；在双指揉弦与单指揉弦达到同样音响效果的情况下，在揉弦动作上的比较，以论证双指揉弦对于手指较细、手掌窄小的人来说，在揉弦速度、揉弦动作幅度上优越于单指揉弦，并且还可以根据需要更大程度上加大低音提琴低把位揉弦的幅度。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。