张力

Paradise fish has regular and ritual process of agonistic interaction which can be separated into three phases, namely, initial phase, threatening phase, and fighting phase. In initial phase, two fish encounter and swim close to each other. In threatening phase, two fish display shaking, head-tail swimming to threat their opponent.

目前已知敌对行为牵涉到中枢神经系统的调控，尤以中枢神经系统中的血清张力素神经元被许多研究学者指出是与敌对行为调控相关，但尚未确定血清张力素神经元在动物进行敌对行为过程中是如何的参与其中调控。

If the roll and a printing plate cylinder pressure is inconsistent, it and oscillating causes pressure can be affected.

如果着不朱辊和印版滚筒之间的不张力不分歧，则它和串不朱辊之间的不张力不即会受到感化。

In order to compare the results for the three different die gaps, the ratio of the two principal strains is introduced, being min/max, where max and min are the major and the minor principal strains, respectively. Hosford and Caddell [5] have shown that if the absolute value of is greater than a critical value, wrinkling is supposed to occur, and the larger the absolute value of , the greater is the possibility of wrinkling.

为了比较三种不同模具间隙的结果，两种主要张力的比率被介绍-是最小值/最大值，这里最小值/最大值是主要的和次要的张力，分别的， Hosford and Caddell [5] 显示如果他的绝对值比临界值大，起皱应该会产生，越大的绝对值，则越大的起皱产生。

The general variation principle of tension of web offset presses while running was discussed. The mathematical model of tension control was established. Based on the mathematical model and Matlab software, the tension control system simulation program was developed.

对卷筒纸印刷机在印刷过程中张力变化的一般规律进行了研究，建立了较符合实际情况的张力变化的一般规律数学模型，并用Matlab软件对模型进行仿真分析。

Based on the theory of physics and material mechanics, this paper analyses the variation principle of the paper ribbon tension between each printing unit; establishes the mathematic model of unwinding, tension variation between each printing unit and the dynamics model of the dancer rollers.

基于无轴试验平台建立了纸卷开卷的数学模型、机组之间张力变化的数学模型以及张力调节辊的动力学模型。

Further, it is found that the limit curve is a uniform rational cubic B-spline curve or the curve's control polygon when its tension parameters tend to zero or infinity respectively.

Barsky[4 ] 将具有张力参数样条的双曲样条曲线引入CAGD ，称之为张力样条参数曲线，并证明了这种曲线是一类泛函问题的极小解。

This suggests that the model is not very sensitive to the changes of primary force and primary length of individual horizontal rectus.

结果表明，上述两个指标变化在10％范围内时，手术矫正量的变化小于1.2％，水平直肌的初张力变化在30％范围内时，手术矫正量变化小于4％，说明本文提出的模型对个体肌张力的差异和个体眼外肌解剖长度的差异不是很敏感。

The main contents and achievements are summarized as following: 1. The principle of tension leveling of metal strip is described systematically using relative tension and relative curvature on the basis of plane hypothesis including the stress distribution on the section, the condition to undergo plastic longitudinal elongation, the calculation of longitudinal elongation, the change of tension along the strip etc.. 2. The tension leveling process of metal strip on a multi-roll arrangement is investigated detailed by nonlinear finite element method and many rules to guide the strain, deformation, stress and bending moment are discovered and illustrated.

本文的主要内容和成果如下： 1、以平面假设为前提，采用解析分析方法，建立了以相对张力和相对弯曲曲率为基本参数的平面应变金属带材拉伸弯曲变形基本原理较为系统的描述，描述涉及到应力分布与两个基本参数的关系、带材塑性延伸的边界条件、带材延伸率的计算、带材张力变化的计算等。

However, as with all flaps, rhomboid flap has some limitations including excessive tension and suboptimal scar orientation in resurfacing large defect.

然而对於大范围的重建则有某些限制，如供皮区缝合时张力太大，疤痕不与松弛皮肤张力线平行等。

Three types of interfacial tension curves were observed. The first curve comprised two curves that were located on either side of 1:1 molar ratio, and the interfacial tension decreased with the increase of excessed surfactant component. The second one was a saddle-shaped curve that strode over the 1:1 molar ratio. The third type was a saddle-shaped curve that was located beside the 1:1 molar ratio.

观察到三种界面张力曲线类型，第一类为摩尔比1：1的两边的两条曲线，界面张力随过剩表面活性剂组分的比例增加而降低；第二类为一条跨过摩尔比1：1的马鞍型曲线；第三类为位于摩尔比1：1的一边的一条马鞍型曲线。

The good news is that after formatting from the command line to FAT32 (format /fs:fat32 /a:4096 drive:) all but one of the problematic games that I tested work perfectly.

好消息是，从指挥线后格式化了FAT32(格式/曾荫权：了FAT32/答：4096年径：)所有问题，但其中的游戏测试工作，我很好。

In Amsterdam. He is a Dutch painter, draftsman, and etcher of the 17th century, the greatest artist of the Dutch school, a master of light and shadow whose paintings, drawings, and etchings made him a giant in the history of art.

伦勃朗是一位17世纪画家、绘图家、版画家，荷兰学派的最伟大艺术家，他的明暗法的大师，他的绘画、素描和版画使他成为一位艺术史上的巨匠，其画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等。