张

I sent the story to the HawkEye, and the editors decided to use it in the Sunday, January 6, edition, and the story was carried on page 2, along with a picture of me looking out from our back porch and another of me taking my pills

我把这个想法寄给了《鹰眼》编辑部决定在1月6日星期日版上采用它，刊登在第二页上，还附有两张照片：一张是我正从我们的后阳台上眺望密西西比河，另一张是我正在服药。

Inula helenium; Extract; Antifungal activity; Phytopathogenic fungi

张文渊；王文桥；张小风；张金林；韩秀英；马志强；李红霞

The authors adopted the software of finite element to simulate rock tension fracture, gave the breakdown of extensional criterion, selected the round, arch wall, rectangle, trapezoid and hemicycle as the simulation models and obtained the tension fracture forms of different shape chambers.

采用可模拟拉张破裂的有限元软件，给出拉张破裂的判据，分别选取圆形、直墙拱形、长方形、梯形、半圆形硐室模型进行拉张破裂有限元数值模拟。

First of all , it is seen in Zhang Wei"s long writing that continuous changes occurs with the following era contexts which is shown. First, the gradual desalinization of " earth image " on the space," earth " is not only a creation in Zhang Wei"s novel, but the main source of the poesy of its works. It declines after " September fable ", not only indicating Zhang Wei "s decay of poesy of the novel, but also reflecting the disobeyed pross of light appear contemporary China social urbanization and common customs to . Second, the change of " writing subject projection " in the spiritual meaning, Its characteristic displayed by the reduction of image of spokesman as write thought representation .and on the other side represent" person who want more that resist actively " which also shows contemporary intellectual predicament and adjustment of value. Third, in " changeable and separate characteristics in the stylistics ",It changes " epic body " of" Ancient ship "," body not mythical " to " September fable "," pour out body " of" Bai Hui "" Family "," the discipline spreads the body "of Book of other provinces"," lie body " of" Can not recall the hollyhock ". Its constant changes persuing of recreation and sports, has entered into the different book mode and narration of different class gradually too.

首先，张炜的长篇写作中可以看出一种跟随时代语境而不断发生的变化，这表现在：一是空间上的"大地意象"的渐趋淡化，"大地"不但是张炜小说中的一个创造，而且也是其作品的诗意的主要源泉，它在《九月寓言》之后的衰退，不但表明了张炜小说中诗意的衰减，而同时也反照出当代中国社会城市化和世俗化进程的不可违拗；二是精神意义上的"写作主体投影"的变化，其特征主要表现为作为作家思想代言者的"正面的知识者"形象的弱化，代表其另一面的"积极反抗的多欲者"的凸显，这也显示了当代知识分子价值的困境与调整；三是在"文体上的多变与另类化"，由《古船》的"史诗体"，到《九月寓言》的"神话体"，再到《柏慧》、《家族》的"倾诉体"，《外省书》的"纪传体"，《能不忆蜀葵》的"诳语体"，其文体不断求变，也逐渐走入了异书模式和另类叙述。

One represents justice, and one represents improbity.

毛泽东有两张面孔，一张代表正义，一张代表邪恶。

Finally, after defining an evaluation module of the corresponding Loop superalgebra (Section 4), two major results of the paper -Theorem 4.land Theorem 4.2 are proved: Theorem 4.1 reduces the irreducibility of the tensor product of finitely many evaluation modules to the irreducibility of the tensor product of finitely many irreducible modules of a nilpotent Lie superalgebra; Theorem 4.2 gives a criterion for the tensor product of such modules to be irreducible.

第4节在定义了相应的Loop超代数的赋值模之后，证明了本文的两个主要结论：定理4.1和定理4.2。定理4.1将有限多个赋值模其张量积的不可约性归结为一幂零李超代数的限多个不可约模其张量积的不可约性；定理4.2利用不可约指标给出了一幂零李超代数的限多个不可约模其张量积仍不可约的判别准则。

This one is gonna be some real Jazzy Hip-Hop Experience, real looking forward to it...

跟上面那张一样同样也是踏破铁鞋无觅处的一张整张演奏曲的Disc。。。

With the last album I couldn't show my jokey fun side because it was more serious album,but with this new record you will see a new-ish me.

上一张专辑我没有展现出我爱开玩笑的一面是因为那是一张很严肃的专辑，但在这张新专辑你们会看到一个新的我。

With thelast album I couldn't show my jokey fun side because it was moreserious album,but with this new record you will see a new-ish me.

上一张专辑我没有展现出我爱开玩笑的一面是因为那是一张很严肃的专辑，但在这张新专辑你们会看到一个新的我。

I wanted this photo to be the first but not the last one.

我要这一张照片成为第一张而不是最后一张。

The good news is that after formatting from the command line to FAT32 (format /fs:fat32 /a:4096 drive:) all but one of the problematic games that I tested work perfectly.

好消息是，从指挥线后格式化了FAT32(格式/曾荫权：了FAT32/答：4096年径：)所有问题，但其中的游戏测试工作，我很好。

In Amsterdam. He is a Dutch painter, draftsman, and etcher of the 17th century, the greatest artist of the Dutch school, a master of light and shadow whose paintings, drawings, and etchings made him a giant in the history of art.

伦勃朗是一位17世纪画家、绘图家、版画家，荷兰学派的最伟大艺术家，他的明暗法的大师，他的绘画、素描和版画使他成为一位艺术史上的巨匠，其画作体裁广泛，擅长肖像画、风景画、风俗画、宗教画、历史画等。