弗里斯

And so in giving this talk and the room has just gone wild, and during the Q and A, a guy named Tom Furness, who was one of the big names in virtual reality at the time, he goes up to the microphone and he introduces himself.

因此，我做报告时屋里都沸腾了，在其后的问答时间里，一个叫汤姆。弗奈斯的人走到麦克风前介绍了他自己，他是虚拟现实界那时的大腕。

A few years back when our Boris Godunov became ill at the last moment, we flew Vladimir Galouzine in from Brussels, arriving just 10 minutes before curtain up.

数年前，当我们的鲍里斯·戈东诺夫在临近登台表演时生病，我们用飞机从比利时请来了弗拉基米尔·加洛津，离大幕拉起还剩10分钟时赶到。

Now Choptuik and Frans Pretorius of Princeton University have simulated such collisions, including all the extremely complex mathematical details from general relativity.

现在，肖普提克和普林斯顿大学的弗朗斯·普雷托里斯模拟了这样的对撞，同时利用了广义相对论中全部特别复杂的数学资料。

In 1492 he sailed with three small ships, the Santa Maria, the Pinta, and the Nina, into the then mysterious Atlantic Ocean in search of India.

克里斯托弗·哥伦布出生在距佛罗伦萨约100英里远的海港城市热那亚，生活在文艺复兴中叶。1492年他率领三艘小海船，&圣马利亚&号、&平塔&号和&尼娜&号驶向当时神秘的大西洋，去寻找印度。

The English merchant ship H.M.S. Bounty (built in 1787) was the scene of the dramatic mutiny led by Fletcher Christian against the infamous Captain Bligh.

由弗莱彻。克里斯蒂安领导的反对臭名昭著的布莱船长的戏剧般的晔变就发生在英国商船&博爱&号上（建于1787年）。

Clapham, Christopher S., Haile Selassie's Government (1969); Haile Selassie I, The Autobiography of Emperor Haile Selassie I, trans.

和Clapham ，克里斯托弗在美因海尔塞拉西的政府（ 1969年）；海尔塞拉我自传的海尔塞拉西皇帝，我转。

Clapham, Christopher S., Haile Selassie's Government (1969); Haile Selassie I, The Autobiography of Emperor Haile Selassie I, trans.

克拉，克里斯托弗南，海尔塞拉西政府（ 1969年）；海尔塞拉西一，自传海尔塞拉西皇帝一反。

For instance, in October 1965, after several months of negotiation between Lewis and Jack Conway of OEO, Shriver, in a memo typical of much OEO-USDA interchange, informed Freeman that he could not help fund RCDS's fiscal 1966 budget request of $3.4 million.

例如，1965年10月，刘易斯和经济机会办公室的杰克康韦经过数月的讨价还价之后，在一份经济办公室和农业部之间一份备忘录中，施莱佛告知弗里曼，他不能帮助资助农村社区发展局要求340万美元的1966财政年度预算。

Probably the most affecting profiles, however, are of more exotic figures: Luciano Pavarotti ("He gives a good name to 'simple' and 'spoiled'"), Rudolph Nureyev ("one of the most dramatic and unlikely personal journeys in art in the 20th century"), and a twin depiction of Barry Humphries and Dame Edna that brilliantly draws out the co-dependency of comedian and character.

最动人的艺术肖像，也许是那些更具异国情调的人：卢西亚诺帕瓦罗蒂（他给&简单&和&过分&作出了优秀的定义），鲁道夫纽瑞耶夫（20世纪艺术领域最具有戏剧性和最不可思议的个人历程之一），还有对巴里汉弗莱斯和埃德娜女爵士几乎相同的描述，精辟地诠释了喜剧演员和戏剧角色之间的互相依存。

Probably the most affecting profiles, however, are of more exotic figures: Luciano Pavarotti ("He gives a good name to 'simple' and 'spoiled'"), Rudolph Nureyev ("one of the most dramatic and unlikely personal journeys in art in the 20th century"), and a twin depiction of Barry Humphries and Dame Edna that brilliantly draws out the co-dependency of comedian and character.

最动人的艺术肖像，也许是那些更具异国情调的人：卢西亚诺帕瓦罗蒂（他给&简单&和&过分&作出了优秀的定义），鲁道夫纽瑞耶夫（20世纪艺术领域最具有戏剧性和最不可思议的个人历程之一），巴里汉弗莱斯在本人和他假扮的埃德娜女爵士之间的双面演绎精辟地诠释了喜剧演员和戏剧角色的互相依存。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。