弗里斯

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the trans ie nce of the e XP er ie nce of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the transience of the experience of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

Merchants' scales and weights found in female graves in Scandinavia suggest an association between women and trade, while an account of a ninth-century Christian mission to Birka, a Swedish trading centre, relates the conversion of a rich widow Frideburg and her daughter Catla, who travelled to the Frisian port of Dorestad.

商人的尺度和重量女性坟墓中发现表明在斯堪的纳维亚协会和妇女之间的贸易，而到第九世纪基督教使命比尔卡，瑞典贸易中心，涉及的转换Frideburg丰富的遗孀和她的女儿Catla ，谁前往弗里西亚港口Dorestad 。

In a wide-ranging fusillade against Obama, Cheney also criticised his choice of ambassador in Iraq, Christopher Hill, calling him inexperienced, and said the president was using the recession to try to justify "one of the biggest expansions of federal authority … in the history of the republic".

在一连串针对奥巴马的抨击中，切尼还提到奥巴马的驻伊拉克大使人选克里斯托弗·希尔，批评此人经验不足；他还说这位总统正以经济衰退作为理由，试图推行"共和国历史上最大规模的一次联邦权力扩张"。

Friedman is not so much a futurist, which he is sometimes called, as a presentist.

与其说托马斯·L·弗里德曼是个未来主义者，不如说他是个现在主义者。

Jeffrey Dobbs was sailing around an island near Galle on his way to one of his hotels when the wave began battering the coast.

据英国天空新闻网12月28日报道，杰弗里·达布斯是斯里兰卡的一名酒店业主。

I have a biog from Christopher Galvin at Motorola dating from 1998, when he had been CEO for only a year.

我看到了摩托罗拉公司克里斯托弗·高尔文的个人小传，刊登时间是1998年，当时他担任首席执行官才一年时间。

Both Steele and Freeman pretended to the post of general manager.

斯蒂尔和弗里曼都说自己该得到总经理的职位。

"This was an unexpected find," says isotope geochemist and co-author Christopher Ballentine of the University of Manchester in the United Kingdom.

"这是个意外的发现，"英国曼彻斯特大学同位素地球化学家、研究论文的合作者克里斯托弗·巴伦坦说。

In Tulsa, Oklahoma they were taken to the Gilchrist Museum featuring a premier collection of fine art depicting America's wild west era, including a large collection of Frederick Remington sculptures of the American cowboy as well as the native Americans, or Indians.

在俄州的塔尔萨，他们被带去参观吉尔克里斯特博物馆，那里主要收藏的是描绘美国西部荒蛮时代的美术作品，其中包括大量的由弗雷德里克雷明顿创作的美国牛仔和美洲土著印地安人的雕塑。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。