弗里克

Now I am a made man forever- Christopher Marlowe .

现在我永远是一个成功的人－克里斯托弗。

Christopher Martignon (1472-81) was considered an intruder, his election being ascribed to the pressure exercised by Sixtus IV, his personal friend, and Pontius Raynaud (1482-1502) had the reputation of being a martinet.

克里斯托弗马尔蒂尼翁（ 1472年至1481年）被认为是一个入侵者，他的当选被归因於压力行使Sixtus的第四节，他的私人朋友，和祂的雷诺（ 1482年至1502年）的声誉，作为一个

Francois ?mauriac works exist dualistic structure.

弗朗索瓦·莫里亚克的作品中存在着二元对立结构。

Francois ?mauriac is the 20th century famous French realist writer, his "In the novel depicts a depth of the drama of human life by displaying the spirit of insight and artistic passion" and was given an 2952 Nobel Prize for Literature.

弗朗索瓦·莫里亚克是20世纪法国著名现实主义作家，因其"在小说中深入刻画了人类生活的戏剧时所展示的精神洞察力和艺术激情"而被赋予1952年诺贝尔文学奖。

French novelist Francois Mauriac had a very peculiar creation .

弗朗索瓦·莫里亚克的创作别具一格。

But it came on the heels of a paper circulated by Barry McCaffrey, a retired general who was Bill Clinton's" drug tsar ". General McCaffrey painted a grim picture in which the dangerous and worsening problems in Mexico…fundamentally threaten US national security .

但是随后而来的一篇文章却给墨西哥来了一通无情的批评，文章的作者是巴里·麦卡弗瑞，作为退役将军的他曾在克林顿内阁中担任"缉毒沙皇"的角色，他在文章中说道：墨西哥所面临的致命问题愈加严重了，而这些问题正在从根本上威胁着美国的国家安全。

Patricia McPherson (born November 27, 1954 in Oak Harbor, Washington) is an American actress.

帕特里夏麦克弗森（生于1954年11月27日在橡木港口，华盛顿）是一个美国女演员。

Cawley and McPherson are in the building.

老大 有麻烦了考利和麦克弗森在楼里

Mcpherson had made his mark with sparkling accomplishment in that most difficult areas.

麦克弗森在这个最困难的领域里取得了辉煌战果，而声名大噪。

When Obi-Wan Kenobi arrived on Utapau to search out General Grievous, he made contact with Port Administrator Tion Medon.

当欧比—万·克诺比来到尤塔帕星上搜寻格里弗斯将军时，他与港口行政长官蒂翁·梅东进行了会谈。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。