弗里克

Through analysing, we think that Bonaventure developed Augustinianism and established the Franciscan school. The school had ever resplended very much during the debate with Thomism and Dominican school.

通过分析，我们认为波纳文图拉正是在上述各方面的影响下，以奥古斯丁的神哲学和弗兰西斯修会的宗教精神为核心完成了自己的神哲学综合体系，建立了奥古斯丁－弗兰西斯学派，该学派在13、14世纪与多米尼克的亚里士多德－托马斯主义的争论中大放异彩。

We are therefore authorized to believe that, in the address of the Epistle to the Ephesians (Ephesians 1:1: tois hagiois ousin kai pistois en Christo Iesou), this participle, so difficult to understand in the received text, originally preceded the designation of the place inhabited by the readers.

因此，我们有权认为，在地址书信的以弗所（以弗所书1：1 ： tois hagiois ousin启pistois恩克里斯托Iesou ），这个词，所以很难理解在收到文字，原来之前指定地点居住的读者。

As you might expect -- as his fans surely expect -- Mr. Depp's mincing, flouncing Mad Hatter bears more than a passing resemblance to Jack Sparrow, though Hatter's faint lisp and gap-toothed grin also suggest Laurence Olivier's Archie Rice in 'The Entertainer,' or a young Boris Karloff doing Humphrey Bogart.

你可以想象得到──也正如德普的影迷所期望的那样──"疯帽匠"絮絮叨叨，骂骂咧咧，这一点虽然和电影《加勒比海盗》中杰克船长一角有类似之处，但"疯帽匠"说话口齿不清，笑的时候露出大豁牙，让人不由地想起劳伦斯·奥利弗在影片《艺人》中扮演的日薄西山的歌舞艺人阿尔奇·赖斯，或是扮演《科学怪人》的青年鲍里斯·卡洛夫在演绎《卡萨布兰卡》中男主角亨弗莱·鲍嘉的那种风格。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志着英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare, Christopher Marlowe,Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney ,John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis, John Taverner, and William Byrd.

在英国，伊丽莎白时代标志着英国文艺复兴的开端，那时流行着作家威廉·莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，汤玛斯·摩尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

And many of these patients, who wouldn't normally get better, showed significant improvement, said Dr Christopher Bever, chief of neurology at the Veterans Administration Medical Centre in Baltimore, where one of the studies was conducted.

巴尔的摩退伍军人管理局医学中心的神经内科主任克里斯托弗比弗指出，在正常情况下本不会好起来的许多患者却有显著进步，该医学中心曾进行过一次这样的研究。

At the Battle of Coronel on 1 November 1914 off the coast of Chile, Spee sunk two British cruisers under the command of Sir Christopher Cradock, outclassing the British in terms of both gunnery and seamanship.

在1914年11月1日的克罗内尔海战中，施佩击沉了两艘在英国海军少将克里斯托弗。克拉多克Christopher Cradock爵士指挥下拥有优势火力和航速的巡洋舰。

In England, the Elizabethan era marked the beginning of the English Renaissance with the work of writers William Shakespeare , Christopher Marlowe , Edmund Spenser , Sir Thomas More , Francis Bacon , Sir Philip Sidney , John Milton (who is known as perhaps last of the renaissance artists), as well as great artists, architects (such as Inigo Jones who introduced Italianate architecture to England), and composers such as Thomas Tallis , John Taverner , and William Byrd .

在英格兰，伊丽莎白时代标志著英格兰文艺复兴的开端，那时流行着作家莎士比亚，克里斯托弗·马洛，埃德蒙·斯宾塞，托马斯·莫尔，培根，菲利普·西德尼，米尔顿（他被认为是文艺复兴时期最后一个艺术家），许多的艺术家，包括建筑师（例如将意大利式建筑引进英国的伊尼戈·琼斯）和作曲家，例如托马斯·塔利斯，约翰·塔弗纳，威廉·伯德。

In the men's 4-By-100 metres relay,Australia tasted their third gold of the day when Michael Klim touched the wall on the anchor leg for victory with Ian Thorpe,Christopher Fydler and Todd Pearson there to greet him.

在男子4×100米接力赛中，澳大利亚队获得了当天的第3块金牌，当最后接方的迈克尔。克利姆触墙获胜的时候，他的队友伊安·索普、克里斯托弗。费德勒和托德。皮尔森都在那儿欢迎他了。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的&巴罗克&中直接发展出来的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。