弗里克

More dangerous than even Burmese pythons—which are known to eat alligators—the African pythons are "so mean, they come out of the egg striking," said Kenneth Krysko, senior herpetologist at the Florida Museum of Natural History in Gainesville.

非洲石蠎比以短吻鳄为食的缅甸巨蟒还要危险，"它们是那么凶猛，从它们击碎蛋壳出世的那一刻就彰显的一清二楚。"弗洛里达州盖恩斯维尔市自然历史博物馆资深爬虫学家肯尼斯克里斯克说。

Cast :, Ben Chaplin as George Coulouris , Claire Danes as Sonja Jones , Zac Efron as Richard Samuels , Zoe Kazan as Gretta Alder , Eddie Marsan as John Houseman , Christian McKay as Orson Welles , Kelly Reilly as Muriel Brassler , James Tupper as Joseph Cotten rest of expel listed alphabetically:, Thomas Arnold as George Duthie, Leo Bill as Norman Lloyd, Shane James Bordas as Elliott Reid, Michael Brandon as Les Tremayne, Aaron Brown as Longchamps Child, Janie Dee as Mrs .

演员：，班卓别林乔治Coulouris，克莱尔丹尼斯的宋雅琼斯，醋氨己酸锌埃弗龙的理查德塞缪尔斯，佐伊喀山的Gretta桤木，艾迪玛珊作为奥森韦尔斯，凯利赖利约翰豪斯曼，基督教麦凯的穆里尔Brassler，詹姆斯约瑟夫科顿的其余部分按字母顺序列出驱逐百乐：托马斯阿诺德乔治达西，狮子条例草案诺曼劳埃德，巴蒂尔詹姆斯博尔达斯在Les Tremayne，阿龙的隆尚儿童，珍妮迪布朗的埃利奥特里德，迈克尔布兰登正如刚才。

This might not be the beverage of choice for Kris Kristofferson to celebrate the downfall of Sheriff 'Dirty Lyle' Lyle Wallace, but I think it might just be mine.

13/6/08这可能不是选择的克里斯克里斯托弗森饮料庆祝谢里夫'肮脏莱尔'莱尔华莱士倒台，但我认为这可能只是我的。

Frédéric Charles Victor Vernon (born in Paris, 1858-1912) first studied at the workshop of Tasset, in 1879 he entered the Ecole des Beaux-Arts in Paris, where he studied under Cavelier and Chaplain. In 1881 Vernon competed for the Prix de Rome for which he received a second prize award.

弗莱德里-查莱-威克多-弗农（Frédéric Charles Victor Vernon，出生于巴黎1858-1912）最初在塔塞的作坊里学习，1879进入巴黎"高等美术学院"，师从于谢瓦利埃和查普兰。1881弗农竞争"罗马奖"，最终获得二等奖。

"Dozens of species of native wildlife, from white-tailed deer to 6-foot [183-centimeter] alligators to birds, have been found in the digestive tracts of Burmese pythons in Florida," said Reed, who is also working with the Florida museum's Krysko on the Florida python problem.

"从白尾鹿到6英尺（183厘米）长的短吻鳄再到小鸟，十几种的野生动物，缅甸巨蟒统统都吞食过。"同时也和弗洛里达博物馆的克里斯克共同合作研究巨蟒问题的里德说。

Frédéric Charles Victor Vernon (born in Paris, 1858-1912) first studied at the workshop of Tasset, in 1879 he entered the Ecole des Beaux-Arts in Paris, where he studied under Cavelier and Chaplain. In 1881 Vernon competed for the Prix de Rome for which he received a second prize award.

弗莱德里-查莱-威克多-弗农（Frédéric Charles Victor Vernon，出生于巴黎1858-1912）最初在塔塞的作坊里学习，1879进入巴黎&高等美术学院&，师从于谢瓦利埃和查普兰。1881弗农竞争&罗马奖&，最终获得二等奖。

"Dozens of species of native wildlife, from white-tailed deer to 6-foot [183-centimeter] alligators to birds, have been found in the digestive tracts of Burmese pythons in Florida," said Reed, who is also working with the Florida museum's Krysko on the Florida python problem.

&从白尾鹿到6英尺（183厘米）长的短吻鳄再到小鸟，十几种的野生动物，缅甸巨蟒统统都吞食过。&同时也和弗洛里达博物馆的克里斯克共同合作研究巨蟒问题的里德说。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

比如《第三类接触》中，将植物扔出窗外的理查德·德莱弗斯；再比如《人工智能》中，纳将收养的机器人孩子抛弃在路边的弗朗西斯·奥康；甚至在《猫鼠游戏》中自暴自弃的克里斯托弗·沃肯。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

德莱弗斯将花草从窗户中抛出的场景；《人工智能》一片中弗朗西斯奥康纳将她收养的机器人儿子遗弃到路边的画面；《逍遥法外》一片中克里斯托弗沃尔肯德自我欺骗的情节。

Think of Richard Dreyfuss flinging plants through the window in "Close Encounters of the Third Kind", Frances O'Connor abandoning her adopted robot son by the roadside in "A.I." or the defeated, self-deluding Christopher Walken in "Catch Me If You Can".

想想在影片《第三类接触》中理查德·德莱弗斯将花草从窗户中抛出的场景；《人工智能》一片中弗朗西斯奥康纳将她收养的机器人儿子遗弃到路边的画面；《逍遥法外》一片中克里斯托弗沃尔肯德自我欺骗的情节。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。