弗里克

Mary: Well there was Robert Taylor , Frank Sinatra, Walter Pidgeon and Gregory Peck.

玛丽：哦，有罗伯特·泰勒、弗兰克·西纳特拉、沃尔特·皮约翰和格利高里·派克。

Christopher Pike: You've always had a hard time finding yourplaceinthis world, haven't you?

克里斯托弗·派克：你总是在这世界上很难找到你存在的意义吗？

Christopher Pike: You've always had a hard time finding yourplace in this world, haven't you?

克里斯托弗·派克：你总是在这世界上很难找到你存在的意义吗？

Christopher Pike: You've always had a hard time finding your placeinthis world, haven't you?

克里斯托弗·派克：你总是在这世界上很难找到你存在的意义吗？

Christopher Pike: You've always had a hard time finding your place in this world, haven't you?

克里斯托弗·派克：你总是在这世界上很难找到你存在的意义吗？

Christopher Pike: You've always had a hard time finding your place in this world, haven't you Never knowing your true worth.

克里斯托弗·派克：你总是在这世界上很难找到你存在的意义吗？是不是？你从来不知道你的真正价值。

But as producers Frank Simmonds and Michael Chrisman of Britain's Carlton Television made clear in a new documentary titled "Organ Farm", the barriers to cross-species medical procedures are slowly coming down.

但是正如英国卡尔顿电视制片人，弗兰克-西蒙兹和米切尔-克里斯曼在一部名叫器官农

Lucas, Frank Oz and Hayden Christensen sat a few rows from the center of the runway at the historic Ziegfeld Theater.

卢卡斯，弗兰克 Oz以及海登-克里斯腾森坐在著名的齐格菲尔德剧院离T型台几排远的地方。

Researchers Jock McCulloch and Geoffrey Tweedale have indeed documented rates of malignancies dropping in Asbest.

的确，据乔克。麦克洛奇和杰弗里。特维伊戴尔两位科研人员观察，阿斯别斯特市的恶性肿瘤发病率呈下降趋势。

Frank baldino jr., the founder of cephalon, was the most overpaid, according to crystal's algorithm: he took home $11.15 million, eight times more than what the model said he deserved.

而ceph公司的创始人弗兰克·巴尔迪诺则是薪酬过高最明显的ceo，根据克里斯塔尔的模型计算，他拿到手的1115万美元年薪比模型估计他应得的高了八倍。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。