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Santino Corleone: And I sent Fredo to Las Vegas, under the protection of Don Francesco of L.A.

还有我派弗雷多去拉斯维加斯在洛杉机的法兰西斯科阁下会给予他保护。

He was alert to the "platitudinous babble" of von Ribbentrop, the star-struck love-words of Hitler's secretary and the coarseness, laced with Franconian intonations, of Julius Streicher, publisher of the vilely anti-Jewish Der Stürmer.

所以,他毫不费力就能听懂冯·里宾特洛甫"冗絮含混"的发音,希特勒秘书作为"希粉"的爱之私语,还有尤利乌斯·施特莱彻(卑鄙可恶的反犹刊物《先锋报》的发行人)夹杂弗兰克尼亚口音的粗硬语言。

I'm trying to find my way to the church that Frank Lloyd Wright designed.

您知道弗兰克·洛德·瑞特设计的那座教堂怎么走吗?

A city of central California in the foothills of the Sierra Nevada near Fresno. It is a processing center.

克洛维斯美国加利福尼亚州中部的一座城市,位于弗雷斯诺附近内华达山脉的山麓小丘中,是加工业中心。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the trans ie nce of the e XP er ie nce of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名:"现代性的代价",内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等;后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论,强调本雅明同他们一样,关注的核心在于对现代性体验的短暂易逝的特性。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the transience of the experience of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名:"现代性的代价",内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等;后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论,强调本雅明同他们一样,关注的核心在于对现代性体验的短暂易逝的特性。

Morse brought a funkiness, a depth as guitarist and writer, an unparalleled fluidity as a soloist, a startling aptitude as foil to Lord, and an arsenal of influences – country, folk, jazz, what they've sadly labeled "fusion," and an inherent understanding of blues-based riffs – that meshed effortlessly with the immaculate Glover-Paice sense of swing and Gillan's seeming capacity to go anywhere at any time, full-throated and eyes ablaze.

摩士带来了funkiness ,深度为吉他手和作家,是一个无与伦比的流动性作为独奏家,十分惊人。性向作为衬托主,和阿森纳的影响-国家,民族音乐,爵士乐,杨致远说,他们的可悲标记为"融合",并一种内在的认识,蓝调为基础riffs -即网状毫不费力地与圣母无染原罪格洛弗- p aice意义上的摇摆和g illan的似乎有能力去任何地方在任何时候,全喉和眼睛烧掉了。

In 1843 she married George W. Glover, who died before the birth of their first child.

在1843年她嫁给乔治W格洛弗,死于出生之前,他们的第一个孩子。

"I wasn't thinking of earthly preparations," said Miss Glover.

"我说的不是能想得到的准备,"格洛弗小姐说。

Were all going to take Bill Glover out to dinner.

我们大家一起请比尔格洛弗出去吃晚饭。

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歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车,和一双合并为一移交&整个lotta爱&。

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这是凯特,那个是爱朗。

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