弗洛

The dream before Siegmund Freud.

弗洛伊德时代之前的梦

She looked at Flora and tapped her slippered foot upon the rug, all the time rocking in her chair-that was a great creaking wooden chair, that no-one sat in save her-and beating her thick, hard hand upon my shaking back.

她看着弗洛拉并且用拖鞋轻扣着地毯，她一直在摇晃那个吱吱作响的椅子，用粗重的手拍打我的背。

Flora tossed her head.'I should have had more,' she said, with a look at me,'if she hadn't started up with the sterics.

弗洛拉抬起头来，说：&我可以得到更多&，然后她看着我继续说：&如果她不闹的话&。

Through the tireless efforts of Freud, 10 years later, his theory has been seriously, and a number of other well-known psychologist Carl Jung into his subglottic worship, the spirit of a preliminary analysis of the formation of this school.

经过弗洛伊德的不懈努力，10年后，他的学说终于受到了重视，荣格等一批著名心理学家拜入他的门下，精神分析学派就此初步形成。1908年，他所主持的精神分析学会在维也纳成立，后来发展为国际精神分析协会。

It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking.

在艺术上，福克纳受弗洛伊德影响，大胆地大胆地进行实验，采用意识流手法、对位结构以及象征隐喻等手段表现暴力、凶杀、性变态心理等，他的作品风格千姿百态、扑朔迷离，读者须下大功夫才能感受其特有的审美情趣。9mG大学生英语网

And as for Miss Swartz, the rich woolly-haired mulatto from St. Kitt's, on the dayAmelia went away, she was in such a passion of tears that they were obliged tosend for Dr. Floss, and half tipsify her with salvolatile.

还有位有钱的施瓦滋小姐，是从圣·葛脱回来的半黑种，她那一头头发卷得就像羊毛；爱米丽亚离校那天她哭得死去活来，校里的人只好请了弗洛丝医生来，用嗅盐把她熏得半醉。

These "honky tonk" songs associated barrooms, were performed by the likes of Ernest Tubb, Ted Daffin, Floyd Tillman, and the Maddox Brothers and Rose, and Hank Williams, would later be called "traditional" country.

&这些&酒吧tonk &歌曲相关barrooms ，是由这样的欧内斯特塔伯，泰德Daffin ，弗洛伊德提尔曼，和的马多克斯兄弟和玫瑰，和汉克威廉姆斯，后来被称为&传统的国家。

Gavroche, who was occupied in singing, whistling, humming, running on ahead and pounding on the shutters of the shops with the butt of his triggerless pistol; paid no attention to this man.

伽弗洛什忙着唱歌，吹口哨，哼调子，走在前面领路，并用他那支没有撞针的手枪的托子敲打那些商店的板窗，没有注意那个人。

The brandishing of a triggerless pistol, grasped in one's hand in the open street, is so much of a public function that Gavroche felt his fervor increasing with every moment.

捏着一支手枪，一路招摇过市，尽管它没有撞针，这对官家来说总还是件大事，因此伽弗洛什越走越带劲。

The primary methods for unmasking its content, according to Freud, are the analysis of dreams and free association.

依弗洛伊德的看法，梦的解析是揭示和研究Id内容的基本方法。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。