弗拉迪米尔

In the end, WA would like to thank Jiang Jun,Chang Qiang and Li Dao-de for their help ontranslation, as well as the support from AADRLstudents, Andres Flores, Amita Kulkarni, AuroraSantana, Alex Diaz, Melissa Fukumoto, KevinPatrick, McClellan and Mrunalini Neelamraju. WAwould also especially express the gratitude toGao Yan, for his great effort on organizingmaterials and translation work for this issue.

最后，还要感谢高岩为本期的组稿和翻译所作的大量工作，感谢姜、常强和李道德在翻译上给予的帮助，还有AA建筑实验室学生安德烈斯·弗洛里斯、阿米塔·库尔卡尼、奥罗拉·桑塔纳、亚历克斯·迪亚斯、梅利萨·富库莫托、凯文·帕特里克，麦克莱伦、姆鲁纳利尼·尼兰拉朱的全力支持。

Chris Bangle, Director of Design, BMW Group Peter Barna, Provost, Pratt Institute Yves Behar, Founder, fuseproject Katherine Bennett, IDSA Education Vice-President, and Professor of Product Design, Art Center College of Design Mark Breitenberg, Dean of Undergraduate Education, Art Center College of Design, and Chair of the Education Committee, International Council of Societies of Industrial Design Heather Fraser, Director, Business Design Initiative, Rotman School of Management, University of Toronto Tamara Giltsoff, Live | Work Walter Herbst, Director, Master of Product Development Program, McCormick School of Engineering and Applied Science, and Professor of Marketing, Kellogg School of Management, Northwestern University Barry Jaruzelski, Vice-President, Innovation Practice, Booz Allen Hamilton Chuck Jones, Vice-President, Global Consumer Design, Whirlpool Lorraine Justice, Professor and Head of Hong Kong Polytechnic University, School of Design Larry Keeley, President, Doblin Inc. David Kelley, Founder of IDEO, and Co-founder of Stanford s Hasso Plattner Institute of Design Claus Knapheide, Director of User Experience, Siemens Mick Malisic, Director of Marketing, Frog Design Brian Matt, Founder, CEO, Altitude Dev Patnaik, Founder, Jump Associates Ravi Sawhney, CEO-President, RKS Design Jeff Semenchuk, EVP, Global Consumer Group Innovation, Citigroup RitaSue Siegel, President, RitaSue Siegel Resources Bob Sutton, Professor of Management Science and Engineering, and Co-founder of Stanford s Hasso Plattner Institute of Design Sohrab Vossoughi, President, ZIBA Design Patrick Whitney, Director, Institute of Design, Illinois Institute of Technology Gianfranco Zaccai, President and CEO, Continuum

克里斯手镯，设计，宝马集团董事彼得巴纳，教务长，普拉特学院伊夫贝哈尔，方正，fuseproject 凯瑟琳贝内特，IDSA的教育副总统，以及产品设计，艺术中心设计学院教授马克布赖滕贝格，本科教育，艺术中心设计学院，以及教育委员会，国际工业设计协会理事会主席迪安石南弗雷泽，主任，业务设计倡议，罗特曼管理，多伦多大学塔玛拉Giltsoff，直播|工作沃尔特赫布斯特，主任，产品开发计划，麦考密克工程和应用科学学院硕士，以及市场营销，Kellogg管理，西北大学法学院教授巴里雅鲁泽尔斯基，副总统，创新实践，博思艾伦查琼斯，副总裁，全球消费者设计，惠而浦洛林司法，教授和香港理工大学校长，设计学院拉里开利，总裁，德布林公司大卫凯利，IDEO的创始人兼联合创始人斯坦福虏哈索普拉特纳设计学院克劳斯Knapheide，用户体验，西门子公司董事米克马利希奇，市场营销，青蛙设计总监布赖恩马特，创始人，CEO，海拔 dev的帕特奈克，方正，跳转协会拉维梭尼，首席执行官，总裁，设计可胜杰夫谢缅丘克，执行副总裁，全球消费者集团创新，花旗集团 RitaSue西格尔先生，RitaSue西格尔资源鲍勃萨顿，管理科学与工程学院教授，兼联合创始人斯坦福虏哈索普拉特纳设计学院苏赫拉布Vossoughi，总统，Ziba设计帕特里克惠特尼主任，设计，伊利诺斯技术研究所詹弗兰科扎卡伊，总裁兼首席执行官，连续

Cast ::, Kurt Russell as Snake Plissken , Lee Van Cleef as Hauk , Ernest Borgnine as Cabbie , Donald Pleasence as Boss , Isaac Hayes as A Duke , Season Hubley as Girl in Chock Full O'Nuts , Harry Dean Stanton as Brain , Adrienne Barbeau as Maggie , Tom Atkins as Rehme , Charles Cyphers as Secretary of State , Joe Unger as Taylor , Frank Doubleday as Romero , John Strobel as Cronenberg , John Cothran Jr .

演员：：，库尔特拉塞尔的蛇Plissken，李范克里夫如隼，欧内斯特博格宁作为老板，作为出租车司机艾萨海耶斯，唐纳德森斯为A公爵，季节的女孩赫布利在详尽完善O'Nuts，哈里迪安斯坦顿的脑，阿德里安娜巴比亚乌作为雷米，查尔斯Cyphers的玛姬，汤姆阿特金斯担任国务卿，乔昂格尔的泰勒，弗兰克道布尔戴的柯南伯格，约翰科思伦Jr的罗梅罗，约翰斯特罗贝尔。

Those currently working with Studio Azzurro in various roles include: Marco Barsottini, Elisa Bolis, Reiner Bumke, Matteo Cellini, Mario Coccimiglio, Daniele De Palma, Elisa Giardina Papa, Francesca Gollo, Tommaso Leddi, Carmen Leopardi, Chiara Ligi, Chiara Longo, Mauro Macella, Alberto Massagli Bernocchi, Daniela Mezzela, Elisa Midali, Alessandro Pecoraro, Silvia Pellizzari, Giulio Pernice, Sonia Ragno, Lorenzo Sarti.

目前蓝色工房与各类艺术人才合作，他们是：马可。巴索提尼、艾丽莎。薄丽丝、雷讷。布恩可、马泰奥。切利尼、马里奥。可齐米里奥、达涅莱。德。帕尔玛、艾丽莎。嘉尔迪娜。帕琶、弗朗切斯卡。戈洛、托马索。莱迪、卡门。雷欧帕尔蒂、基娅拉。丽姬、基娅拉。隆歌、茅罗。马切拉、阿尔贝托。马萨丽。贝尔诺基、达涅拉。梅泽拉、艾丽莎。米达丽、阿莱桑德罗。贝科拉罗、希尔维娅。佩丽扎礼、朱里奥。佩尔尼切、索妮娅。拉妮奥、罗伦佐。萨尔蒂。

The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后，战争的非常复杂惊险的变化，乌古蒙的阻力，圣拉埃的顽抗，博丹的阵亡，富瓦战斗能力的丧失，使索亚旅部受到创伤的那道意外的墙，无弹无药的吉埃米诺的那种见死不退的顽强，炮队的陷入泥淖，被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮，炸弹落入英军防线效果不大，土被雨水浸透了，炸弹陷入，只能喷出一些泥土，以致开花弹全变成了烂泥泡，比雷在布兰拉勒出击无功，十五营骑兵几乎全部覆没，英军右翼应战的镇静，左翼防守的周密，内伊不把第一军的四师人散开，反把他们聚拢的那种奇怪的误会，每排二百人，前后连接二十七排，许多那样的队形齐头并进去和开花弹对抗，炮弹对那些密集队伍的骇人的射击，失去连络的先锋队，从侧面进攻的炮队突然受到拦腰的袭击，布尔热瓦、东泽洛和迪吕特被围困，吉奥被击退，来自综合工科学校的大力士维安中尉，冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火，在抡起板斧去砍圣拉埃大门时受了伤，马科涅师被困在步兵和骑兵的夹击中，在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫，他炮队的七尊炮的火眼全被钉塞，戴尔隆伯爵夺不下萨克森－魏玛亲王防守的弗里谢蒙和斯莫安，第一○五联队的军旗被夺，第四十五联队的军旗被夺，那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获，那俘虏所说的种种悚听的危言，格鲁希的迟迟不来，一下便倒在圣拉埃周围的那一千八百人，比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快，凡此种种迅雷疾风似的意外，有如阵阵战云，在拿破仑的眼前掠过，几乎不曾扰乱他的视线，他那副极度自信的龙颜，绝不因这些变幻而稍露忧色。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的"巴罗克"中直接发展出来的。

Cast ::, Nigel Terry as Aristocrat Arthur, Helen Mirren as Morgana, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Paul Geoffrey as Perceval, Nicol Williamson as Merlin, Robert Addie as Mordred, Gabriel Byrne ..

演员：：，奈杰尔特里为贵族亚瑟，海伦米伦为摩根尼古拉粘土为兰斯洛特，切里朗西作为Guenevere，保罗杰弗里为珀西瓦尔，尼科尔威廉森如梅林，罗伯特阿迪的莫德雷德，加布里埃尔拜恩。。。

I want to thank Chirs Beckett, Anthony Berglas, Wayne Tanner, Ernesto Perales, Vadim Katsman, Jeffery Bell, Gmonkey, cmwalolo, Kenedy, zeromus, Darko Damjanovic, John Pierre and a lot of other persons who helped me with code, bugs report and with new ideas and suggestions.

我要感谢Chirs贝克特，安东尼博格莱斯，韦恩唐纳，埃内斯托佩拉莱斯，瓦迪姆卡茨曼，杰弗里贝尔，Gmonkey，cmwalolo，肯尼迪，zeromus，米利Damjanovic，约翰皮埃尔和其他很多人的代码谁帮我，错误报告和用新的思路和建议。

A distinction is usually common between early baroque (prior to 1650, Monteverdi, Frescobaldi, Carissimi etc) and late baroque music (Scarlatti, Vivaldi, Bach and Handel etc), the development of the latter leading to the Musical Enlightenment.

早期的巴罗克音乐（即1650年以前，以蒙特威尔第、弗勒斯科波迪、卡里西米等为代表）和晚期的巴罗克音乐（以斯卡拉蒂、维瓦尔弟、巴赫，享德尔等为代表）的区别不大，后来的启蒙音乐就是从后期的&巴罗克&中直接发展出来的。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了