弗恩

Trevor Nunn and John Caird, the co-directors, clearly feel that great stories cannot be hurried along.

特雷弗·纳恩和约翰·凯尔德，两位联合导演，很清楚地认识到，伟大的故事不能讲得太仓促。

Trevor Nunn and/or John Caird suggested the switch because the 'boys-toys' rhyme telegraphed itself and lacked surprise and, secondly, the song is sung by the untutored little urchin Cosette who is not expected to be facile of speech.

但是特雷弗-纳恩还是约翰-凯尔德提议把它反过来，因为这个"boys-toys"的韵太容易预料，缺乏惊喜，而且，唱这首歌的小珂赛特没受过教育，用语不会很流利。

Since then, he has studied with William Caplin, Sean Ferguson, Ana Sokolovic, and Jonathan Wild.

自那时以来，他已经研究了威廉卡普林，肖恩弗格森，全日空洛维奇和Jonathan野生。

Those currently working with Studio Azzurro in various roles include: Marco Barsottini, Elisa Bolis, Reiner Bumke, Matteo Cellini, Mario Coccimiglio, Daniele De Palma, Elisa Giardina Papa, Francesca Gollo, Tommaso Leddi, Carmen Leopardi, Chiara Ligi, Chiara Longo, Mauro Macella, Alberto Massagli Bernocchi, Daniela Mezzela, Elisa Midali, Alessandro Pecoraro, Silvia Pellizzari, Giulio Pernice, Sonia Ragno, Lorenzo Sarti.

目前蓝色工房与各类艺术人才合作，他们是：马可。巴索提尼、艾丽莎。薄丽丝、雷讷。布恩可、马泰奥。切利尼、马里奥。可齐米里奥、达涅莱。德。帕尔玛、艾丽莎。嘉尔迪娜。帕琶、弗朗切斯卡。戈洛、托马索。莱迪、卡门。雷欧帕尔蒂、基娅拉。丽姬、基娅拉。隆歌、茅罗。马切拉、阿尔贝托。马萨丽。贝尔诺基、达涅拉。梅泽拉、艾丽莎。米达丽、阿莱桑德罗。贝科拉罗、希尔维娅。佩丽扎礼、朱里奥。佩尔尼切、索妮娅。拉妮奥、罗伦佐。萨尔蒂。

Tartuffe and Joseph Surface, Stigginsand Chadband,who are always preaching fine sen－timents and are no more virtuous than hundreds of those whom they denounce and whom they cheat,are fair objects of mistrust and satire; but theirhypocrisy,the homage,according to the old say-ing,which vice pays to virtue,has this of good init,that its fruits are good:a man may preach goodmorals tho he may be himself but a lax practition－er;a Pharisee may put pieces of gold into the char－ity-plate out of mere hypocrisy and ostentation,but the bad man's gold feeds the widow and the fa－therless as well as the good man's.

达尔杜弗之流不断谈论高尚情操，而其品德却不比他们所指斥、所欺骗的人高尚，这类人物自然不配受到人们信任，而应加以讥刺；可是，他们的伪善固然是一种市恩讨好的行径，却又如一句老话所说，邪恶也会化为善举，带来好的结果。一个人可能孜孜然劝人为善而自己全不实行；一个法利赛人可能出于伪善和炫耀的目的而在施舍盘里放上几块金子，但是坏人的金子和好人的金子一样都能养活孤儿寡妇。

The ideology that stimulates effctual demand to assure full employment for Keynes and the "single rule" for Fridman who be representative of the modern monetarism, both of them were affected by Malthus' economic thought to a large extent,and has the direct inside contact for Malthus' principle of requirement and stabilize the administrant thought of circulating medium demand.

凯恩斯提出的刺激有效需求以保证充分就业的思想和现代货币主义的代表弗里德曼的"单一规则"在很大程度上都受马尔萨斯经济思想的影响。与马尔萨斯需求原理和稳定通货需求管理思想都有直接的内在联系。本文试就他们之间的内在联系进行分析。

At Vonage the original strategy was to form strategic partnerships, but because the process was taking too long Citron decided to create his own distribution channels.

弗纳最初的策略是建立战略合作关系，但是因为这一过程费时太长，因此西特恩决定建立自己的分销渠道。

He's played for Brian Clough and Sir Alex Ferguson, two of the best-ever managers and I'm sure a lot has rubbed off on him.

他曾为布莱恩-克劳馥和弗格森爵士踢球，那是历史上最伟大的两个经理。

That is how Sven-Goran Eriksson works but it is also how Sir Alex Ferguson works and how Brian Clough ran his training sessions.

这是埃里克森的工作方式，弗格森也是，还有布莱恩克拉夫也是这么指挥训练课的。

Some maintain that it was addressed to Ephesus and the churches of which this city was, so to speak, the metropolis, while others hold that it was sent to the Seven Churches of the Apocalypse (H. Holtzmann) or to the circle of Christian communities within and around Coloss Colossae aelig; and Laodicea; or again to the faithful of Asia Minor or to all the Gentile-Christian Churches.

有人认为，这是给以弗所和教会的这个城市是，这麼说吧，大都市（米歇莉丝， Harless ，和亨利），而其他人认为它被送往七教会的启示（阁下Holtzmann ）或循环的基督教社区内和周围Coloss Colossae aelig ；和老底嘉（代，豪普特，赞恩，并Belser ）；或再次忠实小亚细亚或所有詹蒂莱，基督教。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。