开始演奏

Confucius said:"After Music Master chin took over, the finale of the dean Tsu was magnificent. How it filled my ears!"

自解：孔子说："从太师挚演奏开始，到结尾演奏《关雎》，荡耳朵都是育乐，实在好听极了。"

Toby Keith has never been shy, but on Unleashed the Oklahoman proves he has more in common with Charlie Daniels and Hank Williams Jr. than you might have thought.

的时候，受到了曾经在夜里开张的一些俱乐部里演奏乡村音乐的奶奶的影响，而第一次开始自己尝试拨弄并演奏吉他。

Ryan Kisor, one of the best jazz trumpeters in the world, was born April 12th, 1973 in Sioux City, Iowa. He began playing in a local dance band by the age of ten, began classical lessons at 12, met and was inspired by Clark Terry at 15 (while attending the latter's summer jazz camp) and played with various high school all-star bands. In November of 1990 he won the Thelonius Monk Institute's trumpet competition at the age of just 17, beating out the likes of Nicholas Payton and Marcus Printup. After graduating from high school in 1991, he went to the Manhattan School of Music and later studied with Lew Soloff among others. He has recorded fairly extensively both as a leader and sideman and with small and large groups. Among the highlights; the Mingus Big Band (which still plays every Thursday night at "The Fez" under Time Cafe in NYC's east village), the Michel Camilo Big Band (which although only existed for the purpose of recording the album,"One More Once," was arguably one of the best latin big bands recorded in recent memory), the Lincoln Center Jazz Orchestra, Gerry Mulligan, Wynton Marsalis, Wycliffe Gordon, Horace Silver, and Walter Blanding.

Ryan Kisor，美国著名爵士小号演奏家，1973年4月3日生于美国爱荷华州，10岁开始学习小号演奏，1990年在美国竞争最为激烈的爵士乐比赛——Monk国际爵士乐大赛（International Thelonious Monk Jazz Competition）中击败像Nicholas Payton和Marcus Printup这样的高手获得优胜，当时年仅17岁。1991年中学毕业后，被著名学府曼哈顿音乐学院录取师从Lew Soloff先生学习小号，在学期间加入Mingus大乐队，年纪轻轻便以惊人的深厚实力成为独当一面的独奏小号手。19岁时以首张专辑《One For Miles》正式出道，而后自1994年至今一直为世界著名爵士小号演奏大师Wynton Marsalis领衔的林肯中心爵士乐团的常任小号演奏家，同时Kisor先生还受聘加入卡内基音乐厅爵士乐团以及David Matthews率领的曼哈顿爵士乐团，杰出的演奏技巧及艺术水准受到世界乐坛之瞩目，曾受邀多次出访全球各国，每次均毫无保留的展现了其精湛的演奏实力，让世界各地的广大乐迷感受到其小号的魅力。

Montoya himself started to use other chords for the tonic in the doric sections of several palos : F sharp for tarantas , B for granaína, A flat for the minera , and he also created a new palo as solo piece for the guitar, the rondea , in C sharp with scordatura .

Montoya 自己曾开始在一些调式的多利斯音节中使用其他和弦来演奏主音：使用升 F 调演奏 tarantas ，使用 B 调演奏 granaína ，降 A 调演奏 minera ，他还创造了一种吉他独奏曲式 rondea ，使用变格定弦法在升 C 调上演奏。

He went to music school learned trombone and played in a military band.

他从小学习中国竹笛；17岁时，他开始学习演奏长号，并在学校管乐队中演奏军乐。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

苏沙和他的太太在1896年一次愉悦的欧洲之旅途中，看到一篇令人吃惊的报导，苏沙的乐团经理大卫布雷克在几天前突然去世，他们在知道这个消息后立刻搭船回到纽约，在返航途中，苏沙开始听见「乐团在我脑中演奏的节拍、不停地演奏、演奏、演奏，整个回程中那个想像中的乐团一直重复著同样的旋律、并重复演奏最特别的一段旋律」，在他回到家写下整首旋律后、就完成了「永恒的星条旗」的初稿。

Sousa and his wife were enjoying a European vacation in 1896, when they saw a startling newspaper article. Sousa's band manager, David Blakely, had died a few days earlier. Soon Sousa and his wife were on a ship heading home to New York. On the journey home, Sousa started hearing "the rhythmic beat of a band playing within my brain. It kept on ceaselessly, playing, playing, playing. Throughout the whole tense voyage, that imaginary band continued to unfold the same themes, echoing and re-echoing the most distinct melody." When he got home he wrote down the music for what would become "The Stars and Stripes Forever."

苏沙和他的太太在1896年一次愉悦的欧洲之旅途中，看到一篇令人吃惊的报导，苏沙的乐团经理大卫布雷克在几天前突然去世，他们在知道这个消息后立刻搭船回到纽约，在返航途中，苏沙开始听见「乐团在我脑中演奏的节拍、不停地演奏、演奏、演奏，整个回程中那个想像中的乐团一直重复着同样的旋律、并重复演奏最特别的一段旋律」，在他回到家写下整首旋律后、就完成了「永恒的星条旗」的初稿。

You can move along I believe that we're done With whatever we was tryna do Cause you up and did me wrong Cupid got a big gun with a blindfold shoot She gave another brother access To a little black dress You know the one, short silky and backless Dude named oscar, asked if shes an actress I caught him hustlin Pinned to the mattress And now shes lying to my face Eyes burnin up like her words was mase I dont even hear what she tryin to say Song playin in my head irreplacable To the lies im deaf All i can hear is to the left to the left So i say get out and dont touch that jacket Your stuff i already packed it, im bein polite I dont wanna be rude I dont mean to be mean But i dont gotta deal with this mess Tellin me i need you but you know you need me But if thats how you feel you can just Move alone move along move along move along No argument no fight Move alone move along move along move along Im just tryin to be polite And if i seem a bit chill Its because i dont sweat the small Find another girl please believe i will I aint trippin off you at all A boss from the beginning Been there from a minute So me losin you is still me winning Found out bout you sinnin So you wonder why the hell im grinning And now shes lying to my face Eyes burnin up like her words was mase I dont even hear what she tryin to say Song playin in my head irreplacable To the lies im deaf All i can hear is to the left to the left So i say get out and dont touch that jacket Your stuff i already packed it, im bein polite I dont wanna be rude I dont mean to be mean But i dont gotta deal with this mess Tellin me i need you but you know you need me But if thats how you feel you can just Move alone move along move along move along No argument no fight Move alone move along move along move along Im just tryin to be polite Please dont get me wrong Baby understand Im tryna say get gone Thet nicest way i can Cuz im not what you want See i tried to make this work But our love is in the dirt So lets see who calls who first I dont wanna be rude I dont mean to be mean Tellin me i need you but you know you need me Move alone move along move along move along No argument no fight Move alone move along move along move along Im just tryin to be polite I dont wanna be rude I dont mean to be mean But i dont gotta deal with this mess Tellin me i need you but you know you need me But if thats how you feel you can just Move alone move along move along move along No argument no fight Move alone move along move along move along Im just tryin to be polite

你可以沿着我认为，我们就大功告成了随着无论我们做了tryna 原因你和我没有错丘比特带着一个眼罩大枪射击她给了另一个兄弟访问对于一个小黑裙你知道一个短柔滑和露背多德名为奥斯卡，询问畲族女演员我发现他hustlin 别在床垫现在畲族撒谎，我的脸眼睛burnin有如她的话是万世余dont甚至水手都想听听她说宋在我的脑海演奏，不可替代的即时通讯的谎言聋人我只能听到的是向左向左所以我说出去和dont接触的夹克你的东西我已经挤满与否，IM拜因礼貌俺不用想成为粗鲁余dont指的是指但我不gotta处理这个烂摊子泰兰我我需要你，但你知道你需要我但是，如果多数民众赞成你的感觉你可以移动独自沿沿沿移动move 没有理由不打移动独自沿沿沿移动move 进出口只是水手都想要有礼貌如果我似乎有点冷它的汗水，因为我dont小找到另一个女孩，请相信我会俺不是trippin关闭你所有从一开始老板在那里的一分钟所以，我洛辛你仍然是我获胜发现回合你sinnin 所以，你想知道为什么地狱的即时笑嘻嘻现在畲族撒谎，我的脸眼睛burnin有如她的话是万世余dont甚至水手都想听听她说宋在我的脑海演奏，不可替代的即时通讯的谎言聋人我只能听到的是向左向左所以我说出去和dont接触的夹克你的东西我已经挤满与否，IM拜因礼貌俺不用想成为粗鲁余dont指的是指但我不gotta处理这个烂摊子泰兰我我需要你，但你知道你需要我但是，如果多数民众赞成你的感觉你可以移动独自沿沿沿移动move 没有理由不打移动独自沿沿沿移动move 进出口只是水手都想要有礼貌请不要误会我的意思婴儿理解进出口tryna说得到了泰德最好的方法可以让我 Cuz im没你想要的瞧，我努力使这项工作但是，我们的爱情是在土因此让我们看看谁需要谁第一俺不用想成为粗鲁余dont指的是指泰兰我我需要你，但你知道你需要我移动独自沿沿沿移动move 没有理由不打移动独自沿沿沿移动move 进出口只是水手都想要有礼貌俺不用想成为粗鲁余dont指的是指但我不gotta处理这个烂摊子泰兰我我需要你，但你知道你需要我但是，如果多数民众赞成你的感觉你可以移动独自沿沿沿移动move 没有理由不打移动独自沿沿沿移动move 进出口只是水手都想要有礼貌

And Louis Satchmo Armstrong took his horn and began to play again.

Louis Satchmo Armstrong拿起喇叭，再次开始演奏。

They struck up the 'Star-Spangled Banner'.

他们开始演奏&星条旗永不落&。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。