建军

In the expression of bitterness, Jianjun Shi is very close to Rouault, but they are somewhat different in understanding of bitterness.

在表达人生根深蒂固的痛苦情感上，石建军与卢奥十分接近，但他们对痛苦的理解有些不同。

From both Rouault's and Jianjun Shi's Paintings, I find the same topic -"We are saved by pain".

我们是在痛苦中得救的，这是我从卢奥和石建军的作品中读出的共同主题。

Jianjun Shi's choice to suffer and experience bitterness reminded me of Rouault.

为了自己的艺术理想而甘受冷落和痛苦的石建军，让我想起了卢奥。

Among the masters, why did Jianjun Shi choose Rouault, who was not very famous?

在众多的艺术大师中，石建军为什么选择了声名显赫的卢奥？

Jian-Jun Shi admitted that he has been affected by Rouault since he was a student, and a copy of Rouault's album always accompanied him.

石建军学生时代起，就一直受到卢奥的影响。

Rouault expresses bitterness through an individuals' pain, yet Jianjun Shi expresses it through barren land and the ruins of civilization.

卢奥借助个人的受难来表现痛苦，石建军则借助大地的荒芜和文明的废墟来表达痛苦。

Just as the salvation is not gorgeous paradise but God is with the victims in Rouault's paintings, the salvation in Jianjun Shi'a paintings is not romantic utopia but small thorns reminding us of bitter experience.

如同卢奥作品中的拯救不是华丽的天堂而是上帝与受难者一道受难一样，石建军作品中的拯救不是浪漫的乌托邦而是唤起我们刺痛经验的渺小的荆棘。

Unlike Rouault, Jianjun Shi was born in a remote rural area of Hunan during the Cultural Revolution, a period that all religions were considered to be superstition which should be thoroughly discarded. He doesn't have the same life experience and religious experience as Rouault has, but he has natural intuition of land and life, no wonder he takes the barren land and stubborn thorns as bitterness and salvation.

石建军不同，他出生在湖南的一个偏远农村，出生在一切宗教都被视为要彻底破除的迷信的文革之中，他没有卢奥的都市生活经验和宗教体验，但他有农民对大地和生命的天然的直观能力，由此，他用荒芜的原野和倔强的荆棘来隐喻受难和得救就似乎是顺理成章的事情了。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。