庞

REESE WITHERSPOON: Great, well this is Reese Witherspoon.

里斯威瑟斯庞：太好了，嗯，这是里斯威瑟斯庞。

Sun Bin is knocked to break by Pang Juan patellar hind, cannot walk, wear with crustaceous change " bottom " and " side ", next tailor becomes boots of high side skin, then, the first pair of leather shoes appeared, sun Bin is wearing shoe of this seed coat, the direct that take a car fights, defeated Pang Juan eventually.

孙膑被庞涓敲碎膝盖骨后，不能行走，就用硬皮革戴成&底&和&帮&，然后缝制成高帮皮靴，于是，世界上第一双皮鞋就出现了，孙膑就穿着这种皮鞋，乘车指挥作战，终于打败了庞涓。

At Atletico, I spoke regularly with Florent Sinama-Pongolle and Luis Garcia, especially Sinama.

在马竞，我经常与庞格勒以及路易斯加西亚交谈，特别是庞格勒。

Although Imagism isolates objects through the use of what Ezra Pound called "luminous details", Pound's Ideogrammic Method of juxtaposing concrete instances to express an abstraction is similar to Cubism's manner of synthesizing multiple perspectives into a single image.

虽然意象物体分离通过使用什么庞德所谓的&发光的细节&，庞德的Ideogrammic方法并列具体事例表达一个抽象的类似立体的方式，多角度综合成一个单一的形象。

When I took a poem anthology of American poet Pand,a thin brochure which clinged it fell down,that's Chinese classic poem than Pand translated

当我抽出来一本美国诗人庞德的诗歌集时，紧贴其的一本薄薄小册子掉了下来，这是庞德翻译的中国古典诗词集。

Throw your cheek, doppelgangers You're one of us! Trouble now junkies ain't silver tongued Marching down the stairway to substance Cocaingels and asses give me opium masses Tell your church-born preachers we'll fill up your glasses Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag Doll-dagga buzz-buzz ziggety-zag Got my grotesque burlesque drag All the thug rock kids are playing All the punk got angels saying Tell all the rest of them we don't even know All the thug rock kids are playing All the punk got angels saying Tell all the rest of them we don't even know GO!

现在麻烦的吸毒者不再能言善辩摸索着楼梯走体会销魂可卡因和**给了我鸦片糖膏告诉你——教堂出生的传教士我们将充满你的视野男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；男扮女装怪诞的我——哆呕哒噶、哒噶、嗡嗡、嗡嗡，唧唧喳喳；孩子们奏着疯狂的摇滚所有庞克摇滚变成了天使的箴言吩咐着那些在他们中我们甚至不认识的人孩子们奏着疯狂的摇滚所有庞克摇滚变成了天使的箴言吩咐着那些在他们中我们甚至不认识的人走！

This study concentrates on the influence of Chinese culture on Ezra Pound reflected in his poems, Cathay and The Cantos.

本文通过分析庞德的两本诗集《神州集》与《诗章》，探寻了中国文化对庞德之影响。

The Chinese culture,especially Confucianism was spread in the West in the last several centuries and gave much influence to some scholars and their works. Ezra Pound,a modern American poet and scholar, translated and used in his great work Cantos the Chinese classical poetry and the Confucian works, which is mainly introduced in this paper.

本文梳理了近几个世纪以来中国文化，特别是孔子的儒学思想在西方的传播和影响之后，主要介绍了美国现代派诗人兼学者庞德对中国古代诗歌和儒学著作的翻译及其在他宏篇巨著《诗章》中的运用，看出庞德一方面把中国古代文化看成是他思想和艺术追求的组成部分，另一方面，他又把孔子的儒学看作拯救西方的一剂良药。

The larger implication of this compositional method becomes clear when we consider a resemblance at another level: both Pound's and the New Historicist's works are global in scale-they tend to use Luminous Details to reveal large pictures of a society or culture. In Pound's words, it is to use "a sufficient phalanx of particulars" to capture recurring paideumatic structures of civilization; in New Historicist terms, it is to put tiny tissues of textual traces under a microscopic lens in order to reveal a picture of a "sublime confrontation between a total artist and a totalizing society."

当我们关注另一层次上的相似性时，这一结构模式所具有的更为深广的涵义更加明显：庞德和新历史主义的著作都相应地具有全球性，两者都倾向于使用透明细节来展示社会或文化的宏大图景－按照庞德的说法，即要用&密集的细节&来捕捉不断复现的根本性的文明结构；按照新历史主义的说法，即要将文本线索的微小结构置于显微镜下以展示&整个艺术家与整一化的社会之间壮观的对峙&图景。

One of Pompey's soldiers discloses to him a plan to assassinate the triumvirs, thereby delivering world power into Pompey's hands, but Pompey dismisses the scheme as an affront to his honor.

一个庞培的士兵披露他计划暗杀triumvirs ，从而提供世界电力到朴茨茅斯的手，但庞贝否认该计划是对自己的名誉。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。