底比斯的

Amphion is said to have built thebes by the music of his lyre.

据说底比斯城就是由安非翁里拉琴音乐的神奇力量建成的。

Some of the tools in this group were found together in a basket in a Theban tomb of the New Kingdom (1550-1070 BC).

一些工具，在这组被发现在一篮子一起在BC）的底比斯墓的新王国（1550至1070年。

Today the tomb is among the most heavily visited sites in the Theban necropolis and the large number of visitors may be contributing to the tomb's physical deterioration.

今天，该墓位居底比斯参观负荷最重的墓地之列，大量的游客可能会加速该墓状况恶化。

Both teams hope that their work together will extend beyond the tomb itself, and that the project by providing a model case study for the practice of conservation on the Theban West Bank will enhance conservation practice and knowledge regionally.

双方都希望他们的合作不仅仅局限于这个陵墓，还希望该项目通过对底比斯西岸实施保护，提供一个案例研究模式，提高区域性的保护实践及知识。

The city is built on the ruins of the ancient city of Thebes, and is steeped in legends and wonders.

城市的废墟上建立的古城底比斯，是沉浸在传说和奇迹。

She said that a succession of Tutankhamen is the granddaughter of the pharaohs Ai, another argument is that she is daughter of Thebes hereditary aristocrats.

一种说法认为她是继承图坦卡蒙的法老艾的孙女，另一种说法则说她是底比斯世袭贵族之女。

Our next stop is the ancient city of Thebes, known today as Luxor.

下一站，我们要到古埃及的底比斯城，也就是现在的路克索市。

The mummy is that of Shepenmut who was once a singer in the Temple of Thebes.

这具木乃伊是Shepenmut的，她曾经是底比斯庙的一个歌手。

The mummy is that of Shepenmut who was once a singer in the Temple of Thebes.

这是曾在底比斯神殿里当过歌手的Shepenmut的木乃伊。

He was mistaken, however, and so were who thought that No-Ammon should be sought in Lower Egypt; Assyrian and Egyptian discoveries leave no doubt whatever that No-Ammon is the same as Thebes in Upper Egypt.

他想错了，然而，谁做了思想，没有阿蒙应寻求下埃及，亚述和埃及发现离开毫无疑问，没有安蒙是一样的底比斯在上埃及。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。