底比斯的

This can include areas outside the cult centre in Thebes.

这可以包括底比斯地区以外中心的邪教。

In a tomb across the river from Thebes, a pharaoh lies in peace.

在底比斯河对岸的坟墓里，一代法老在这安息。

The Athenians, when they heard what had happened to Thebes, very quickly surrendered.

雅典人听到了底比斯城发生的情况，很快就投降了。

Thus they Breathing united force with fixed thought [ 560 ] Mov'd on in silence to soft Pipes that charm'd Thir painful steps o're the burnt soyle; and now Advanc't in view, they stand, a horrid Front Of dreadful length and dazling Arms, in guise Of Warriers old with order'd Spear and Shield, [ 565 ] Awaiting what command thir mighty Chief Had to impose: He through the armed Files Darts his experienc't eye, and soon traverse The whole Battalion views, thir order due, Thir visages and stature as of Gods, [ 570 ] Thir number last he summs.

因为这是从古至今人类中最雄厚的兵力；古来有名的军队跟这支军队相比也只不过是被鹤鸟袭啄的小人国的步兵：无论是弗勒格拉的巨人族，加上得了群神援助的在底比斯和伊利翁交战的，英雄部族；无论是以攸瑟之子为中心的，稗史、传奇中有名的不列颠和亚摩利的骑士们；无论是圣教徒或是邪教徒，所有在阿斯波拉门、蒙塔班，在大马士革、摩洛哥、特列皮松，各地参加教内外比武的好汉阵营； V2：用庄严的调子减轻忧愁、烦恼，有使凡人和天人从心底里，驱除疑惑、恐惧、悲伤、痛苦的力量。

Meroitic script, from an Egyptian tomb painting from the Theban tomb chapel of Sobekhotep.

图4埃及第13王朝的国王叟伯克侯特普在底比斯陵墓中，一幅古墓壁画上刻有梅罗伊文字。

Meroitic script, from an Egyptian tomb painting from the Theban tomb chapel of Sobekhotep.

埃及第13王朝的国王叟伯克侯特普在底比斯陵墓中，一幅古墓壁画上刻有梅罗伊文字。

Muntu II unified the country in 2050 BC, from Thebes, 11th Dynasty ruled the whole of the Egyptian monarchy.

蒙图荷泰普二世在公元前2050年统一全国，从此第十一王朝的底比斯君主统治了整个埃及。

Also nearby is the village of Karnak. It was built to honor the gods of Thebes, a capital of Egypt in ancient times.

也是在 Karnak峡谷附近，有一个古代埃及的首都，这座城用来纪念底比斯神。

The mummy is that of Shepenmut who was once a singer in the Temple of Thebes.

这是曾在底比斯神殿里当过歌手的赛潘姆特木乃伊。

A king of Thebes and the husband of Alcmene.

安菲特律翁底比斯国王，阿尔克墨涅的丈夫

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。