库里

For this I chose the wine, a fantastic bottle of Lustau Almacenista Fino del Puerto Sherry ,$25, Christopher Cannan Selections, Michael Skurnik Imports.

为此，我选择了酒，雪利酒，意想不到瓶 Lustau Almacenista菲诺德尔普埃托 25元，克里斯托弗坎南选，迈克尔斯库尔尼克进口。

I had done a similar thing in, in Central Station where as we were on the road and when we saw the religious processions in that part of Brazil, we soon incorporated them into the film and it didn't exist in the original screenplay either and here the boy started to imitate, you know, as we went back and forth to the location and the animals were there, he started to imitate all of them and then suddenly we started to incorporate that as well, er, same thing with the fire-eater, when she started to show us what she could do, we, we immediately started to, you know, to organically incorporate those elements into the screenplay and that is really a fascinating part of our film, it's the collaborative aspect of it, you know, it's when you realise that without every single person's input, the film wouldn't be the same and this is what really makes cinema depart from most medium, is that you have to accept it's democratic quality, you know, essence in order for a film to really be alive and interesting to watch, I guess.

唔，有趣的是当卡戴尔看完电影就跑来对我说，你知道吗这是最忠于原著的改编版，可很多元素都不同，最后，我认为当你改编小说时，当你把文学转化成电影时，真正需要重视的是小说精髓之处，这比什么都要紧，并且创造出一种两者如对立沟通式的对白而不只是改编，ipsis literis，你知道这书，运用他作为深刻的灵感来源，他允许你探究，你知道，没有素材来源不可能投入进去，有次我看库布里克的访谈，其中说到他偏爱主人公容易塑造的小说而不是小说本身，如此他就能专注于故事构架和情节而不是依照原本，这我可以明白，但换个角度说，如果我自己没有被故事打动，如果是这样，故事无法让我产生共鸣那进行二次创作很困难，因为人物本身就显得很单薄无法定位和改编，但我真的能理解他的感受。

Http://www.zshare.net/audio/671213750036217a/ Yungztuh 403 tha realest on da scene triple beam only seventeen yungin dont give phuc lazz it down foh ma homies on da streets nay mean fake ass snake be ducking around running around like their in a phuc'in track meet so im comming back wid da fourty five leave these hataz 6 feet deep and still alive ima keep it live yo foh son young asian cat wid da gun, dis 187 shiet has just begun want beef 2 sicc wid dis leave ya deseased rest in piss on avenue corner of your block straight banging dis set till midnight clock batttle field got da caps peeled back on side be chillin makin these tracks makin these paper stacks rising these tax on these foos young and dangerous u see cant phuc wid a asian g burry your carcus in a cemetary bettah know yo place laz it down 403 soaked up on hennessy, give ya hataz a taste give me face or ya whole life will be a waste...

http：//www.zshare.net/audio/671213750036217a/ Yungztuh 403三重塔realest梁大舞台上只有17 yungin不要给伏lazz下来文物之友达街道马兄弟，在NaY平均假像蛇屁股回避他们的周围到处乱跑在phuc'in田径运动会等即时通讯回来妇女参与发展达45给这些hataz 6 英尺深，仍然活着的IMA保持住哟亚洲青少年文物之友子猫妇女参与发展的大枪，解散187 shiet刚开始要牛肉二上咨妇女参与发展的存款保险计划给你块遐deseased休息角落小便大道直上敲打时钟设置，直到午夜解散batttle外地回来了侧面大帽去皮这些轨道是待在马金马金纸堆上升这些ü税这些福斯古惑仔妇女参与发展的一个倾斜伏见亚洲克伯里公墓bettah您卡库斯在知道哟地方拉撤路下来浸泡轩尼诗了403起，给予亚hataz味道给我的脸庞，还是遐一生将是一个废物。。。

Then after the break, Milan came back stronger than ever. Yoann Gourcuff set-up Gilardino, who then headed in the ball right past a dumbstruck Fortin.

在经过半场的休息之后，米兰表现得比以往更为强大，古尔库夫助攻吉拉迪诺，后者的头球击败了卡利亚里门将福尔丁。

On 6 October 1941, under the command of Lieutenant Commander Florian Popescu, Carol laid anti-submarine mines in the southern part of Midia-Tuzla barrage, together with the NMS Amiral Murgescu and NMS Dacia mine laying ships, during Operation Varna. On 9 October 1941, Carol laid anti-submarine mines south-west of Cape Kaliakra. On 10 October 1941, at 11:50 hours, after having left Varna harbor with a new load of mines, Carol hit a mine and sunk in 13 minutes, 2 miles away of Galata Burnu lighthouse.

1941年10月6日的瓦尔纳行动中，在弗洛里波佩斯库上尉的指挥下，卡罗尔号与穆歇海军上将号布雷舰、达西亚号布雷舰在Midia-Tuzla一线水域南部布置反潜水雷。1941年10月9日，卡罗尔号在卡利亚克拉海角西南角布置反潜水雷。1941年10月10日，11点50分，卡罗尔号在补充新的水雷后离开瓦尔纳港，当它行驶到2英里外的加拉塔布尔努灯塔处时，撞上一枚水雷并在13分钟内沉没。

In the script, Aayla Secura was stationed on Felucia, alongside fellow Jedi Knights Adi Gallia and Barriss Offee.

在剧本里，艾拉·塞库拉与绝地武士同伴阿迪·加利亚、巴丽斯·奥菲驻守在费卢西亚。

If the temperature of the raw material warehouse will go beyond the temperature limit, use kinetic temperature to determine if the temperature environment is eligibility.

如果原辅料库的温度在特殊的季节里会超出温度范围，则可以用动力学温度计算后的值判定温度环境为合格。

When a beloved great-grandson of Augustus died (a son of Germanicus, a toddler named Gaius), she saw to it that the child's statue was placed in his private quarters.

当奥古斯都的曾孙（盖约，日耳曼尼库斯的儿子，刚刚在蹒跚学路）夭折的时候，她特别关照一定要把小盖约的雕像布置在奥古斯都的房间里。

From its headquarters at Jasmin House, Ayscough Street in Grimsby the company now employs 11 people.

从它在茉莉之家，艾斯库在格里姆斯比街的公司目前雇用11人的总部。

Finland's glacial, yet pastoral winters form the perfect backdrop for these moody, electro-jazz recordings, from the sparse electronic hum of "Intro" to the sultry, cinematic horns and strings sweeping across "The Way I Play." Koivisto's late-night, come-fuck-me coos on the sexy, soulful groover "Quest For Love" will get anyone laid and will certainly do in a pinch if you've lost your "Barry White's Greatest Hits" CD.

芬兰的冰川，然而牧冬天穆迪这些形式的完美背景、电爵士乐唱片，由稀疏电子嗡"内含"的闷热、犀角、弦乐电影席卷"我扮演"罗的深夜，来到-他妈的--我的库斯性感，顾盼开槽"追求爱情"打下一定会有人做了捏若你失去你的"白色巴里的最大点击"光盘。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。