库尔

Four, evaluate value and limit of the Marcuse"s thought, and stress the significance of Marx" criticize of capital.

总体评价马尔库塞思想的价值和限度，强调重视以资本批判为基础的马克思主义实践哲学批判的当代意义。

Thus the paper compares the aesthetic ideas of Schiler with that of Marcuse from the angle of aesthetic Utopia.

本文拟从审美乌托邦角度对席勒和马尔库塞的美学思想进行比较。

Marcuse believed that, contemporary science and technology which as a new form of control is not neutral, it has a clear political intention, and play an ideological function.

马尔库塞认为，作为一种新的控制形式的当代科学技术决不是中立的，它具有明确的政治意向性，发挥着意识形态的功能。

Two reasons drived the development of Marcuse's thought.

推动马尔库塞思想发展的动力有两个：一是坚持对人的本质和人的解放道路理论的执著追求；一是对社会现实问题的关注。

Marcuse's analysis shows class structure and essence of developed industry society, and it also has effect on the culture realization determined by the society.

透过马尔库塞的这一分析，可看到西方发达工业社会的阶级结构以及本质属性，以及为这一社会所决定的文化的现实作用。

Herbert Marcuse's humanism aesthetics has four fundamental characteristics as follows: first, radical criticism of the reality.

马尔库塞的人本主义美学思想具有如下四个方面的特征：第一，激进的现实批判色彩。

Herbert Marcuse (1898—1979) was a great thinker of Frankford Theory.

赫伯特·马尔库塞(Herbert Marcuse，1898—1979)是西方法兰克福学派的重要思想家。

Herbert·Marcuse is an important representative of the western Marxism.

赫伯特·马尔库塞(1898—1979)是西方马克思主义学派的一个重要代表。

But Marcuse only analysed the phenomena without finding a correct way for human liberation.

但是，马尔库塞只看到不人道的现象，而没有找出人类解放的出路。

From Freud s perpective on human nature,Marcuse believes that the repression of lust is the basic feature of the modern civilization.

马尔库塞从弗洛伊德关于人的本质的理解出发，得出爱欲压抑是现代文明的根本特征。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。