库尔

We were brought up on Schumann and Hugo Wolf and sauerkraut and kümmel and potato dumplings.

我们是听舒曼和雨果·沃尔夫的乐曲、吃泡白菜、土豆汤团、喝库莫尔酒成长起来的。

General Kurt von Schleicher, who like his immediate predecessor, Franz von Papen, cared little for the Republic and less for its democracy, and who, also like him, had ruled as Chancellor by presidential decree without recourse to Parliament, had come to the end of his rope after fifty-seven days in office.

库特·冯·施莱彻尔将军，像他的前任弗朗兹·冯·巴本一样，一点也不喜欢共和国，更谈不上喜欢共和国的民主了，而且他也像他的前任一样，未经议会授权，是靠总统命令担任总理一职的。在执政57 天之后，他就已到了山穷水尽、走投无路的地步。

It was at this time that Marcus, though acclaimed imperator, ran on foot in the Circus by the side of the triumphal car in which his son was seated.

这一次，马尔库斯虽然受着皇帝的欢呼，却徒步在广场上，在他儿子乘坐的马车旁边跑着。

Inez Kaukoranta, 14, enjoys films and acting; she is taking notes on Charlie Chaplin's Great Dictator. One of the boys prefers military technology and is making a collage of Second World War bombers.

但也有"特需班"，有专门为他们服务的3位辅导老师；比如，14岁尼科-卡尔贾就坐在特需班的一角，受到约玛-库蒂能老师的特别指导，如今已能用英语说话了。

But, in particular, this incident was mentioned: Marcus sent a certain Libo,60 a cousin of his, as his legate to Syria, and there Libo acted more insolently than a respectful senator should, saying that he would write to his cousin if he happened to need any advice.

但是，特别地，这个事件被提到：马尔库斯派了某个李博（60），他的一个堂兄弟，作为他的特使去叙利亚，在那里李博行动粗野，不像一位谦恭的议员，说他会写信给他的堂兄弟，如果他正好需要任何忠告。

In the character of Berenger, a semi-autobiographical persona who figures in several of his plays, Ionesco portrays the modern man trapped in an office, engaged in shallow relationships, and escaping with alcohol from a world he does not understand.

的性质伯兰吉尔，半自传体的人，谁的数字在他的几个剧本，尤涅斯库描绘现代男子被困在一个办事处，从事浅水关系，摆脱酗酒的世界，他不理解。

Not only Constantin Brancusi, Eugene Ionesco, Emil Cioran, Mircea Eliade, and Nadia Comaneci but also Dracula and Nicolae Ceausescu impart a ...

不仅康斯坦丁罗丹、尤金尤奈斯库、埃米尔cioran，米尔恰eliade，3.7171comaneci、吸血和寿西斯古执政而且传授了

"You mention the remotest,most evocative place-names in the world like El Dorado,Kabul,Irkutsk and someone is bound to say "I've been there"-meaning,"I drove through it at 100 miles an hour on the way to somewhere else.

你提到世界上最遥远、最引人遇思的地名，比如埃尔多拉多、喀布尔、伊尔库茨克，准有人说"我去过那儿"——意思是：我在去另外一个地方的路上，以100英里的时速路过那儿。

But for Irkutsk to the Great Wall Station circuit,there is little relationship between the fading depth and frequency.It seems that the relationship between fading depth and frequency is controlled by the factors such as location,distance etc.

但依尔库茨克－南极长城站电路的衰落深度与频率、时间无关，说明衰落深度与频率、时间的关系还要受距离、位置等因素的影响。

You mention the remotest, most evocative place-names in the world like El Dorado, Kabul, Irkutsk and someone is bound to say 'I've been there'– meaning, 'I drove through it at 100 miles an hour on the way to omewhere else.

你提到的边远，最令人回味的地名，世界上像埃尔多拉多，喀布尔，伊尔库茨克，有人一定会说'我已经有'-意思，'我就开车100英里的时速在通过它的方式到omewhere东西。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。