序曲

Love is but a prelude to life.

爱情仅仅是生活的序曲。

The prelude of the night is commenced in the music of...

夜的序曲是开始于夕阳西下的音乐，开始于它对难以形容的黑暗所作的庄严的赞歌。

We are here and everything that is past, is prologue to this.

别说没做到，我们做到了，我们在这儿，过去种种都是现在的序曲。

Rameau had used accompanied recitative and the overture in his later operas reflected the action to come.

Rameau使用了伴随的背诵，并且序曲在他的最新歌剧反射行动来。

Namely they are prelude, recitative, aria, duet and chorus which elaborate Mozart's opera's music language and display its unique techniques.

这部分主要包括：《虚伪的单身汉》的序曲；《虚伪的单身汉》的宣叙调；《虚伪的单身汉》的咏叹调；《虚伪的单身汉》的重唱；《虚伪的单身汉》的合唱等。

Its content respectively,ranges from the opera's overture,recitativo, aria,ensemble,chorus,to the chinese elements in the script.In terms of that six aspects,the music language and performance practices are analysed in details,as well as other characters.

这是本文的重点，分别从歌剧的序曲、宣叙调、咏叹调、重唱、合唱、剧本中的中国元素等六个方面来详细分析普契尼歌剧的音乐语言和音乐表现手法等特点。

Sleep would come easily and in the morning the red squirrel would be on the roof, tapping out his gay routine.

红色的松鼠一大早就跳上了屋顶，奏响了自己一天生活的序曲。

The first piece in the program is Rossini's William Tell Overture. This gigantic masterpiece （8） conveys the energy of Italian soul and the grandeur of the fable myth of the Swiss hero.

第一首演奏曲目是罗西尼的《威廉退尔》序曲，这首著名曲目（8）完美地传达了意大利精神的力量和瑞士英雄的传奇事迹。

Qing officials, as we have seen, had explored all varieties of military mobilization in order to crush the rebel regimes: they had used the Eight Banner and Green Standard armies, local gentry-led militia, and semiprivate regional armies like the Xiang and the Huai; they had also developed military-agricultural bases as well as defensive perimeters of waterways and forts, and had made selective use of Western officers and mercenary troops.

诚如所见，满清官员动员一切军事资源，包括八旗与绿营军、地方士绅组织的团练乡勇，以及诸如湘军、淮军这类半私人性质的区域武装力量，以摧毁反叛政权：他们实行屯田政策，建筑壕沟、堡垒等防御工事，有条件用洋人军官、佣兵，这些措施只不过是中央一页政策的序曲：同治中兴时期的政治人物亟欲重建儒家政治的基本价值。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城"2000中国古典音乐系列音乐会"委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

With Death guitarist Schuldiner adopting vocal duties, the band made a major impact on the scene.

随着死亡的吉他手Schuldiner接受主唱的职务，乐队在现实中树立了重要的影响。

But he could still end up breakfasting on Swiss-government issue muesli because all six are accused of nicking around 45 million pounds they should have paid to FIFA.

不过他最后仍有可能沦为瑞士政府&议事餐桌&上的一道早餐，因为这所有六个人都被指控把本应支付给国际足联的大约4500万英镑骗了个精光。