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庄子

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Zhuang would rather do in the free ri tail of the mud turtle, do not be tied Angtou the giant came.

庄子宁愿做自由的在烂泥塘里摇头摆尾的乌龟,而不做受人束缚的昂头阔步的千里马。

Zhuangzi would rather be free in the mud pond Yaotoubaiwei turtle, do not hold your head high by people tied the Maxima.

庄子宁愿做自由的在烂泥塘里摇头摆尾的乌龟,而不做受人束缚的昂头阔步的千里马。

This thesis aims to discuss Zhuangzi's method of transcending the predicaments in life.

本论文旨在论证庄子之超越生命困境之道。

The former would not investigate what aesthetic fashions and activities there were but analyze what Confucius and Zhuangzi once said, that is, to discover the selfconscious levels of aesthetic ideas in the time in question through the study of ancient books, in other words, to validate the logical levels of aesthetic ideals in the society in question displayed in the theories by ancient philosophers. The later would not pay much attention to the sayings and writings by them but emphatically analyze the shapes and lines of potteries and the styles of calligraphy and brush drawings and the lines and manufacture of bronze utensils, that is, to realistically reveal the types of material configurations in which the aesthetic activities in a time embodied, in other words, to demonstrate in a descriptive way the artistic effects that the aesthetic experiences in a time could make.

前者不去考察先秦时代究竟存在着哪些审美风尚和审美活动,而旨在分析孔子说过什么,庄子说过什么,即要从古代文献的字里行间中发现那个时代的审美观念究竟达到了何种自觉的程度,即要从古代哲人的理论表述中确认那个社会的审美理想究竟达到了什么样的逻辑水准;后者则不太关心思想家、哲学家的言论和著作,而着重分析陶器的形状、书画的风格、青铜器的线条与制作,即要从实证的角度发现一个时代的审美活动究竟体现为何种类型的物质形态,即要以描述的方式来证实一个社会的审美经验究竟凝结为什么样式的艺术成果。

In any period of history, when mankind was able to perceive its own futility, its own smallness, and its own follies and inconsistencies, a humorist appeared, like Chuangtse of China, Omar Khayyam of Persia, and Aristophanes of Greece.

在历史长河中的任一段时期,每当人类切身体会到自身的无力、渺小、无知以及矛盾,就会有一位幽默主义者降临人间,譬如中国的庄子,譬如波斯的欧玛尔·海亚姆以及古希腊的亚里斯多芬。

The Big in Chuangtzu's poetics transcends the moral meaning, and bears the connotation of aesthetic level and can be integrated with the Sublime of Longinus' works.

与先秦其他各家不同,庄子诗学思想中的&大&超越了伦理层面的道德意义而更具有审美层面的内涵,与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。

At the same time, the author makes a distinction between different categories of Big in the pro-Qin literature. The Big of Chuangtzu's poetics thought transcends the moral meaning, so has the connotation of aesthetic level and can integrate with the Sublime of Longinus.

并且考察中国先秦典籍中&大&这一范畴的不同内涵,指出庄子诗学思想中的&大&与先秦其他各家不同,超越了伦理层面的道德意义而更具有审美层面的内涵,与处于西方文明源头的朗加纳斯的崇高范畴具有汇通意义。

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