幽默的

The thinkers of the Lunyu School fully expressed their persistence of individualism and their reconsideration in literary modernity Yet the persistence and escape existed side by side, this mode of behavior and thinking indicated that the self-subject of the modern scholars was illusive and was hard to carry on when the modern scholars were covered by the powerful tradition and deeply controlled by modernity's consciousness of time Chapter Two Reconsidering on the character of modernity with leisure ampleness, resisting the human alienation caused by modern materialism and mechanism with humor, reaffirming the space of self-expression, which formed the humor, the leisure, the modern, and the aesthetic spirit implication of Lunyu School But the modern scholar's powerful inclining to the tradition made Lunyu School's aestheticism draw close to live in seclusion And its aesthetic modernity is also discounted for that reason Chapter Three It is the emotion and the leisure manner owning by the middle aged people that help to bring about Lunyu School's essay's adjusting in main key and moving massively in theme Lunyu School changed the way for "gaining the experience of life"in the twenties'prose It went from highly enthusiastic writings to reserved life-concerning and recite with appreciation in everyday life

第一章 三十年代左翼文学以其"新"、"进步"和"时代性"确立了自己的合理性地位，而时代思潮的转换、文艺与政治的日益密切使五四自由知识分子所坚持的个人主义成了"落伍""颓废"的表征。论语派自由思想者充分表达了对个人主义的执着、对文学现代性的反思，但坚持与逃逸并存的行为与思维模式表明现代士子在忧生伤世的强大传统笼罩下和一往无前的现代性时间意识的深刻控制下，个人主体的难以为继和虚幻性。第二章以闲适的余裕对奔竞躁进、汲汲功利、一往无前的现代性特征进行反思，以幽默对抗现代物质主义机械主义对人灵智的异化，重申自我表现的空间，构成论语派幽默闲适的现代性审美精神内涵。但现代文人对于传统的强大趋同力，则使论语派审美主义向隐逸文化靠拢，其审美现代性由此大打折扣。第三章中年情感与闲适气度直接促成论语派散文基调上的调整及主题的大幅横移，在趣味、游戏、幽默、闲适中改变了二十年代散文"问世"的径路，从意兴湍飞的激扬文字走向了沉潜适世的生命关怀与日常人生的吟味与咀嚼。

Third, because It is long for Yanzi Annal to be set after it was widely circulated,processed and edited ,all kinds of thought can be found in stories,including those from the state of Qi and various schools of thought ,which reflect freedom on thought in the Spring and Autumn Period.

在《晏子春秋》之前，中国文学虽不乏幽默，但直到《晏子春秋》，幽默才成为了全书的主要艺术风格。

Black humor is a type of modern humor that is caused by anger.

黑色幽默是一种由于愤怒引起的现代幽默。

Thus, the black humor is also known as the catastrophe of humor, gallows humor the next.

因而，黑色幽默也被称作"大祸临头"的幽默，"绞刑架下的"幽默。

His published works include "Selection of Fang Cheng's Cartoons","Humor, Satire and Cartoon","Clownery and Humor","Collection of Fang Cheng's Comic Strips","Art of Laughing","Newspaper and Periodical Cartoon","Appreciation of Caricature Art","Fang Cheng talking about Caricature Art" and etc.

出版有《方成漫画选》、《幽默·讽刺·漫画》、《滑稽与幽默》、《方成连环漫画集》、《笑的艺术》、《报刊漫画》、《漫画艺术欣赏》、《方成谈漫画艺术》等。

Humor is the life of cross talk. No cross can survive without humor.

幽默是相声的生命，没有幽默就没有相声。

The humor of text in Europe is a 揶揄 in good intentions in imply light irony;The mark · vomits the humor of to be filled with the vernacular speech of the slang, funny and sarcastic depiction and very grandiloquent of image, announce to public the truth in the life;The humor of text ·肖 in Europe is then in paying attention to the humor humor and wit of the description person personality.

欧文的幽默是在善意的揶揄之中含有淡淡的讽刺；马克·吐温的幽默以充满俚语的口语，滑稽、俏皮的描写和极夸张的形象，揭示了生活中的真理；欧文·肖的幽默则在注重描述人物性格的幽默风趣上。

The humour style of Zhangs novels is embodied by abundant humour language in surface layer, so it is necessary to do some research to those language from the point of view of linguistics.

张爱玲的文体幽默通过大量的表层幽默语言得到体现，有必要从语言学的角度对张爱玲小说的幽默语言加以研究。

The frame of my dissertation is just as follows:Introduction:Synopsize Chinese traditional theories of humor and literature and point out that in China modern theories of humor have gradually set up since "human" was discovered in the May 4th campaign.

论文框架如下：前言：简述我国有关传统幽默理论及幽默文学的发展概况并指出直到&五四&新文化运动随着对&人&的发现，中国现代幽默理论才逐渐得以确立。

This paper aims at analyzing the mechanisms of humor from the perspective of logic inspired from the interactional between executants and respondent, which is the starting point of this thesis. The analysis will concentrate on those humor productions in which different perceptions of the utterances results in the dislocation of logic.

本文以幽默话语中发话人和受话人的互动关系为出发点，从语言的逻辑性角度分析幽默语言的制笑机理，侧重分析言语事件中由于视角不同，造成逻辑错位及特定环境下语用联系的缺失而产生的幽默。

What would he tell Judith and the children?

他将怎样告诉朱迪丝和孩子们呢？

I this is at that time, the opinion with peacockish true girl is full of in a heart.

这就是当时的我，一个心中布满虚荣的女孩子真实的想法。